Null T. PÉREZ. AFTER BARTOLOMÉ ESTEBAN MURILLO. Madonna and Child, known as “Mad…

Descripción

T. PÉREZ. AFTER BARTOLOMÉ ESTEBAN MURILLO. Madonna and Child, known as “Madonna with the Napkin”. Oil on canvas Signed, located in Seville and dated 1939 46x47 cm. Gilt wood frame. Pictorial gaps.

542

T. PÉREZ. AFTER BARTOLOMÉ ESTEBAN MURILLO. Madonna and Child, known as “Madonna with the Napkin”. Oil on canvas Signed, located in Seville and dated 1939 46x47 cm. Gilt wood frame. Pictorial gaps.

Las pujas estan cerradas para este lote. Ver los resultados

Podría interesarle

Valorac. 2 000 - 2 500 EUR

Círculo de BARTOLOMÉ ESTEBAN MURILLO (Sevilla, 1617 - Cádiz, 1682). "San Francisco de Paula". Óleo sobre lienzo. Conserva el lienzo original. Presenta ligeros desperfectos y pérdidas en la superficie pictórica. Medidas: 118 x 88 cm; 146 x 116 cm (marco). La caracterización del protagonista de esta obra representado como un anciano de barba cana vestido con hábito, apoyado en un bastón, indica que se trata de la representación de San Francisco de Paula. Tanto el modelo del santo como el fondo en el que está inscrito indican que el autor de esta obra se basa en el modelo creado por Murillo (P000991), actualmente en la colección del Museo del Prado de Madrid. San Francisco de Paula (1416-1507) fue un eremita italiano, fundador de la Orden de los Mínimos. Muy joven comenzó su vida de ermitaño en las afueras de su ciudad natal, Paula. Poco a poco fue adquiriendo fama por sus prodigios, y hacia 1450 ya había un grupo de seguidores en torno a su figura. Su comunidad creció, y en 1470 la Congregación de Ermitaños (la futura Orden de los Mínimos) recibió la aprobación diocesana del arzobispo de Consenza. Cuatro años más tarde, el Papa Sixto IV les concedió la aprobación pontificia. En 1483 Francisco de Paula viajó a Francia por orden del Papa y a petición del rey Luis XI. Allí desarrolló una labor diplomática a favor de la Santa Sede, al tiempo que intentaba obtener la aprobación de una Regla para su congregación, que finalmente consiguió en 1493. Hasta su muerte, Francisco de Paula contaría con el apoyo y la protección de los monarcas franceses, y pocos años después de su muerte se iniciarían los procesos para su canonización en Calabria, Tourse y Amiens, en los que testificaron numerosos testigos de su vida y milagros. Finalmente fue beatificado en 1513 y canonizado en 1519. Presenta ligeros desperfectos y pérdidas en la superficie pictórica.

No hay ninguna valoración

Goddess head made of iron. Roman Culture, 2nd - 3rd century AD Origin - Private collection, Miklos Bokor (Budapest, 1927 - Paris, 2019), Paris, France. *Miklos Bokor was a Franco-Hungarian painter and essayist born in Budapest on March 2, 1927 and died in Paris on March 18, 2019. Miklos Bokor was deported to the Auschwitz extermination camp with his entire family in 1944. After the death of his mother, he was transferred to Buchenwald, Rhemsdorf, Tröglitz and Kleinau with his father, who disappeared in Bergen-Belsen. After being liberated in 1945, he was repatriated to Budapest by the International Red Cross and Red Crescent Movement. After a first private exhibition in Budapest in 1953, Miklos Bokor remained in Paris and settled definitively in France in 1960. At the Janine Hoa gallery, which presented his paintings in 1962, he became friends with the poets Yves Bonnefoy and André du Bouchet, who would later regularly present his exhibitions. For more than 40 years he had a workshop at La Ruche, the famous Paris artists' residence. Boklor's art was inspired by his experiences in the Holocaust and his work reflects the horror of the extermination. He once described this impact in his work as: Something happened in Auschwitz that haunts society like a gap, a wound that does not heal. Upon returning from death, he who has lived in his flesh and in his spirit the experience of dehumanization begins to paint the unspeakable. Much of Boklor's work is part of the collections of the Museum of Modern Art in Paris. As an artist he was interested in other painters as well as in cultures prior to the civilization that triggered such a terrible situation. He formed a large collection of archaeological objects, focused above all on the Near East and the birth of civilization on the banks of the Euphrates. 6.5cm high

