Null VICTOR PEDRA. “The sound of the flowers”. (d) Oil on canvas
Signed
54x65 cm…
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VICTOR PEDRA. “The sound of the flowers”. (d) Oil on canvas Signed 54x65 cm. In good condition.

745 

VICTOR PEDRA. “The sound of the flowers”. (d) Oil on canvas Signed 54x65 cm. In good condition.

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After "LE CORBUSIER" (Switzerland, 1887 - France, 1965), years 80-90. LC4 chaise lounge. Metal structure and leather upholstery. It presents breakage in one of the leather hooks that connects the structure to the cover. Remains of rust on the iron base. Measurements: 90 x 55 x 160 cm. The LC 4 chaise longue, presented at the 1929 Salon d'Automne du Design, is the best known of Le Corbusier's furniture. It is a purist, radical design that won critical acclaim in its time and is still a classic of 20th century design today. This modern edition seeks greater comfort by presenting the upholstery with more padding than the original design. Architectural theorist, architect, designer and painter Swiss, naturalized French, Le Corbusier is considered one of the clearest exponents of the Modern Movement in architecture, and one of the most influential architects of the twentieth century. He developed a new architecture based on five points that would be key to the development of this discipline from then on: the free plan, the garden-terrace, the "pilotis", the longitudinal window and the free facade. Among his most outstanding architectural projects are the Swiss Pavilion of the Cité Universitaire de Paris, the Unité d'Habitation in Marseille and the chapel of Notre Dame du Aut. in Ronchamp. As a furniture designer, Le Corbusier made his first creations with Pierre Jeanneret and Charlotte Perriand, obtaining the definitive impulse in the Paris Decorative Arts Exhibition of 1925. Already his first chairs and armchairs were conceived in terms of comfort, and based on anthropometric studies that guarantee a total adaptability to the body. The first design that Le Corbusier created, together with Jeanneret and Perriand, was the LC1 chair, presented in 1928 and characterized by a height-adjustable backrest that allowed the user to choose the most comfortable posture. He would continue to work along these lines, and at the 1929 Salon d'Automne du Design he presented his LC4 chaise longue, a purist and radical design that has become a classic today. Equally well known are his LC2, LC3 and LC5 designs, one-, two- and three-seater sofas designed to revolutionize the mass production of modern furniture. We must also highlight the design of stools and dining chairs, such as the LC7, presented at the 1929 Salon d'Automne or the LC8. Le Corbusier, Jeanneret and Perriand sought to design furniture for all rooms of the house, and so they created pieces like the LC9, a stool for the bathroom, very simple, with fabric seat. Le Corbusier also created other types of furniture, such as tables and shelves. His designs are currently edited by the Italian company Cassina, and are present in important collections such as the MoMA in New York or the Victoria & Albert in London.

RICHARD HUTTEN (Zwollerkerspel, Holland, 1967). Pair of Berlage chairs. Oak and black fabric strips. In good condition. Presents manufacturing stamp on the back crossbar (made in Rotterdam). Measurements: 85 x 42 x 57.5 cm. Richard Hutten was inspired by architect Berlage's throne chair, created for the Dutch Van Hengel family in 1911. Its main feature is that the back of the chair extends to the back legs. Combining industrial creation techniques for the structure and artisanal techniques for the weaving of the seat using hand-tied straps, the finish is unique and unrepeatable. This chair is in the collections of the Gemeentemuseum The Hague and the Boijmans van Beuningen Museum in Rotterdam. Richard Hutten opened his studio in Rotterdam after graduating from the Design Academy of Eindhoven in 1991. He is one of the leading exponents of Droog Design, in which he has been involved since its inception in 1993, making him one of the main founders of the famous Dutch design movement. He entered the international design scene with the conceptual pieces The Cross and S(h)it on it, positioning himself as a designer with his own discourse with the idea of 'no sign of design', functional pieces of a conceptual and humorous nature. Since 2008, Richard Hutten has been the artistic director of Gispen, the second largest and most famous furniture brand in the Netherlands, with almost 100 years of history. His work is part of the permanent collections of more than 40 museums worldwide, making him one of the most collected living designers. The list includes MoMa in New York, the Museum of Modern Art in San Francisco, the Stedelijk Museum of Modern Art in Amsterdam, the Central Museum in Utrecht and the Vitra Design Museum, among others.