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Beschreibung

Julius Lange, Kirche am See idyllic late summer lakeside scene by a silting pond and a view of the church in a mountainous landscape, Hyacinth Holland noted in "Allgemeine Deutsche Biographie (1883)" "... His ease in creating artistically appealing pictures from mere vedute, in rewriting all impressions with poetic feeling, seemed to grow rather than tire with the years. Lange especially loved to depict nature in solemn tranquillity and sunny clarity, ... whereby the combination of water and forest offered new attractions. ..." and Seubert (1878) adds "... Lange ... but always spoke to the mind; he worked more through light and colour than through form, more charming than powerful. ...", atmospheric, slightly impasto landscape painting, oil on card, mounted on further card slightly protruding at the sides, signed and dated "Julius Lange 1864" lower left, old label on the reverse "A. Pütterich - k. k. Hof-Vergolder München Löwengrube Nr. 17" on the reverse, the painting ground slightly bulging, marginal defects, in need of cleaning and some restoration, beautifully framed in a gilt stucco frame c. 1900, rebate dimensions c. 41 x 50.5 cm. Artist information: actually Julius Ludwig Christian Lange, German painter and draughtsman (1817 Darmstadt to 1878 Munich), initially collaborated on the book project "Ansichten der schönsten Gegenden Deutschlands in Stahl- und Kupferstichen" (Views of the most beautiful regions of Germany in steel and copper engravings) completed in 1832 by his older brothers Gustav Georg Lange (1812-1873?) and Ludwig Lange (1808-1868), initially a pupil of Franz Hubert Müller in Darmstadt, studied from the end of 1833 at the Munich Academy and from 1836-39 at the Düsseldorf Academy under Johann Wilhelm Schirmer, undertook a study trip through Switzerland with Schirmer in 1837, settled in Munich in 1840 with Schirmer's support and became a pupil of Carl Rottmann, undertook study trips through southern Bavaria, Tyrol and to Italy, the Düsseldorf Academy already attested to his "great talent" and Lange quickly succeeded, He worked for the academies in Venice and Milan, of which he became an honorary member; from 1854 he lived in northern Italy and had contacts with the Milanese court, where he worked until 1857 as art tutor to Archduchess Charlotte of Belgium - later Empress of Mexico; in 1858 he returned to Munich, where he gained access to the Bavarian royal family and was promoted and appointed court painter by King Maximilian II of Bavaria. of Bavaria, worked as court painter for King Ludwig II from 1867, produced designs for the royal palaces of Linderhof and Herrenchiemsee, among others, attended the major art exhibitions in Berlin, Dresden, Cologne, Hanover, Vienna, Paris and Munich, fell ill in 1877 and stayed at Lake Chiemsee, worked in Munich, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon" and "Lexikon der Düsseldorfer Malerschule", Boetticher, Allgemeine Deutsche Biographie, Matrikel der Münchner Akademie, Müller-Singer, Seubert, Müller-Klunzinger, Bruckmann "Münchner Maler des 19./20th century" and Wikipedia.

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Julius Lange, Kirche am See idyllic late summer lakeside scene by a silting pond and a view of the church in a mountainous landscape, Hyacinth Holland noted in "Allgemeine Deutsche Biographie (1883)" "... His ease in creating artistically appealing pictures from mere vedute, in rewriting all impressions with poetic feeling, seemed to grow rather than tire with the years. Lange especially loved to depict nature in solemn tranquillity and sunny clarity, ... whereby the combination of water and forest offered new attractions. ..." and Seubert (1878) adds "... Lange ... but always spoke to the mind; he worked more through light and colour than through form, more charming than powerful. ...", atmospheric, slightly impasto landscape painting, oil on card, mounted on further card slightly protruding at the sides, signed and dated "Julius Lange 1864" lower left, old label on the reverse "A. Pütterich - k. k. Hof-Vergolder München Löwengrube Nr. 17" on the reverse, the painting ground slightly bulging, marginal defects, in need of cleaning and some restoration, beautifully framed in a gilt stucco frame c. 1900, rebate dimensions c. 41 x 50.5 cm. Artist information: actually Julius Ludwig Christian Lange, German painter and draughtsman (1817 Darmstadt to 1878 Munich), initially collaborated on the book project "Ansichten der schönsten Gegenden Deutschlands in Stahl- und Kupferstichen" (Views of the most beautiful regions of Germany in steel and copper engravings) completed in 1832 by his older brothers Gustav Georg Lange (1812-1873?) and Ludwig Lange (1808-1868), initially a pupil of Franz Hubert Müller in Darmstadt, studied from the end of 1833 at the Munich Academy and from 1836-39 at the Düsseldorf Academy under Johann Wilhelm Schirmer, undertook a study trip through Switzerland with Schirmer in 1837, settled in Munich in 1840 with Schirmer's support and became a pupil of Carl Rottmann, undertook study trips through southern Bavaria, Tyrol and to Italy, the Düsseldorf Academy already attested to his "great talent" and Lange quickly succeeded, He worked for the academies in Venice and Milan, of which he became an honorary member; from 1854 he lived in northern Italy and had contacts with the Milanese court, where he worked until 1857 as art tutor to Archduchess Charlotte of Belgium - later Empress of Mexico; in 1858 he returned to Munich, where he gained access to the Bavarian royal family and was promoted and appointed court painter by King Maximilian II of Bavaria. of Bavaria, worked as court painter for King Ludwig II from 1867, produced designs for the royal palaces of Linderhof and Herrenchiemsee, among others, attended the major art exhibitions in Berlin, Dresden, Cologne, Hanover, Vienna, Paris and Munich, fell ill in 1877 and stayed at Lake Chiemsee, worked in Munich, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon" and "Lexikon der Düsseldorfer Malerschule", Boetticher, Allgemeine Deutsche Biographie, Matrikel der Münchner Akademie, Müller-Singer, Seubert, Müller-Klunzinger, Bruckmann "Münchner Maler des 19./20th century" and Wikipedia.

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Carsten Henrichsen, attr, "Skovløberhus i Esrum" idyllic Danish summer landscape with forester's house and church, in the warm light of the late sun, slightly impasto landscape painting in warm-toned colours, oil on canvas, on the reverse probably signed, dated and indistinctly titled "Carsten Henrichsen 1868 - Skovløberhus i Esrum", the motif appears repeatedly in the artist's work with the foreground forester's house, with slight variations in the background, thus an almost identical painting by the artist's hand with "Mølledam [Engl.The village of Kongens Lyngby, which belongs to the municipality of Lyngby-Taarbæk, with its characteristic Gothic church with stepped gables, borders Copenhagen to the north and was part of the artist's painting territory, old closed losses in the canvas, somewhat restored, framed in Florentine moulding, folded dimensions approx. 34 x 45 cm. Artist information: actually Carsten Frederik Henrichsen, Danish landscape painter (1824 Copenhagen to 1897 Copenhagen), with the support of Baron Løvenskjold, Count Adam Wilhelm Moltke and the English ambassador Wynn 1840-43 studied at the Copenhagen Academy, 1845-49 drawing pupil of Frederik Ferdinand Helsted, in the 1860s, out of necessity, worked as a painting and drawing teacher, finally freelance as a landscape painter, from 1847 regularly attended the art exhibitions at Charlottenborg Palace, honoured with the Neuhausen Prize in 1855, active in Copenhagen, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Weilbach and Internet.