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SALVADOR DALÍ I DOMÈNECH (Figueres, Girona, 1904 - 1989). "Madonna of Portlligat", ca. 1969. Sculpture in bronze, copy 242/300. Marble base. Signed and justified. Measurements: 21 x 7,5 x 7,5 cm. With this "Madonna", Dalí paid homage to Portlligat. As indicated in the catalog "Dalí's Sculptures" (published by Diejasa): "For Salvador Dalí, who had been a tireless traveler, his Catalan land was always a refuge and an oracle, essential keys in the realization of his work. Facing the Mediterranean, his gods and Lares revealed to him a mysterious world, which in his mystical-metaphysical period, which began in the 1950s, became transcendent. Port Lligat is his fiefdom, the place of his phantasmagorias and where the Madonnas give him strength and stimulus to continue realizing what he discovers in the deformed, concave and convex mirrors of his cosmic-paranoid hallucinations. The Punctured rocks of the Costa Brava are a constant image in Dalí's mineral figures. And the windows, the holes open to infinity, are orifices full of symbolism: the anguish of emptiness, which in this Madonna is ready to throw with her delicate hand, like Ceres, the beneficial seeds on the earth that Dalí has chosen. She is a virgin-goddess, pagan and pre-Christian". During his early years, Dalí discovered contemporary painting during a family visit to Cadaqués, where he met the family of Ramon Pichot, an artist who regularly traveled to Paris. Following Pichot's advice, Dalí began to study painting with Juan Núñez. In 1922, Dalí stayed at the famous Residencia de Estudiantes in Madrid to begin studying Fine Arts at the San Fernando Academy. However, before his final exams in 1926, he was expelled for claiming that there was no one there fit to examine him. That same year Dalí traveled to Paris for the first time. There he met Picasso, and established some formal characteristics that would become distinctive of all his work from then on. His language absorbed the influences of many artistic styles, from classical academicism to the most groundbreaking avant-garde. At that time, the painter grew an eye-catching moustache imitating Velázquez's, which would become his personal trademark for the rest of his life. In 1929, Dalí collaborated with Luis Buñuel in the making of "An Andalusian Dog", which showed scenes typical of the surrealist imaginary. In August of that same year he met his muse and future wife Gala. During this period, Dalí held regular exhibitions in both Barcelona and Paris, and joined the surrealist group based in the Parisian neighborhood of Montparnasse. His work greatly influenced the direction of surrealism for the next two years, and he was hailed as the creator of the paranoiac-critical method, which was said to help access the subconscious by releasing creative artistic energies. The painter landed in America in 1934, thanks to art dealer Julian Levy. As a result of his first individual exhibition in New York, his international projection was definitively consolidated, and since then he has been showing his work and giving lectures all over the world. Most of his production is gathered in the Dalí Theatre-Museum in Figueras, followed by the collection of the Salvador Dalí Museum in St. Petersburg (Florida), the Reina Sofía in Madrid, the Salvador Dalí Gallery in Pacific Palisades (California), the Espace Dalí in Montmartre (Paris) or the Dalí Universe in London.

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SALVADOR DALÍ I DOMÈNECH (Figueres, Girona, 1904 - 1989). "Madonna of Portlligat", ca. 1969. Sculpture in bronze, copy 242/300. Marble base. Signed and justified. Measurements: 21 x 7,5 x 7,5 cm. With this "Madonna", Dalí paid homage to Portlligat. As indicated in the catalog "Dalí's Sculptures" (published by Diejasa): "For Salvador Dalí, who had been a tireless traveler, his Catalan land was always a refuge and an oracle, essential keys in the realization of his work. Facing the Mediterranean, his gods and Lares revealed to him a mysterious world, which in his mystical-metaphysical period, which began in the 1950s, became transcendent. Port Lligat is his fiefdom, the place of his phantasmagorias and where the Madonnas give him strength and stimulus to continue realizing what he discovers in the deformed, concave and convex mirrors of his cosmic-paranoid hallucinations. The Punctured rocks of the Costa Brava are a constant image in Dalí's mineral figures. And the windows, the holes open to infinity, are orifices full of symbolism: the anguish of emptiness, which in this Madonna is ready to throw with her delicate hand, like Ceres, the beneficial seeds on the earth that Dalí has chosen. She is a virgin-goddess, pagan and pre-Christian". During his early years, Dalí discovered contemporary painting during a family visit to Cadaqués, where he met the family of Ramon Pichot, an artist who regularly traveled to Paris. Following Pichot's advice, Dalí began to study painting with Juan Núñez. In 1922, Dalí stayed at the famous Residencia de Estudiantes in Madrid to begin studying Fine Arts at the San Fernando Academy. However, before his final exams in 1926, he was expelled for claiming that there was no one there fit to examine him. That same year Dalí traveled to Paris for the first time. There he met Picasso, and established some formal characteristics that would become distinctive of all his work from then on. His language absorbed the influences of many artistic styles, from classical academicism to the most groundbreaking avant-garde. At that time, the painter grew an eye-catching moustache imitating Velázquez's, which would become his personal trademark for the rest of his life. In 1929, Dalí collaborated with Luis Buñuel in the making of "An Andalusian Dog", which showed scenes typical of the surrealist imaginary. In August of that same year he met his muse and future wife Gala. During this period, Dalí held regular exhibitions in both Barcelona and Paris, and joined the surrealist group based in the Parisian neighborhood of Montparnasse. His work greatly influenced the direction of surrealism for the next two years, and he was hailed as the creator of the paranoiac-critical method, which was said to help access the subconscious by releasing creative artistic energies. The painter landed in America in 1934, thanks to art dealer Julian Levy. As a result of his first individual exhibition in New York, his international projection was definitively consolidated, and since then he has been showing his work and giving lectures all over the world. Most of his production is gathered in the Dalí Theatre-Museum in Figueras, followed by the collection of the Salvador Dalí Museum in St. Petersburg (Florida), the Reina Sofía in Madrid, the Salvador Dalí Gallery in Pacific Palisades (California), the Espace Dalí in Montmartre (Paris) or the Dalí Universe in London.

