Null Music Graduate Emblem for lapel in golden silver.

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Music Graduate Emblem for lapel in golden silver.

1671

Music Graduate Emblem for lapel in golden silver.

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Valorac. 700 - 750 EUR

WILLY VAN DER MEEREN (Belgium, 1923-2002) for Tubax, Belgium. Pair of chairs, 1950s. Chromed metal and yellow upholstery. Measurements: 70 x 60 x 53 cm; 41 cm (seat height). This pair of Belgian chairs features elements characteristic of midcentury forms with Nordic influence. For example, the backrest has a curvature for ergonomic back support. The metal frame and flowing forms make it a pair of exquisitely crafted and highly sophisticated chairs. Willy Van der Meeren studied architecture at the Royal Academy of Fine Arts in Ghent and began his career working for a furniture company. He founded his own company in the 1950s, Tubax, which produced furniture for schools, offices and hospitals. He is most famous for his "301" chair, a metal folding chair that was mass-produced and used in many public buildings in Belgium. He was a member of the design group De Coene in Kortrijk and taught industrial design at the Royal Academy of Fine Arts in Ghent. His work has been exhibited in numerous museums and design exhibitions, including MoMA in New York.

Valorac. 2 000 - 3 000 EUR

Italian chandelier, 60s. In brass and crystal. Measurements: 52 cm x 85 cm x 85 cm. Ceiling lamp chandelier model with six lights. Italian design of the sixties, with the six arms in golden brass topped with attractive flame-inspired crystal lampshades housed in golden sheaths. This flame-shaped design evokes the candles of the old candelabra chandeliers.

Valorac. 500 - 600 EUR

Floor lamp, ca. 1970s. Methacrylate and brass. Measurements: 74 x 31 x 31 cm. Floor lamp designed in the 1970s. It is a unique lamp in concept, sculptural and minimalist in nature. It consists of a rectangular box in translucent methacrylate inside which a cylindrical diffuser in silver metal sits on a golden base with a square section. The lighting is dim and warm,

Valorac. 300 - 400 EUR

MOTOKO ISHII (Japan, 1938), for Staff Wall sconce, ca. 1970s. Polished metal and glass. Measurements: 20 x 25 cm. Wall lamp designed by Motoko Ishii for Staff, in the 1970s. Ishii was inspired on this occasion by the space age. The glass balls that protect the lamp make it optically larger. The transparent volume of the globe lamp lends lightness to the design. Motoko Ishii is a Japanese lighting designer. From 1965 to 1967 she worked in lighting design studios in Finland and Germany. Returning to Japan in 1968, she established the Ishii Motoko Design Office. One of her main projects was the lighting design for Expo ‘75 in Okinawa. From the 1980s onwards, she did the designs for a number of major projects. Three major events for which he was responsible for lighting were Expo ‘85 in Tsukuba, the Yokohama Lighting Festival and Japan Flora 2000. He also designed lighting for the cities of Osaka, Hakodate, Himeji and Kurashiki, and for the gassh?-zukuri village of Shirakawa. His 1989 redesign of the Tokyo Tower lighting attracted international attention. He won the Illuminating Engineering Society of North America award for the Light Fantasy Electricity Pavilion at the International Garden and Vegetation Exposition (Osaka, 1990) and again for the Rainbow Bridge (1994). In 2009, he designed the lighting for the Elisabeth Bridge in Budapest, Hungary.

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