ENSEÑANZA DE LA LENGUA ÁRABE - 2 LIBROS : - por L. MACHUEL, 1888, Director de la enseñanza pública en Túnez. Publicado por Adolphe Jourdan, librero y editor en Argel, 4 place du Gouvernement. "MANUEL DE L' ARABISANT ou RECUEIL DE PIECES ARABES. Primera parte: cartas administrativas, judiciales, políticas, etc... precedidas de un formulario y seguidas de un vocabulario - (encuadernación a rehacer). Tela de lino del editor. - por CASPARI y URICOECHEA - Ediciones Maisonneuve 1881. "GRAMMAIRE ARABE" - 532 páginas - encuadernación en tela azul del editor.

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Lote 53

Valorac. 9 500 - 10 000 EUR

JOSE MARIA MIJARES (Havana, 1921-2004). "Bird". Oil on canvas. Enclosed certificate María Antonia Cabrera de Mijares. Provenance Doña María Antonia Cabrera de Mijares, widow of the artist. Measurements: 90 x 121 cm; 117 x 150 cm (frame). In this work the autochthonous referents are fused with the formal language learned in Europe to produce works where the characters of the Yoruba pantheon that will populate great part of his later production already appear. The Cuban school of the 20th century was characterized by embracing the European avant-garde and developing, on that basis, a language of its own. This generalized current of artists trained in Europe, who returned to Cuba, meant a great artistic impulse for the country. Thanks to painters who fused their roots and experiences, thus creating a new personal and independent language as can be seen in the representation of this bird. A symbol that was used on several occasions by Mijares, who resorted to the symbolism of the bird as the protagonist of some of his compositions. Mijares, considered one of the great 20th century Cuban and Latin American artists, studied at the San Alejandro National School of Fine Arts in Havana, where he taught. Among his teachers were Romanach, Menocal, Valderrama, Ramon Loy, Caravia and others. It was Mijares himself who recognized that one of his most influential teachers was Ponce, who helped him develop his own style of expression. He was a member of the group Diez Pintores Concretos. Between 1968 and 1973 he was a member of Grupo Gala in Miami, where he settled at the age of 47. He directed Alacrán Azul magazine in Miami. He held his first exhibition at the Havana Lyceum (1947). In the eighties he exhibited in Coral Gables, Florida, where he reiterated his presence. In 1994 the Cuban Museum of Art and Culture of Miami dedicated a retrospective to him. Also the Alfredo Martinez Gallery of Coral Gables would organize an ontological one in 1996. As for group exhibitions, it is worth mentioning his participation in the Venice Biennial of 1952. He is represented at the Cintas Foundation in New York, the Loewe Art Museum, Florida; the Museum of Modern Art of Latin America in Washington, D.C., and the Museum of Modern Art in New York. Mijares' well-deserved recognition came mainly from knowing how to harmonize his universal vocation with the search for an autochthonous Cuban language. His works are characterized by illustrating a personal, expressive artistic style, with a special poetics that values at the same time the versatility of his plastic resources and an exquisite sensitivity in handling different themes. Sometimes starting from a colorful postcubism through which he practically enters into abstraction, but without losing the referential thread. The Florida International University awarded Mijares an honorary doctorate in fine arts in December 2001. In 2002, he opened the Mijares Gallery in Coral Gables, where his latest works were exhibited. Attached certificate María Antonia Cabrera de Mijares.

Lote 296

Valorac. 750 - 1 500 EUR

MARIA MIKILEVA (1988)