Valoración 1 600 - 2 000 EUR
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SALVADOR DALÍ I DOMÈNECH (Figueras, Girona, 1904 - 1989). "Los diez mandamientos", 1975. Colección de 10 medallas de plata y estuche de metacrilato con firma impresa. Firmadas por el artista. Medidas: 5 cm de diámetro cada medalla. Colección compuesta por diez monedas que simbolizan los 10 mandamientos. Ejemplificando algunas de las monedas, la correspondiente al décimo mandamiento (No codiciarás los bienes ajenos) muestra un palacio de proporciones monumentales, en el que la construcción y la decoración son testimonio de una gran riqueza, y a un caballero entrando en los magníficos salones del palacio. A la derecha, una choza precaria y perezosa protege a un pobre; en correspondencia con el noveno mandamiento (No codiciarás la mujer de tu prójimo), en la moneda se alcanza el significado simbólico deseado mediante la inversión de una imagen que, vista de derecha a izquierda, representa la piedad debida a un esclavo con las manos atadas a la espalda. Vista al revés, de izquierda a derecha, la imagen cambia de significado. Lo que era piedad se transforma en deseo de concupiscencia erótica, ya que de este modo lo que antes era la cabeza de la figura se convierte en la parte trasera. Pintor y escultor, Salvador Dalí fue uno de los máximos exponentes del movimiento surrealista. Su obra influyó enormemente en el curso del surrealismo durante los años veinte y treinta, siendo aclamado como el creador del método paranoico-crítico, una combinación esencial de lo real con lo imaginario. La mayor parte de su producción se encuentra reunida en el Teatro-Museo Dalí de Figueras, seguida de la colección del Salvador Dalí Museum de San Petersburgo (Florida), el Reina Sofía de Madrid, la Salvador Dalí Gallery de Pacific Palisades (California), el Espace Dalí de Montmartre (París) o el Dalí Universe de Londres.

SALVADOR DALÍ I DOMÈNECH (Figueras, Girona, 1904 - 1989). "Madonne au serpent", 1966. Yeso dorado. La edición está formada, por un lado, por tres piezas en escayola que fueron regaladas a tres restaurantes catalanes de Barcelona, Tarragona y Figueres; por otro, por algunos otros ejemplares en el mismo material que se realizaron para amigos y familiares de Joan Duran, creador del marco que rodea la escultura (siendo este último grupo al que pertenece la obra en licitación). También forma parte de la edición un último ejemplar en bronce dorado. Firmado y fechado en el ángulo inferior izquierdo. Marco realizado por Joan Durán. Catalogado en: "Le dur et le mou", Eccart, R&N Descharnes, p. 204, fig. 496. Medidas: 49,5 x 33 x 6,5 cm (escayola); 62,7 x 46,5 x 12,5 cm (marco). Elementos típicamente dalinianos decoran el marco de este relieve de la Inmaculada Concepción: un conjunto de caracoles, en alusión al encuentro del maestro surrealista con Sigmund Freud, están flanqueados por dos huevos que simbolizan la fertilidad, un motivo repetido muchas veces en el repertorio de Dalí, que incluso decora el techo del Museo Salvador Dalí de Figueras, Durante sus primeros años, Dalí descubrió la pintura contemporánea durante una visita familiar a Cadaqués, donde conoció a la familia de Ramon Pichot, un artista que viajaba regularmente a París. Siguiendo los consejos de Pichot, Dalí comienza a estudiar pintura con Juan Núñez. En 1922, Dalí se aloja en la famosa Residencia de Estudiantes de Madrid para comenzar sus estudios de Bellas Artes en la Academia de San Fernando. Sin embargo, antes de sus exámenes finales en 1926, fue expulsado por alegar que allí no había nadie apto para examinarlo. Ese mismo año, Dalí viaja por primera vez a París. Allí conoce a Picasso, y establece algunas características formales que se convertirán en distintivas de toda su obra a partir de entonces. Durante este periodo, Dalí expone regularmente tanto en Barcelona como en París y se une al grupo surrealista del barrio parisino de Montparnasse. El pintor desembarca en América en 1934, gracias al marchante Julian Levy. A raíz de su primera exposición individual en Nueva York, se consolidó definitivamente su proyección internacional, y desde entonces expone y da conferencias por todo el mundo. La mayor parte de su producción está reunida en el Teatro-Museo Dalí de Figueras, seguida de la colección del Salvador Dalí Museum de San Petersburgo (Florida), el Reina Sofía de Madrid, la Salvador Dalí Gallery de Pacific Palisades (California), el Espace Dalí de Montmartre (París) o el Dalí Universe de Londres.