Description

Julius Obst, 1878 - 1939, bronze figure, male nude playing the flute, patinated bronze, signed on the plinth, height approx. 50 cm

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Julius Obst, 1878 - 1939, bronze figure, male nude playing the flute, patinated bronze, signed on the plinth, height approx. 50 cm

Schätzwert 850 - 1 600 EUR
Startpreis 850 EUR

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Rudolf Poeschmann, Altmarkt von Plauen im Winter View of the snow-covered old market square with the King Albert Monument and the Old Town Hall in Plauen in the Vogtland, in the warm light of the waning day, depiction of the artist's sisters in the right foreground, inscribed below the image in the print "Altmarkt Plauen i. V.", colour lithograph, signed, inscribed and dated "Rudolf Poeschmann Dresden 1910" lower left in the print, framed behind glass (pane with crack), folded dimensions approx. 78.5 x 61.5 cm. Artist information: actually Karl Julius Rudolf Poeschmann, also Rudolph, German landscape and genre painter. Landscape and genre painter (1878 Plauen/Vogtland to 1954 Dresden), childhood in Plauen, supported here by the drawing teacher Hermann Reinstein (1844-1935), then private pupil at a Munich art school, studied from 1896 at the Munich Academy under Johann Caspar Herterich, from 1897 studied at the Dresden Academy under Carl Bantzer and master student under Gotthard Kuehl, then freelance in Dresden, regular summer study trips through Saxony (especially the Vogtland, Ore Mountains and Lusatia), to Franconia, the Harz Mountains and to Austria, Holland, France (Paris) and Switzerland, organised various exhibitions such as the Glaspalast in Munich, member of the Munich Artists' Cooperative, the Reich Association of Visual Artists in Germany, the Dresden Artists' Association, the Dresden "Märzbund" and the General German Art Cooperative, active in Dresden, source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Müller-Singer, registers of the Dresden and Munich academies, Glaspalast catalogues and Frank Weiß "Malerei im Vogtland".

Ludwig Adam Kunz, Table Still Life opulent arrangement of a hare, carp, lobster and oysters next to a bouquet of peonies in a silver Historicist vase, an etagere with fruit and melons and a white cockatoo on a flowerpot, Bruckmann "Münchner Maler des 19./20. Jh." notes: "... he attempted to succeed Frans Snyder, Jan Fyt or Jan Brueghel the Elder. His works have an old-masterly colouring, the objects are brought out of deep darkness in brilliant, rich colours by a warm, luminous incident light. In terms of subject matter, Kunz mainly focussed on still lifes of flowers and fruit, which he occasionally enlivened with animals - in particular a monkey or a parrot. He was also a master in the depiction of precious objects such as old wine glasses or ivory and silver tankards. ...", glazed, partially slightly impasto painting, oil on wood panel, signed and dated "L. Adam Kunz 1911" top right, old handwritten label on the reverse "Adam Ludw. Ad. Kunz - Vienna 1857-1929 Munich "Prunkstilleben" Wood 35.5 x 57 cm, a. Tellerrand bez. 1911", in need of minor restoration, originally framed in a gilt stucco frame, rebate dimensions approx. 35.5 x 57 cm. Artist information: actually Ludwig Adam Kunz, German-Austrian painterAustrian painter (1857 Vienna - 1929 Munich-Maria Einsiedel), regarded as the "Lenbach of still life painting", initially studied sculpture under Victor Oskar Tilgner, 1873-75 studied sculpture at the Vienna Academy, 1875 turned to painting and until 1878 pupil of the genre painter Josef Fux in Vienna, from 1878 further training in Munich with Franz von Lenbach and Friedrich August von Kaulbach, influenced by the painting of Peter Paul Rubens and Hans Makart, 1885-96 stay in Paris and supported by Mihály von Munkácsy, from 1896 Kunz lived in the Asam-Schlössl in the Munich district of Thalkirchen-Maria Einsiedel, Appointed professor at the Munich Academy in 1896, member of the Munich Artists' Association, exhibited at the Vienna, Dresden and Berlin art exhibitions, the Madrid Columbus Exhibition in 1892 and the Munich Glass Palace from 1917-27, received various honours such as the Great Golden Medal at the International Art Exhibition in Munich in 1897, on friendly terms with Lenbach, both artists sometimes created joint works in a division of labour, like their artistic role models Rubens and Brueghel, Lenbach painted the portraits and Kunz the framing garland of flowers, source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", ÖBL, Boetticher, Müller-Singer, Bruckmann "Münchner Maler des 19./20th century", Dressler, Fuchs, Paviere and Wikipedia.

