Antonio Asturi Antonio Asturi (Vico Equense 02/11/1904-Vico Equense 03/01/1986) …

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Antonio Asturi

Antonio Asturi (Vico Equense 02/11/1904-Vico Equense 03/01/1986) - Pesci H cm 24x30 - en marco H cm 46x52 Técnica mixta sobre cartón Firmado en el anverso abajo a la derecha. Firma, título y certificado de autenticidad en el reverso

167

Antonio Asturi

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Valorac. 800 - 900 EUR

ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "L'oeil", 1984. Etching in two plates on Arches paper, copy 4/50. Signed and numbered by hand. Tàpies Galfetti V, p. 183, fig. 952. Measurements: 12 x 21 cm (print 1); 30 x 40 cm (print 2); 50 x 65 cm (paper). Antoni Tàpies begins in art during his long convalescence from a lung disease. He progressively devoted himself more intensely to drawing and painting, and finally gave up his law studies to devote himself entirely to art. Co-founder of "Dau al Set" in 1948, he began to exhibit in the Salones de Octubre in Barcelona, as well as in the Salón de los Once held in Madrid in 1949. After his first individual exhibition in the Layetanas Galleries, he travels to Paris in 1950, with a scholarship from the French Institute. In these years he began his participation in the Venice Biennial, exhibited again at the Layetanas and, after a show in Chicago, in 1953 he had a solo exhibition at Martha Jackson's New York gallery. From then on, his exhibitions, both group and solo, were held all over the world, in leading galleries and museums such as the Guggenheim in New York and the Museum of Modern Art in Paris. Since the seventies, anthologies have been dedicated to him in Tokyo (1976), New York (1977 and 2005), Rome (1980), Amsterdam (1980), Madrid (1980), Venice (1982), Milan (1985), Vienna (1986) and Brussels (1986). Self-taught, Tàpies has created his own style within the avant-garde art of the 20th century, combining tradition and innovation in an abstract style but full of symbolism, giving great relevance to the material substrate of the work. It is worth mentioning the marked spiritual sense given by the artist to his work, where the material support transcends its state to signify a profound analysis of the human condition. Tàpies' work has been highly valued internationally, being exhibited in the most prestigious museums in the world. Throughout his career he has received numerous awards and distinctions, including the Praemium Imperiale of Japan, the National Culture Award, the Grand Prize for Painting in France, the Wolf Foundation of the Arts (1981), the Gold Medal of the Generalitat de Catalunya (1983), the Prince of Asturias Award for the Arts (1990), the Picasso Medal of Unesco (1993) and the Velázquez Award for Plastic Arts (2003). A great defender of Catalan culture, of which he is deeply imbued, Tàpies is a great admirer of the mystical writer Ramón Llull, as well as the Catalan Romanesque and Gaudí's architecture. At the same time, he appreciates Eastern art and philosophy, which, like his own work, blur the boundary between matter and spirit, between man and nature. Influenced by Buddhism, he shows in his paintings how pain, both physical and spiritual, is inherent to life. Antoni Tàpies is represented in major museums around the world, such as the foundation that bears his name in Barcelona, the Reina Sofía in Madrid, the Guggenheim in Berlin, Bilbao and New York, the Fukoka Art Museum in Japan, the MoMA in New York and the Tate Gallery in London.

Valorac. 1 200 - 1 500 EUR

ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "Le plus beau cadeau", 1975. Etching and carborundum engraving in gray and brown, copy 37/80. Signed and numbered in pencil. Tàpies Galfetti V, p. 90, fig. 1513. Measurements: 63,5 x 45,5 cm. Antoni Tàpies begins in art during his long convalescence from a lung disease. Progressively he will dedicate himself with greater intensity to drawing and painting, and finally he leaves his studies of Law to dedicate himself completely to art. Co-founder of "Dau al Set" in 1948, he began to exhibit in the Salones de Octubre in Barcelona, as well as in the Salón de los Once held in Madrid in 1949. After his first individual exhibition in the Layetanas Galleries, he travels to Paris in 1950, with a scholarship from the French Institute. In these years he began his participation in the Venice Biennial, exhibited again at the Layetanas and, after a show in Chicago, in 1953 he had a solo exhibition at Martha Jackson's New York gallery. From then on, his exhibitions, both group and solo, were held all over the world, in leading galleries and museums such as the Guggenheim in New York and the Museum of Modern Art in Paris. Since the seventies, anthologies have been dedicated to him in Tokyo (1976), New York (1977 and 2005), Rome (1980), Amsterdam (1980), Madrid (1980), Venice (1982), Milan (1985), Vienna (1986) and Brussels (1986). Self-taught, Tàpies has created his own style within the avant-garde art of the 20th century, combining tradition and innovation in an abstract style but full of symbolism, giving great relevance to the material substrate of the work. It is worth mentioning the marked spiritual sense given by the artist to his work, where the material support transcends its state to signify a profound analysis of the human condition. Tàpies' work has been highly valued internationally, being exhibited in the most prestigious museums in the world. Throughout his career he has received numerous awards and distinctions, including the Praemium Imperiale of Japan, the National Culture Award, the Grand Prize for Painting in France, the Wolf Foundation of the Arts (1981), the Gold Medal of the Generalitat de Catalunya (1983), the Prince of Asturias Award for the Arts (1990), the Picasso Medal of Unesco (1993) and the Velázquez Award for Plastic Arts (2003). A great defender of Catalan culture, of which he is deeply imbued, Tàpies is a great admirer of the mystical writer Ramón Llull, as well as the Catalan Romanesque and Gaudí's architecture. At the same time, he appreciates Eastern art and philosophy, which, like his own work, blur the boundary between matter and spirit, between man and nature. Influenced by Buddhism, he shows in his paintings how pain, both physical and spiritual, is inherent to life. Antoni Tàpies is represented in major museums around the world, such as the foundation that bears his name in Barcelona, the Reina Sofía in Madrid, the Guggenheim in Berlin, Bilbao and New York, the Fukoka Art Museum in Japan, the MoMA in New York and the Tate Gallery in London.

