VARIOS AUTORES The Spring of life, Our pets, In the pasture y The eft Según lito…

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VARIOS AUTORES

The Spring of life, Our pets, In the pasture y The eft Según litografías originales realizadas a finales del S. XIX. 4 impresiones en offset sobre papel 29,5 x 24 cm

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VARIOS AUTORES

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Valorac. 500 - 800 EUR

BENVENUTO, The Life of Benvenuto, son of Master Giovanni Cellini, the Florentine, II Volumes, Brentano's New York, 1906. In-duodecimo, encuadernación tradicional, desgaste en el lomo.

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CUZQUEÑA SCHOOL 18th century Virgin and Child Oil on canvas Measurements 122 x 76 cm We are looking at a painting that faithfully reproduces the Andean taste. In it we find the Virgin with the Child centralizing the canvas. The Virgin wears a triangular cloak and holds the Child, who appears crowned and holding the ball of the world. The representation of leafy nature through flowers, trees and fauna are the hallmarks. The flowers in the lower part of the composition, those that adorn the Virgin's mantle and those that appear in the bouquet are characteristics of the painting of the region (and typical of the Virgin of Cocharcas), as are the red and blues. Bibliography: - Penhos, Marta. "Painting from the Andean Region: Some Reflections on the Life of Forms and Their Meanings." In Intura De Los Reinos. Shared Identities. Territories of the Hispanic World, 16th-18th Centuries. Volume III., edited by Gutiérrez Haces, Juana (coord). Mexico: Fomento Cultural Banamex, 2009. - Gisbert, Teresa, The Paradise of the Talking Birds. The Image of the Other in Andean Culture, Plural Editores ed. University of Our Lady of Peace, La Paz, Bolivia: 1999. - Lázaro Milla, Nuria, "Ego Flos Campi": The Typology of Flower Painting Enclosing a Religious Scene," Steps of Art and Culture , no. 13 (2010).

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Philippe Starck (1949) for Kartell Set of four Victoria Ghost chairs and two Louis Ghost armchairs made of black polycarbonate injection in a single mold. With brand. Inspired by the Louis XVI style, its author already said of it: "The Louis Ghost chair was produced by our collective subconscious and is only the natural result of our past, our present and our future." chairs: 91 x 50 x 39 cm; seats: 93 x 55 x 54 cm

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Tibor in blue and white glazed ceramic from Puebla, following oriental models. Formerly used as spice racks in traditional Puebla cuisine. Mexico, 18th century Height: 27 cm The Talaveras of Puebla designate the glazed ceramic works with a tin finish produced in that Mexican town from the 17th century to the present. With the arrival of the Spanish conquerors, in the heart of what would later be known as Mexico, polished ceramics were developed and decorated with slips that were dyed with mineral or vegetable pigments, with the color red predominating. The ornamental motifs of these pieces were inspired by the rich mythology and legendary narratives of the region. This artistic expression was shaped by diverse influences: the Spanish heritage with its Islamic roots, the sophistication of Chinese porcelain and the elegance of Italian art. These elements were reflected both in the silhouette of the pieces and in their ornaments, giving the ceramics of Puebla a distinctive character, of great beauty and relatively unexplored on our continent.

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