1 / 4

Descripción

Nymphenburg writing utensils, purple painting Designed by Adelbert Niemeyer in 1906, mould and green stamp mark 1910-1975, model number 844, brush numbers 190 and 29 and OL and 29 respectively.two-piece set, comprising a quatrefoil tray with scalloped rim and fixed cylindrical inkwell with original insert and lid with openwork knob and matching three-piece screw-mounted blotting cradle, all decorated with black partial ground and purple Camaieu overglaze painting as floral bouquets in the quatrefoil reserves and rim lines, these minimally rubbed on the inkwell and insert rim with a chip, otherwise good condition for age, L tray 19 cm.

Traducido automáticamente por DeepL.
Para ver la versión original, haga clic aquí.

2636 
Ir al lote
<
>

Nymphenburg writing utensils, purple painting Designed by Adelbert Niemeyer in 1906, mould and green stamp mark 1910-1975, model number 844, brush numbers 190 and 29 and OL and 29 respectively.two-piece set, comprising a quatrefoil tray with scalloped rim and fixed cylindrical inkwell with original insert and lid with openwork knob and matching three-piece screw-mounted blotting cradle, all decorated with black partial ground and purple Camaieu overglaze painting as floral bouquets in the quatrefoil reserves and rim lines, these minimally rubbed on the inkwell and insert rim with a chip, otherwise good condition for age, L tray 19 cm.

Valoración 120 - 180 EUR
Precio de salida 120 EUR

* Gastos de venta no incluidos.
Consulte las condiciones de venta para calcular el precio de los gastos.

Gastos de venta: 32.13 %
Dejar una orden
Inscribirse en la subasta

Subasta el Friday 30 Aug : 10:00 (CEST)
plauen, Alemania
Auktionshaus Mehlis GmbH
+493741221005
Ver el catálogo Consultar las CGV Información sobre la subasta

Entrega en
Cambiar dirección
Esta solución de entrega es opcional..
Puede recurrir al transportista de su elección.
El precio indicado no incluye el precio del lote ni los gastos de la subasta.

Podría interesarle

Adelbert Niemeyer, Crossing the River A young woman, carrying a raffia basket with brushwood on her back, stands on the bank of a river with her feet already in the water, her dress pulled up a little in anticipation of the deepening water as she seeks a way to the other side, impasto painting with a broad brushstroke, In this painting, executed with particular virtuosity in the movements of the water, the Munich Secessionist Niemeyer reveals similarities to the geographically not distant style of the Scholle painters, who, among other things, focused on the immediate human experience of nature, to which the present study is also dedicated, with the girl's spontaneously captured relationship to the coolness of the water as an obstacle on her path, which the viewer can almost feel, oil on cardboard, signed and dated "A. NIEMEYER" and dated "1907", instructions for framing probably by the artist on the reverse, attractively framed in a moulding with subtle floral decoration, retouching, rebate dimensions approx. 73 x 48 cm. Artist's note: actually Adelbert Hans Gustav Niemeyer, German painter, architect and art historian. Painter, architect and applied artist (1867 Warburg - 1932 Munich), 1884-88 studied at the Düsseldorf Art Academy, then at a private art school in Munich and at the Académie Julian in Paris, from 1907 professor at the Kunstgewerbeschule in Munich, 1907 co-founder of the Deutscher Werkbund and the Deutsche Werkstätten für Handwerkskunst in Dresden and Munich, also worked for the Meissen and Nymphenburg porcelain manufactories as well as for Villeroy & Boch, Richard Merkelbach and the Karlsruhe Majolica Manufactory, 1925 designed the procession for the opening of the Deutsches Museum, source: Thieme-Becker, Vollmer and Wikipedia.

Adelbert Niemeyer, Frau in der Stube In a North German or Flemish-style tiled hallway, a knitting lady with a bonnet, sitting on a chair in front of a green door, in the background a bed with a curtain, painting executed in a lively, impressionistic style with partially dissolved contours, oil on linen mounted on cardboard, signed "ADELB NIEMEYER" and dated "[18]91.", above incised, barely legible annotation "Kno[...]k[...]" and date "Aug[ust] [18]91", on the reverse with label of the first Great Berlin Art Exhibition from 1893, with information on the artist in ink and inscribed "1 Ölbild Interieur", below label of the Munich Secession, of which Niemeyer was a member at the time, beautiful partially gilded stucco moulding of the time, folded dimensions approx. 55.5 x 43.5 cm. Artist information: actually Adelbert Hans Gustav Niemeyer, German painter, architect and artist. Painter, architect and applied artist (1867 Warburg - 1932 Munich), 1884-88 studied at the Düsseldorf Art Academy, then at a private art school in Munich and at the Académie Julian in Paris, from 1907 professor at the Kunstgewerbeschule in Munich, 1907 co-founder of the Deutscher Werkbund and the Deutsche Werkstätten für Handwerkskunst in Dresden and Munich, also worked for the Meissen and Nymphenburg porcelain manufactories as well as for Villeroy & Boch, Richard Merkelbach and the Karlsruhe Majolica Manufactory, 1925 designed the procession for the opening of the Deutsches Museum, source: Thieme-Becker, Vollmer and Wikipedia.