Null Exceptional Hispanic Muslim Capital called honeycomb, Islamic work Hispanic…

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Exceptional Hispanic Muslim Capital called honeycomb, Islamic work Hispanic Arab Umayyad period 12th to 13th centuries In carved stone and measures 30 x 23 x 23 cm. Provenance: important private collection, Madrid.

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Exceptional Hispanic Muslim Capital called honeycomb, Islamic work Hispanic Arab Umayyad period 12th to 13th centuries In carved stone and measures 30 x 23 x 23 cm. Provenance: important private collection, Madrid.

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Valorac. 6 000 - 8 000 EUR

Exceptional 15th century Gothic Christ of Malines, Southern Belgium, European Medieval work

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"GENEALOGY OF THE KINGS OF SPAIN".- The original of which is preserved in the National Library. V.: Scriptorium limited editions, 1995. Folio, full leather dry embossed in the Mozarabic style, with applications, superlibris and metal closures. Content in case ed. (grazed) next to the vol. of studies. Numbered notarial act with a limited edition of 600. Also known by the name Anacephaleosis, it is the work of Alfonso de Cartagena, formerly called Alfonso García de Santa María, a member of the most important family of Jewish converts in Castile. He was born in Villasandino (Burgos) around 1385, shortly before his father embraced Christianity under the name of Pablo de Santa María and died in 1456. Father and son were always very close to the Trastámara branch of Castile, which rewarded them successively making them bishops of Burgos.

Valorac. 4 500 - 4 700 EUR

JACQUES VILLON (Damville, France, 1875- Puteaux, France, 1963). "En Colère, 1952. Original drawing for lithograph on paper. Published in 1959 by Edition d'Art du Lion. Signed and dated in the lower right corner. Size: 45,5 x 33 cm; 75 x 67 cm (frame). Jacques Villon was a French cubist painter actually called Gaston Émile Duchamp. Under the pseudonym "Jacques Villon", he began to produce illustrations in humorous Parisian newspapers, in which he satirised the subject of religion or the army, as well as other fundamental aspects of conventional 19th century morality. Villon exhibited at the Salon des Indépendants in Paris in 1911 and at the first exhibition of the Society of Independent Artists in New York in 1917. He also produced works for the Societé Anonyme exhibition held at the Brooklyn Museum in 1926, which brought together works by Picabia and Marcel Duchamp (his brother) among others. He exhibited his work in various galleries in Europe and the United States, including the Brummer Gallery in New York and the Galerie Louis Carré in Paris and New York.

Valorac. 2 500 - 2 800 EUR

MIGUEL MACAYA (Santander,1964). "Bullfighter", 1992. Mixed media on paper. Signed. Size: 58 x 50 cm; 86 x 79 cm (frame). A nationally and internationally recognised painter, Miguel Macaya made his individual debut in 1986 in his native city, with an exhibition held in the Pancho Cossío gallery. Two years later he presented his work in the Cartoon gallery in Barcelona, and in the nineties he began to hold exhibitions in Madrid: Jorge Albero gallery in 1994 and 1997, Nolde in 1996 and 1999, etc. He made the international leap in 1999 with a solo exhibition held at the Arcturus gallery in Paris, and the following year he presented his work at the prestigious Sala Parés in Barcelona, a gallery with which he has collaborated since then. He continues to exhibit regularly as a solo artist in Spain and France, as well as in the Netherlands, Germany and the United Kingdom. He has also participated in fairs such as Antica Namur in Belgium, Strasbourg (both in 2014), Arco in Madrid (2001), Art London in the British capital (2008) and Art Madrid (2011-2015), among others. In parallel, since 1992 he has taken part in important national and international group exhibitions. The first was held by the Delfina Studio Trust in London in 1992, and he has subsequently taken part in other important exhibitions such as those held at the Design Center de la Recoleta in Buenos Aires (1998), the Fundació Vila Casas in Barcelona (1999), the Vieleers gallery in Amsterdam (2003), etc. Macaya's work possesses an intense and dark expressiveness, as well as a Goyaesque vein that is particularly evident in his bullfighting works. In this sense, the critic Enrique Lynch wrote that his painting "points the eye towards the sublime precisely because, without renouncing the light, it directs us towards the dark side of vision: towards what we cannot (or do not want to) see, the unknown background to which his characters turn their backs on us". It is a work, in any case, that plays at mystery, at the game of revealing only part of the chiaroscuro, at suggesting questions to the spectator. Miguel Macaya is currently represented at the Fundació Vila Casas, and has been awarded the First Prize for Young Painting by the Fundació Banc de Sabadell-Sala Parés (2001).

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