Null MARIE ANTOINETTE BOULLARD-DEVÉ. Untitled. Oil on hardboard
54x73 cm. Slight…

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MARIE ANTOINETTE BOULLARD-DEVÉ. Untitled. Oil on hardboard 54x73 cm. Slight damages.

490

MARIE ANTOINETTE BOULLARD-DEVÉ. Untitled. Oil on hardboard 54x73 cm. Slight damages.

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Valorac. 800 - 1 000 EUR

Table lamp; Fase President model by GEI (Gabinete de Estudios Industriales), 1960s. Metal and wood. Electrified. In working order. In good condition. With signature on the base. Measurements: 44 x 60 x 30 cm. Spanish lighting manufacturer Fase was founded in Madrid in 1964 by industrial designer Pedro Martín. Martín sold his self-produced lamps first in markets, before successfully establishing a factory in Torrejón de Ardoz, on the outskirts of Madrid. In the 1970s, Fase was a major player in the Spanish manufacturing industry, contributing to an economy struggling with oil crises and a difficult transition to democracy. Fase sold lighting for more than three decades to 32 different countries, with its largest markets being the United Kingdom, France, Italy, Germany, United Arab Emirates, Japan, Canada and the United States. Despite Fase's commercial success, information about the company and its history is scarce and sources often contradictory. Early Fase designs are considered modern, with original combinations of metals such as chrome and steel, with marble and wood, in a range of bright colors. Often, the fixtures could also be moved thanks to a sophisticated swivel system devised by early Fase designers, which soon became a trademark along with their glass diffusers. Important Fase designs include Boomerang 64, Boomerang 2000, 520, Faro and President, all of which are believed to have been designed in the 1960s. Beginning in the 1970s, Fase introduced modern Italian and Bauhaus-inspired designs to a Spanish public that, emerging from the Franco period, was unfamiliar with the most iconic styles of the 20th century. In addition to combining traditional materials such as wood with a modernist aesthetic, Fase created many lamps in a thoroughly modernist style. Lamps from this period include the Tharsis and the Babylon, both in chrome but with single and double lamps respectively, as well as the Harpoon and the stainless steel Impala (all from the 1970s). Fase's lighting designers and workers remain largely anonymous, resulting in many lamps being falsely advertised as being produced by the Spanish manufacturer, giving rise to a whole genre of "Fase-type" lighting, which can be seen in lamps produced by Madrid-based lighting manufacturers Lupela, GEI (Gabinete Estudios Industriales) and Ma-Of. Authentic Fase lamps can be identified by the company name or logo, usually found on the lamp base or socket. In the 1980s, Fase began manufacturing halogen lamps. Although these lamps were very popular and novel at the time, the break with tradition was unsuccessful and ultimately contributed to the company's demise.

Valorac. 5 000 - 5 500 EUR

MARIO BELLINI (Milan, 1935) for B&B Italia. 2-seater sofa "Le Bambole", designed in the 70s. Original leather with signs of wear due to age. Measurements: 73 x 170 x 85 cm; 42 cm (seat height). The Bambole armchair, with large, soft cushions, is an icon of Italian design of the 1970s, winner of the Compasso d'Oro in 1979. It was a revolutionary model, reflected as a series of large upholstered cushions placed together almost randomly, in response to the transformations of life underway in the early part of that decade. The innovation of the design led photographer Oliviero Toscani to photograph Donna Jordan (a model he met at Warhol's Factory) lying bare-breasted on it. These images were first censored, but later went around the world in magazines and design manuals. Trained as an architect at the Polytechnic University of Milan, Mario Bellini founded his studio in 1987, winning with his brand the Gold Medal of the Chartered Society of Designers in the United Kingdom. He has also received the Compasso d'Oro 8 times and 25 of his works are in the permanent design exhibition at MoMA in New York. His profession goes beyond architecture and urban planning, as his passion for decoration has led him to become a furniture designer collaborating with internationally recognized brands such as Cassina, Kartell, Rosenthal, Venini, Vitra, Driade or Natuzzi. The impact and influence of Bellini, has led him to be present in major projects such as The Museum of Islamic Arts at Louvre Museum in 2012, or in the extension of the National Gallery of Victoria in Melbourne in 2003.