Valorac. 3 000 - 3 200 EUR

Lounge Chair in the style of GIO PONTI (Milan, 1891 - 1979). Brass structure. Upholstery in blue and gray velvet. New upholstery in very good condition. Measurements: 96 x 72 x 80 cm. Armchair with brass tube feet and upper structure of angular shapes that embrace the user. It is a design halfway between the design tradition of the twentieth century and futuristic fantasy, dominated by a bichrome that avoids the stridencies and characterized by the play of planes and volumes. Architect, designer and academic, Gio Ponti is, along with Ettore Sottsass, the leader of the most sought-after Italian designers of the 20th century by collectors. In addition to the elegance of his furniture, sensitive to functionality, yet original at the same time, Ponti is recognized for his volcanic creativity, which led him to produce and design until the 1970s. His ability to give voice to new trends made him the "inventor" of the Made in Italy design concept. Ponti studied architecture at the Politecnico. After World War I, in which he had to serve, he worked as artistic director for the respected ceramic manufacturing company Richard-Ginori. Between 1923 and 1927 he partnered with architects Mino Fiocchi and Emilio Lancia, opening his own studio in 1928, and founded the famous design magazine Domus, through whose pages (and those of Lo Stile, a magazine he would found and edit in the 1940s) Ponti influenced international taste in design for more than fifty years. By 1933, Ponti partnered with engineers Antonio Fornaroli and Eugenio Soncini to create the Ponti-Fornaroli-Soncini studio, which firmly embraced the modernist aesthetic and worked until 1945. In 1950, Ponti was awarded the commission for what would become one of the iconic buildings of the 20th century, the 32-story Pirelli Tower in Milan. Throughout his career, Ponti played many different roles: architect, industrial designer, craftsman, teacher, painter, editor and journalist.

Valorac. 1 000 - 1 200 EUR

ROBERT SLEZAK for Slezak Factories. Czech Republic, ca.1930's. Writing desk. White painted metal. Black glass. Shows signs of use and wear. Needs restoration. Measurements: 80 x 115 x 60 cm. Desk designed by the Czech artist Robert Slezak in the thirties, following the precepts of the German Bauhaus. The tubular structure and the small spherical feet give lightness and boldness to a design in accordance with the aesthetic and conceptual interests of the modern movement. The cabinet has three drawers with ball handles, and the top is covered with black glass. Robert Slezak founded Slezak Factories in 1908, a Czech furniture brand specializing in chrome-plated and bent metal furniture, which initially operated as a locksmith's shop and building fittings. The workshop developed rapidly, production was first extended to the popular brass fittings and new galvanic plating technology was introduced in the new facility. In 1911, it was one of the first manufacturers to offer galvanic plating of copper, nickel and chromium on the surface of products. From 1913, it began production of metal chairs and brass furniture, including beds, tables and chairs with its own designs in a combination of metal and wood. The original Slezák factories became part of the Kovona company after 1948, and since 1992 it has been called Kovonax. It presents marks of use and wear. Needs restoration.

Pagos Online seguros garantizados por Ingenico y transacciones encriptadas.

Cada lote ha sido autenticado y valorado por una casa de subasta.

Consulte nuestra sección de ayuda o póngase en contacto con nosotros

Historica casa de subasta , Drouot es la casa de subastas mas grande de Francia. Abierta a todo el mundo, la institución es el lugar ideal para los amantes del arte y la decoración. La plataforma de subastas en línea drouot.com le permite pujar a distancia, desde cualquier lugar, y acceder al mayor catálogo de arte y objetos decorativos de la Europa continental.

El Grupo Drouot

CASAS DE SUBASTAS ASOCIADAS A DROUOT

Contactos

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]

Área de prensa

Visitas y privatizaciones