Valorac. 1 200 - 1 500 EUR

ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "Suite Berlín", 1974. Litografía sobre papel Arches, ejemplar 144/150. Firmada y numerada a lápiz. Tàpies Galfetti II, p. 105, fig. 476. Medidas: 56 x 76 cm. Antoni Tàpies se inicia en el arte durante su larga convalecencia de una enfermedad pulmonar. Progresivamente se dedicará con mayor intensidad al dibujo y a la pintura, y finalmente abandona sus estudios de derecho para dedicarse por completo al arte. Cofundador de "Dau al Set" en 1948, comienza a exponer en los Salones de Octubre de Barcelona, así como en el Salón de los Once celebrado en Madrid en 1949. Tras su primera exposición individual en las Galerías Layetanas, viaja a París en 1950, becado por el Instituto Francés. En estos años comienza su participación en la Bienal de Venecia, expone de nuevo en las Layetanas y, tras una muestra en Chicago, en 1953 realiza una exposición individual en la galería de Martha Jackson en Nueva York. A partir de entonces, sus exposiciones, tanto colectivas como individuales, se sucedieron por todo el mundo, en importantes galerías y museos como el Guggenheim de Nueva York y el Museo de Arte Moderno de París. Ha recibido premios como el Príncipe de Asturias, el Praemium Imperiale de la Asociación Japonesa de Arte, el Premio Nacional de Cultura, el Gran Premio de Pintura de Francia, etc., y se le han dedicado antologías en Tokio (1976), Nueva York (1977 y 2005), Roma (1980), Amsterdam (1980), Madrid (1980), Venecia (1982), Milán (1985), Viena (1986) y Bruselas (1986). Está representado en importantes museos de todo el mundo, como la fundación que lleva su nombre en Barcelona, el Reina Sofía de Madrid, el Guggenheim de Berlín, Bilbao y Nueva York, el Fukoka Art Museum de Japón, el MoMA de Nueva York y la Tate Gallery de Londres.

Valorac. 1 200 - 1 500 EUR

ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "70", 1979. Aguafuerte, aguatinta, carborundo y grabado en relieve gofrado sobre papel Guarro, ejemplar 10/75. Firmado y numerado a lápiz. Tàpies Galfetti III, pág. 31, fig. 714 Medidas: 19 x 20,5 cm (plancha); 56 x 73 cm (papel). Antoni Tàpies se inicia en el arte durante su larga convalecencia de una enfermedad pulmonar. Progresivamente se dedica con mayor intensidad al dibujo y a la pintura, y finalmente abandona sus estudios de derecho para dedicarse por completo al arte. Cofundador de "Dau al Set" en 1948, comienza a exponer en los Salones de Octubre de Barcelona, así como en el Salón de los Once celebrado en Madrid en 1949. Tras su primera exposición individual en las Galerías Layetanas, viaja a París en 1950, becado por el Instituto Francés. En estos años comienza su participación en la Bienal de Venecia, expone de nuevo en las Layetanas y, tras una muestra en Chicago, en 1953 realiza una exposición individual en la galería de Martha Jackson en Nueva York. A partir de entonces, sus exposiciones, tanto colectivas como individuales, se sucedieron por todo el mundo, en importantes galerías y museos como el Guggenheim de Nueva York y el Museo de Arte Moderno de París. Ha recibido premios como el Príncipe de Asturias, el Praemium Imperiale de la Asociación Japonesa de Arte, el Premio Nacional de Cultura, el Gran Premio de Pintura de Francia, etc., y se le han dedicado antologías en Tokio (1976), Nueva York (1977 y 2005), Roma (1980), Amsterdam (1980), Madrid (1980), Venecia (1982), Milán (1985), Viena (1986) y Bruselas (1986). Está representado en importantes museos de todo el mundo, como la fundación que lleva su nombre en Barcelona, el Reina Sofía de Madrid, el Guggenheim de Berlín, Bilbao y Nueva York, el Fukoka Art Museum de Japón, el MoMA de Nueva York y la Tate Gallery de Londres.

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