Lote 535

Valorac. 20 - 40 EUR

Conjunto de 16 estudios sobre Balzac: Ingrid Fischer-Zach, Die Bildwelt der "Comédie Humaine". Eine Untersuchung zur Metaphorik H. de Balzacs. Freiburg i. Br., 1969. Encuadernado en rústica. André Bellessort, Balzac et son oeuvre. Perrin, 1946, media tela. Katharine Prescott Wormeley, Personal Opinions of Honoré de Balzac. Boston, Little Brown, 1899. Tela entera del editor. Emil Ludwig, Kunst und Schicksal - Vier Bildnisse. Berlín, Ernst Rowohlt Verlag, 1927. plena tela editorial. Maurice Descotes, Le Monde de l'enseignement dans l'œuvre romanesque de Balzac. Cahiers de l'Université, número especial 1985. En rústica. Emmanuel Querouil, Le Père Goriot et le roman d'éducation. Pierre Bordas, 1986. Rústica. Arsène Houssaye, Histoire du 41e fauteuil. Extracto: capítulo X "Balzac" pp. 233 a 237. L. Petit de Julleville. Histoire de la langue et de la littérature française des origines à 1900. Armand Colin, 1913. Tomo VII, rústica. Hanns Heiss, Balzac, sein Leben und seine Werke. Heidelberg, Carl Winters Universitätbuchhandlung, 1913. plena tela. Pierre Laubriet, Un catéchisme esthétique: Le Chef-d'œuvre inconnu de Balzac. París, Didier, 1961. Rústica. Ramon Fernandez, Balzac ou l'envers de la création romanesque. Grasset, 1980. Rústica. Comte de Gobineau, Études critiques (1844-1848). Simon Kra, 1927, rústica, 600 ejemplares en vitela. Herbert J. Hunt, La comedia humana de Balzac. Universidad de Londres, The Athlone Press, 1959. Plena tela. [Balzac dans le monde. Éditions contemporaines, Boivin et Cie, 1950. Rústica. Per Nykrog, La Pensée de Balzac dans La Comédie humaine. Copenhague, Munksgaard, 1963. Plena tela. Dr. W. R. Bett, The Infirmities of Genius. Londres, C. Johnson, 1952. Plena tela. Conjunto de 18 estudios sobre Balzac: Zola, Les romanciers naturalistes. París, Charpentier, 1923. Encuadernación media. Zola, le roman expérimental. París, Charpentier, 1923. Encuadernado por la mitad. Sergio de Pilato, Balzac e il mondo Giudiziario. Nápoles, Edizioni "La Toga", 1937. Encuadernación en rústica. Gérard Gengembre, Balzac Le Napoléon des lettres. Gallimard, 1992. Rústica. Paul Albert, La Littérature française au XIXe siècle. Librairie Hachette et Cie, 1885. Demi-basane. Rémy Montalée, En lisant Balzac. París, Eugène Figuière, 1925. Rústica. Pierre Abraham, Balzac. Rieder, 1929, rústica. Ferdinand Brunetière, Honoré de Balzac. Calmann-Lévy, sd, rústica. Philippe Bertault, Balzac et la musique religieuse. París, Naert, 1929, rústica, envío a Pierre Abraham. Philippe Bertault, Introduction à Balzac. Odilis, 1963, tapa dura del editor. André Le Breton, Le Roman Français au XIXe Siècle -Avant Balzac - Boivin et Cie, éditeurs, [1901]. En rústica. Simone Lang, Balzac-Express, La Comédie humaine. Éditions Saint-Germain-des-près, 1973. Rústica. Max Milner, Présentation de Massimilla Doni d'Honoré de Balzac. José Corti, 1964. Rústica. Anne-Marie Baron, Le Fils prodige, L'Inconscient de La Comédie humaine. París, Nathan, 1993. Rústica. Diana Festa McCormick, Les Nouvelles de Balzac. París, Nizet, 1973. Rústica. Emile Faguet, Balzac. Hachette, 1913, encuadernación bradel. Dr Henri Favre, Balzac et le temps présent. Marpon et Flammarion, 1888, rústica. Jean-Daniel Gollut y Joël Zufferey, Construire un monde - Les phrases initiales de La Comédie humaine. Delachaux et Niestlé, 2000. Rústica. Conjunto de 14 estudios sobre Balzac: Paul Flat, Essais sur Balzac. Plon, Nourrit, 1893, rústica. Paul Flat, Seconds essais sur Balzac. Plon, Nourrit, 1894, rústica. Richard Beilharz, Balzac. Darmstadt, Wissenschaftliche Buchgesellschaft, 1979, rústica. Philippe Bertault, Introduction à Balzac. Odilis, 1963, tapa dura del editor, consignación al librero de Balzac Georges Courville. Mary F. Sandars, Honoré de Balzac, su vida y sus escritos. Nueva York y Londres, Kennikat Press, 1970. A toda tela. [Colectiva] Hermétisme et Poésie - Comédie italienne et Théâtre français - Honoré de Balzac. Cahiers de l'Association Internationale des Études françaises, 1963. Rústica. Alphonse Pagès, Balzac moraliste. Michel Lévy Frères, 1866. Media percalina. Alphonse de Lamartine, Balzac et ses œuvres. Michel Lévy Frères, 1866. Demi-basane. Gilbert Guislain, Balzac (Colección "Panorama d'un auteur") Studyrama, 2004. Rústica. Juliette Grange, Balzac, L'argent, la prose, les anges. La Différence 1990. Rústica. Arlette Michel, Le Mariage chez Honoré de Balzac - Amour et féminisme. Société d'édition "Les Belles Lettres", 1978. Rústica Paul Bourget, Études et portraits - Sociologie et littérature. Plon-Nourrit et Cie, 1906. Plena tela. Pierre-François Mourrier, Balzac, l'injustice de la loi. Éditions Michalon, 1996. Rústica. Ferdinand Brunetière, Honoré de Balzac. Calmann-Lévy, 1906. Media tela.

MARIA MIKILEVA (1988)

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