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Descripción

MANOLO MARTÍN (1946-2005). "Bulldog and Guernica", ca. 2001-2002. Fiberglass and acrylic. Attached certificate issued by Don Manuel Martin, son of the author. It has slight damage. Measurements: 37 x 66 x 38 cm. The figure of a dog serves as a base or as a canvas for Picasso's Guernica. The use of characters inspired by urban culture as protagonists, in this case the dog, brings us closer to a language of clear pop aesthetics, although the iconic presence of the figures of Guernica, take us to the avant-garde of the beginning of the century, thus giving a confluence between the two most important artistic currents of the twentieth century. With this work the author offers the viewer a new perspective as it provides a radically new vision by playing with elements of high and low culture of the art world. Manolo Martín was a fallas artist who began his training in Manuel Guinart's workshop, combining his apprenticeship in the art of fallas with advertising and decoration. In 1971 he began his solo career and in 1976 he made his first large-scale falla. Only two years later he presented "El circo de la Vida", in the fallas of Valencia and in 1982 thanks to his work "Los siete pecados capitales" (The seven deadly sins) he achieved great recognition. In 1985 he participated in the International Comic Salon, thus opening his field of artistic action to other fields. This new experience had a direct influence on his style, which abandoned its more classic and traditional character in favor of a greater modernity, with the collaboration of illustrators such as Sento LLobell, Antonio Ortiz, or the designers Francis Montesinos and Valentín Herraiz. Throughout his career he collaborated with artists such as Antonio Miralda, Javier Mariscal, Carmen Calvo, Miguel Navarro, Manolo Valdés, Quino, Daniel Torres, Chema Cobo, Jean Jacques Lebel and Sigfrido Martín Begué. Attached certificate issued by Mr. Manuel Martín, son of the author. Slightly damaged.

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MANOLO MARTÍN (1946-2005). "Bulldog and Guernica", ca. 2001-2002. Fiberglass and acrylic. Attached certificate issued by Don Manuel Martin, son of the author. It has slight damage. Measurements: 37 x 66 x 38 cm. The figure of a dog serves as a base or as a canvas for Picasso's Guernica. The use of characters inspired by urban culture as protagonists, in this case the dog, brings us closer to a language of clear pop aesthetics, although the iconic presence of the figures of Guernica, take us to the avant-garde of the beginning of the century, thus giving a confluence between the two most important artistic currents of the twentieth century. With this work the author offers the viewer a new perspective as it provides a radically new vision by playing with elements of high and low culture of the art world. Manolo Martín was a fallas artist who began his training in Manuel Guinart's workshop, combining his apprenticeship in the art of fallas with advertising and decoration. In 1971 he began his solo career and in 1976 he made his first large-scale falla. Only two years later he presented "El circo de la Vida", in the fallas of Valencia and in 1982 thanks to his work "Los siete pecados capitales" (The seven deadly sins) he achieved great recognition. In 1985 he participated in the International Comic Salon, thus opening his field of artistic action to other fields. This new experience had a direct influence on his style, which abandoned its more classic and traditional character in favor of a greater modernity, with the collaboration of illustrators such as Sento LLobell, Antonio Ortiz, or the designers Francis Montesinos and Valentín Herraiz. Throughout his career he collaborated with artists such as Antonio Miralda, Javier Mariscal, Carmen Calvo, Miguel Navarro, Manolo Valdés, Quino, Daniel Torres, Chema Cobo, Jean Jacques Lebel and Sigfrido Martín Begué. Attached certificate issued by Mr. Manuel Martín, son of the author. Slightly damaged.

Valoración 4 000 - 5 000 EUR
Precio de salida 2 500 EUR

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