Null MARIE ANTOINETTE BOULARD-DEVÉ. Maternity, Vietnam. Charcoal on paper stuck …

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MARIE ANTOINETTE BOULARD-DEVÉ. Maternity, Vietnam. Charcoal on paper stuck to hardboard Signed and located in Vietnam. Made circa 1926. 39x25 cm. Moisture stains and folds.

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MARIE ANTOINETTE BOULARD-DEVÉ. Maternity, Vietnam. Charcoal on paper stuck to hardboard Signed and located in Vietnam. Made circa 1926. 39x25 cm. Moisture stains and folds.

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Valorac. 2 500 - 3 000 EUR

PACO PEREGRÍN (Almería, 1976). "Escorpión", 2015. Fotografía digital montada en aluminio. Se entregará certificado de autenticidad emitido por el artista. La obra se publica en la página web del artista. -Bibliografía: Revista Fucking Young! nº 6 yCatálogo de la exposición "Artificio". Centro Andaluz de la Fotografía (CAF), 2018. -Exposiciones: Centro Andaluz de la Fotografía (CAF). Exposición individual "Artificio", del 1 de junio al 15 de julio de 2018.Medidas: 50 x 40 cm; 51 x 41 cm (marco). Paco Peregrín es un destacado fotógrafo, artista visual y director creativo andaluz, afincado en Madrid, que trabaja internacionalmente en el mundo del arte, la publicidad y la moda (ha realizado y dirigido proyectos de alto nivel para marcas globales como Dior, Chanel, Saint Laurent, L'Oréal Paris, Lancôme, Shiseido, Marie Dalgar, L'Occitane, La Rinascente, Vögele Shoes, Adidas, Nike, etc.). Publica en prestigiosas revistas como Vogue (IT, DE, ES), Harper's Bazaar (US, Rusia, España y Vietnam), VMAN, L'Officiel, Vanity Fair, ELLE, Marie Claire, Grazia, Cosmopolitan, Glamour, Dsection, Fucking Young!, Vision, Zink!, Neo2, Yo Dona, Vanidad, Schön!, Noi.se, Allure, NYLON, etc. Licenciado en Bellas Artes por la Universidad de Sevilla, amplió su formación en el International Center of Photography (Nueva York), Central Saint Martins College of Art and Design (Londres), Universidad Complutense de Madrid, Universidad de Santiago de Compostela... Ha recibido importantes becas (Pilar Juncosa y Sotheby's, Talens, Universidad Complutense, Ayuntamiento de Sevilla, Proyectos de Fotografía Caja San Fernando, Centro Andaluz de la Fotografía, etc) y su obra audiovisual ha sido premiada en festivales internacionales como el Chicago Fashion Film Festival, el London Fashion Film Festival, el International Fashion Film Festival Brussels y el Global Short Film Awards Festival de Cannes. Su obra forma parte de importantes colecciones de arte (Centro Andaluz de la Fotografía, Comunidad de Madrid, Instituto Andaluz de la Juventud, Universidad de Sevilla, Fundación Talens, Colección de Arte Contemporáneo Delegación de Cultura de Doña Mencía, Centro Andaluz de Arte Seriado...) y está incluido en numerosos libros como "Artificio" (Centro Andaluz de la Fotografía, Editorial Universidad de Almería), "Facing", 6th Crossover Art Project (Marie Dalgar, Pekín), "Super-Modified: The Behance Book of Creative Work" (Gestalten), "Diccionario de fotógrafos españoles (La Fábrica & Acción Cultural Española), "Otherworldly" (Gestalten), "New Fashion Photography" (Prestel), "PALETTE 03: Gold & Silver, New Metallic Graphics" (Victionary), "PALETTE 02: Multicolour, New Rainbow-hued Graphics" (Victionary), "Cazadores de Tendencias: los nombres esenciales de Moda Española" (Lunwerg), "STAND BY_012. Guía de Fotografía Andaluza Actual" (Fundación Valentín de Madariaga & MP Corporation), "Hair'em Scare'em" (Gestalten) o "Arte desde Andalucía para el siglo XXI catalogación monográfica ilustrada del joven arte andaluz" (Consejería de Cultura de la Junta de Andalucía). He expuesto en galerías de Nueva York, Pekín, París, Barcelona, Madrid, Berlín, Sevilla, San Sebastián, Valencia, Cáceres, Almería .... y en museos como el Centro Andaluz de Arte Contemporáneo (Sevilla), el Museo Cristóbal Balenciaga (Getaria, Gipuzkoa), el Museo de Artes y Tradiciones de Sevilla, CaixaForum Sevilla, el Centro Andaluz de la Fotografía, ARTSevilla, la Sala de Exposiciones del Canal de Isabel II, Forosur 2004 (Feria Iberoamericana de Arte Contemporáneo) y PHotoESPAÑA. La obra de Peregrín es rica en simbolismo, inspirada en el arte clásico, la pintura flamenca y barroca y también en la cultura de vanguardia más experimental. Se ha centrado en la imagen social del cuerpo, su percepción, los cánones de belleza contemporáneos, el concepto de máscara, el paso del tiempo, la comunicación en los medios de comunicación de masas, la publicidad en la sociedad de consumo, las nuevas tecnologías y la representación del cuerpo como lugar para investigar las consecuencias del poder y los roles de género en la actualidad. Se entregará un certificado de autenticidad expedido por el artista. La obra está publicada en la página web del artista. -Bibliografía: Revista Fucking Young! nº 6 yCatálogo de la exposición "Artificio". Centro Andaluz de la Fotografía (CAF), 2018.