Valorac. 5 000 - 5 500 EUR

MARIO BELLINI (Milan, 1935) for B&B Italia. 2-seater sofa "Le Bambole", designed in the 70s. Original leather with signs of wear due to age. Measurements: 73 x 170 x 85 cm; 42 cm (seat height). The Bambole armchair, with large, soft cushions, is an icon of Italian design of the 1970s, winner of the Compasso d'Oro in 1979. It was a revolutionary model, reflected as a series of large upholstered cushions placed together almost randomly, in response to the transformations of life underway in the early part of that decade. The innovation of the design led photographer Oliviero Toscani to photograph Donna Jordan (a model he met at Warhol's Factory) lying bare-breasted on it. These images were first censored, but later went around the world in magazines and design manuals. Trained as an architect at the Polytechnic University of Milan, Mario Bellini founded his studio in 1987, winning with his brand the Gold Medal of the Chartered Society of Designers in the United Kingdom. He has also received the Compasso d'Oro 8 times and 25 of his works are in the permanent design exhibition at MoMA in New York. His profession goes beyond architecture and urban planning, as his passion for decoration has led him to become a furniture designer collaborating with internationally recognized brands such as Cassina, Kartell, Rosenthal, Venini, Vitra, Driade or Natuzzi. The impact and influence of Bellini, has led him to be present in major projects such as The Museum of Islamic Arts at Louvre Museum in 2012, or in the extension of the National Gallery of Victoria in Melbourne in 2003.

Valorac. 16 000 - 18 000 EUR

[MARIE-THERESE, infanta de España y delfina de Francia ]. Pecho de armas viajero. Sl, sd (c. 1745). Magnífico objeto histórico con el escudo de armas de la infanta María Teresa Antonieta de España, primera esposa de Luis de Francia, hijo mayor de Luis XV. Arcón de viaje en marroquinería roja con el escudo de armas. Alto 23 x Largo 57,5 x Ancho 29,7 cm. Pieza excepcional por su rareza, calidad y origen principesco, este cofre fue realizado en Francia por el marroquinero L . Lecoq, cuya marca reveladora está estampada en el lomo (emblema del gallo rodeado de su número L L) con una plancha dorada sobre el morroco. Los Lecoq constituyeron una familia y una verdadera dinastía de marroquineros expertos que fueron fieles proveedores de la corte de Versalles durante todo el siglo XVIII. Marie-Thérèse Antoinette Raphaëlle de Bourbon, Infanta de España y Delfina de Francia, nacida en Madrid en 1726 y fallecida en Versalles en 1746, era una princesa española, hija de Felipe V y de Isabel Farnesio, que se casó en 1745 con el Delfín Luis de Francia, hijo mayor de Luis XV y futuro padre de Luis XVI (nunca reinó) para reconciliar Francia y España (al mismo tiempo que Madame Première se casaba con el Infante Felipe). Este tipo de mobiliario de viaje es un raro recuerdo del tren que seguían todas las princesas francesas en sus viajes. Estos pequeños baúles podrían haber servido para guardar accesorios, vajilla, libros diversos, etc. (OHR, 2525). El baúl está en muy buen estado. Pequeñas señales de desgaste en el marroquinado, discreta suciedad (polvo ennegrecido en las guarniciones o en la parte inferior) y pequeñas restauraciones (parte inferior y cordones de apertura colocados posteriormente, probablemente en lugar de soportes a menudo del mismo metal que las guarniciones exteriores de este tipo de objetos). Dorados ligeramente oscurecidos u oxidados en todos los pulsadores.

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