Julius Lange, Kirche am See idyllic late summer lakeside scene by a silting pond and a view of the church in a mountainous landscape, Hyacinth Holland noted in "Allgemeine Deutsche Biographie (1883)" "... His ease in creating artistically appealing pictures from mere vedute, in rewriting all impressions with poetic feeling, seemed to grow rather than tire with the years. Lange especially loved to depict nature in solemn tranquillity and sunny clarity, ... whereby the combination of water and forest offered new attractions. ..." and Seubert (1878) adds "... Lange ... but always spoke to the mind; he worked more through light and colour than through form, more charming than powerful. ...", atmospheric, slightly impasto landscape painting, oil on card, mounted on further card slightly protruding at the sides, signed and dated "Julius Lange 1864" lower left, old label on the reverse "A. Pütterich - k. k. Hof-Vergolder München Löwengrube Nr. 17" on the reverse, the painting ground slightly bulging, marginal defects, in need of cleaning and some restoration, beautifully framed in a gilt stucco frame c. 1900, rebate dimensions c. 41 x 50.5 cm. Artist information: actually Julius Ludwig Christian Lange, German painter and draughtsman (1817 Darmstadt to 1878 Munich), initially collaborated on the book project "Ansichten der schönsten Gegenden Deutschlands in Stahl- und Kupferstichen" (Views of the most beautiful regions of Germany in steel and copper engravings) completed in 1832 by his older brothers Gustav Georg Lange (1812-1873?) and Ludwig Lange (1808-1868), initially a pupil of Franz Hubert Müller in Darmstadt, studied from the end of 1833 at the Munich Academy and from 1836-39 at the Düsseldorf Academy under Johann Wilhelm Schirmer, undertook a study trip through Switzerland with Schirmer in 1837, settled in Munich in 1840 with Schirmer's support and became a pupil of Carl Rottmann, undertook study trips through southern Bavaria, Tyrol and to Italy, the Düsseldorf Academy already attested to his "great talent" and Lange quickly succeeded, He worked for the academies in Venice and Milan, of which he became an honorary member; from 1854 he lived in northern Italy and had contacts with the Milanese court, where he worked until 1857 as art tutor to Archduchess Charlotte of Belgium - later Empress of Mexico; in 1858 he returned to Munich, where he gained access to the Bavarian royal family and was promoted and appointed court painter by King Maximilian II of Bavaria. of Bavaria, worked as court painter for King Ludwig II from 1867, produced designs for the royal palaces of Linderhof and Herrenchiemsee, among others, attended the major art exhibitions in Berlin, Dresden, Cologne, Hanover, Vienna, Paris and Munich, fell ill in 1877 and stayed at Lake Chiemsee, worked in Munich, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon" and "Lexikon der Düsseldorfer Malerschule", Boetticher, Allgemeine Deutsche Biographie, Matrikel der Münchner Akademie, Müller-Singer, Seubert, Müller-Klunzinger, Bruckmann "Münchner Maler des 19./20th century" and Wikipedia.

Ernst Petrich, Coastal Scene probably East Frisian coast with windmill under effective clouds, impasto impressionist painting with broad brushstrokes, oil on canvas, signed and dated lower left "E. Petrich 21/III. 1912", various annotations on the frame verso, including "Ernst Petrich *1878 † 1964", minor cleaning required, nails hammered into the reverse, framed in wide gold moulding, rebate dimensions approx. 45 x 54 cm. Artist information: actually Carl Ernst Petrich, German painter, draughtsman, illustrator. Painter, draughtsman, illustrator and graphic artist (1878 Gravenhorst near Hörstel to 1964 Leer/East Friesland), childhood in Leer, initially trained as a painter and commercial artist, 1898 pupil at Philipp Franck's art school in Berlin, 1898-1901 studied at the Düsseldorf Academy under Peter Janssen the Elder and Eduard von Gebhardt, 1901 short-term student at the Académie Julian in Paris, from 1901-09 studied marine painting at the Berlin Academy under Carl Saltzmann, at the same time student of commercial art under Hans Mayer, 1905-12 pupil of Friedrich Kallmorgen, then freelance in Berlin, at the same time private lecturer and until 1939 teacher of commercial art at the Handwerker- und Gewerbeschule, member of the Verband Deutscher Illustratoren, from 1912 member of the Verein Berliner Künstler, member of the Vereinigung Westfälischer Künstler und Kunstfreunde, the Allgemeine Deutsche Künstlergenossenschaft and the Freie Vereinigung der Graphiker zu Berlin, 1949 return to Leer, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Müller-Singer, Dressler, Busse, Bénézit, Bruckmann "Lexikon der Düsseldorfer Malerschule", Ries and Wikipedia.