Null TALLERES RIGALT. Attributed to. Ladies grooming themselves, surrounded by p…
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TALLERES RIGALT. Attributed to. Ladies grooming themselves, surrounded by plant motifs. Pair of doors with modernist stained glass windows made of polychrome cathedral glass with various relief textures, basins and larger enameled plates. Neo-Gothic structure doors in painted pine wood. From the first decades of the 20th century. Similar works: in the Casa Garriga Nogués, located on Diputación Street, 250 in Barcelona, there were stained glass windows from the Rigalt Workshops with an almost identical design in the borders and plant motifs. Stained glass windows with enameled plates are also known from the Rigalt Workshops, very similar in technique to those at the center of these doors. Origin: former property of the historian, ethnologist and politician Josep Maria Batista i Roca (Barcelona, 1895-Barcelona, 1978). The doors come from an unidentified house in Barcelona. approx. 3.03 m total height, 60 cm width and approx. 2.23 m height stained glass windows. Stained glass windows mounted on the doors. The doors are disassembled and without a frame. The stained glass windows are firm and in good general condition. Original leads, small breaks, small faults and abundant surface dirt, especially on one side. It is located in the home of the current owners in a house in Esparraguera, in the province of Barcelona. The buyer must take care of the collection and transport from the house.

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TALLERES RIGALT. Attributed to. Ladies grooming themselves, surrounded by plant motifs. Pair of doors with modernist stained glass windows made of polychrome cathedral glass with various relief textures, basins and larger enameled plates. Neo-Gothic structure doors in painted pine wood. From the first decades of the 20th century. Similar works: in the Casa Garriga Nogués, located on Diputación Street, 250 in Barcelona, there were stained glass windows from the Rigalt Workshops with an almost identical design in the borders and plant motifs. Stained glass windows with enameled plates are also known from the Rigalt Workshops, very similar in technique to those at the center of these doors. Origin: former property of the historian, ethnologist and politician Josep Maria Batista i Roca (Barcelona, 1895-Barcelona, 1978). The doors come from an unidentified house in Barcelona. approx. 3.03 m total height, 60 cm width and approx. 2.23 m height stained glass windows. Stained glass windows mounted on the doors. The doors are disassembled and without a frame. The stained glass windows are firm and in good general condition. Original leads, small breaks, small faults and abundant surface dirt, especially on one side. It is located in the home of the current owners in a house in Esparraguera, in the province of Barcelona. The buyer must take care of the collection and transport from the house.

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Pair of Art Deco cabinets attributed to PAOLO BUFFA (1903-1970). Italy, 1940s. Lacquered wood and parchment. Keys included. Measurements: 120 x 80 x 40 cm. Extraordinary pair of desks or secretaire, Art Deco style and period, attributed to the Italian designer Paolo Buffa. Refined and elegant, they follow the style of the splendid designer and are made of black lacquered wood and parchment. The design, with clean and simple lines, focuses attention on its long legs of decreasing diameter and on the contrast created by the materials. With a black and white exterior, it impresses when you open its door and discover the red and embossed leather, which creates an elegant and striking effect. Paolo Buffa's work stands out for the perfection of execution and the neoclassical influence on his style, which the designer acquired during his training at Gio Ponti's studio throughout the 1920s. The solid and elegant lines that characterize his furniture seem to emulate a continuity between the 19th and 20th centuries. Of this pair of design gems, the use of parchment stands out. This element of animal origin is obtained from the hairless and well stretched skin of the cow or lamb, although even squirrel skin has been used. Its origin dates back to a time before Christ, remains of papyrus have been found from the second century B.C. Its use has been varied, from writing and illuminations to the coating of other objects such as books or furniture for decorative purposes, conferring luxury and prestige to the piece. The design, although always evolving, does not lose the essence of good materials.