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Pair of military boxes. One of them, from the conflict of the invasion of Kampuchea, made of wood with herringbone marquetry on the edge. Brass fittings. The other, antique, also made of wood and with trimmed brass fittings. Vietnam, Pps. and the middle of the 20th century. *Some faults. 16 x 25 x 43 cm the smallest. 25 x 41 x 64 cm the largest.

Valorac. 5 000 - 5 500 EUR

MARIO BELLINI (Milan, 1935) for B&B Italia. 2-seater sofa "Le Bambole", designed in the 70s. Original leather with signs of wear due to age. Measurements: 73 x 170 x 85 cm; 42 cm (seat height). The Bambole armchair, with large, soft cushions, is an icon of Italian design of the 1970s, winner of the Compasso d'Oro in 1979. It was a revolutionary model, reflected as a series of large upholstered cushions placed together almost randomly, in response to the transformations of life underway in the early part of that decade. The innovation of the design led photographer Oliviero Toscani to photograph Donna Jordan (a model he met at Warhol's Factory) lying bare-breasted on it. These images were first censored, but later went around the world in magazines and design manuals. Trained as an architect at the Polytechnic University of Milan, Mario Bellini founded his studio in 1987, winning with his brand the Gold Medal of the Chartered Society of Designers in the United Kingdom. He has also received the Compasso d'Oro 8 times and 25 of his works are in the permanent design exhibition at MoMA in New York. His profession goes beyond architecture and urban planning, as his passion for decoration has led him to become a furniture designer collaborating with internationally recognized brands such as Cassina, Kartell, Rosenthal, Venini, Vitra, Driade or Natuzzi. The impact and influence of Bellini, has led him to be present in major projects such as The Museum of Islamic Arts at Louvre Museum in 2012, or in the extension of the National Gallery of Victoria in Melbourne in 2003.

Valorac. 5 000 - 5 500 EUR

MARIO BELLINI (Milan, 1935) for B&B Italia. 2-seater sofa "Le Bambole", designed in the 70s. Original leather with signs of wear due to age. Measurements: 73 x 170 x 85 cm; 42 cm (seat height). The Bambole armchair, with large, soft cushions, is an icon of Italian design of the 1970s, winner of the Compasso d'Oro in 1979. It was a revolutionary model, reflected as a series of large upholstered cushions placed together almost randomly, in response to the transformations of life underway in the early part of that decade. The innovation of the design led photographer Oliviero Toscani to photograph Donna Jordan (a model he met at Warhol's Factory) lying bare-breasted on it. These images were first censored, but later went around the world in magazines and design manuals. Trained as an architect at the Polytechnic University of Milan, Mario Bellini founded his studio in 1987, winning with his brand the Gold Medal of the Chartered Society of Designers in the United Kingdom. He has also received the Compasso d'Oro 8 times and 25 of his works are in the permanent design exhibition at MoMA in New York. His profession goes beyond architecture and urban planning, as his passion for decoration has led him to become a furniture designer collaborating with internationally recognized brands such as Cassina, Kartell, Rosenthal, Venini, Vitra, Driade or Natuzzi. The impact and influence of Bellini, has led him to be present in major projects such as The Museum of Islamic Arts at Louvre Museum in 2012, or in the extension of the National Gallery of Victoria in Melbourne in 2003.

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