COLLECTIF Zao Wou-ki, grabados y libros ilustrados.
Catálogo de la exposición en…

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COLLECTIF

Zao Wou-ki, grabados y libros ilustrados. Catálogo de la exposición en la BNF del 3 de junio al 24 de agosto de 2008. Con un autógrafo firmado por el artista. Pequeño desgaste y pliegues.

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COLLECTIF

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Valorac. 400 - 600 EUR

ZAO Wou-Ki (1921-2013). Sin título, 1967. Impresión sobre papel tejido. Firmado y fechado en el margen inferior derecho. Numerado 31/90 abajo a la izquierda en el margen. Tamaño: 38 x 28,5 cm.

Precio de salida 240 EUR

Zao Wou-Ki

Valorac. 3 000 - 5 000 EUR

ZAO WOU-KI (1921 - 2013)

Valorac. 4 000 - 5 000 EUR

ZAO WOU-KI (Beijing, 1921 - Nyon, Switzerland, 2013). "Zoo-4," 1986. Aquatint etching, copy H.C. 4/15. Signed and justified by hand. Measurements: 56 x 40.5 cm (print); 63 x 48 cm (paper); 86 x 70 cm (frame). Even in engravings, Zao Wou-Ki works with large masses of satin color that implode configuring germinal big bangs, sublime and primordial landscapes as in this occasion. Zao Wou Ki was born into a Franco-Chinese family and grew up in a very cultured environment, interested in the arts and sciences. He studied calligraphy in his childhood, an aspect that would influence his mature work, and later trained in painting at the Faculty of Fine Arts in Hangzhou between 1935-1941. A few years later, in 1948, he settled in Paris, in the Montparnasse district, where he would follow the artistic courses of Émile Othon Friesz and come into contact with the contemporary artistic avant-garde. He begins to experiment with lithography, a technique that he eventually mastered, as a result of his contact with Desjobert. He holds a solo exhibition at the Creuze Gallery in May 1949, with a presentation written by Bernard Dorival, curator of the National Museum of Modern Art. In January 1951 Pierre Loeb visits Wou-Ki's studio with Henri Michaux, organizing an exhibition at the Pierre Gallery for June, thus laying the foundations for a close collaborative relationship that would last six years. Thus, he exhibits regularly at the Pierre Gallery, and meets I. M. Pei and his wife Eileen, opening his circle of exhibitions to Switzerland, London, Basel and Lausanne, as well as in New York, Washington and Chicago. It is Michaux who writes the catalog presentation for his first New York exhibition, at the Cadly-Birch Gallery.

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