Null 为 Medicom Toy 设计的 "Bape Play "系列中的 "Play Camo"。

一套四个 400% Be@rbrick。

不同颜色…
描述

为 Medicom Toy 设计的 "Bape Play "系列中的 "Play Camo"。 一套四个 400% Be@rbrick。 不同颜色的乙烯基涂漆。 原包装盒。 已密封。 状态良好。 尺寸:27 厘米(高);19 x 16 x 11 厘米(盒)。 Be@rbrick 是艺术玩具革命的最大代表之一。它的形象简单而有吸引力,是一个可铰接的小熊(类似于一块砖,因此得名),由不同的著名艺术家设计的各种图案层出不穷,使它成为新老收藏家的心仪之物。Be@rbrick 由日本 MediCom Toy Incomporated 公司设计和生产,于 2001 年推出,作为东京第 12 届世界角色大会的礼物赠送给参观者。Be@rbrick 有九个不同的部件(玩具业称之为 "工具"),可实现八个不同的关节点:旋转头、旋转腰、球形关节手臂、旋转手腕和球形关节腿。尺寸从 7 厘米高(称为 100% Be@rbrick,标准尺寸)到 400% Be@rbrick(28 厘米高)或 1000% Be@rbrick(70 厘米高)不等。其他尺寸比标准尺寸小,如 50%贝@尔砖(4 厘米)或 70%贝@尔砖(5 厘米)。最著名的合作项目包括与 Kaws、安迪-沃霍尔基金会、让-米歇尔-巴斯奎特、凯斯-哈林、迪斯尼、Looney Tunes、DC 漫画,甚至卢浮宫博物馆和香奈儿的合作。从音乐制作人法瑞尔-威廉姆斯(Pharrell Williams)到前《Vogue》创意总监格蕾丝-科丁顿(Grace Coddington),许多名人也收藏了 Be@rbrick。 保存完好。

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为 Medicom Toy 设计的 "Bape Play "系列中的 "Play Camo"。 一套四个 400% Be@rbrick。 不同颜色的乙烯基涂漆。 原包装盒。 已密封。 状态良好。 尺寸:27 厘米(高);19 x 16 x 11 厘米(盒)。 Be@rbrick 是艺术玩具革命的最大代表之一。它的形象简单而有吸引力,是一个可铰接的小熊(类似于一块砖,因此得名),由不同的著名艺术家设计的各种图案层出不穷,使它成为新老收藏家的心仪之物。Be@rbrick 由日本 MediCom Toy Incomporated 公司设计和生产,于 2001 年推出,作为东京第 12 届世界角色大会的礼物赠送给参观者。Be@rbrick 有九个不同的部件(玩具业称之为 "工具"),可实现八个不同的关节点:旋转头、旋转腰、球形关节手臂、旋转手腕和球形关节腿。尺寸从 7 厘米高(称为 100% Be@rbrick,标准尺寸)到 400% Be@rbrick(28 厘米高)或 1000% Be@rbrick(70 厘米高)不等。其他尺寸比标准尺寸小,如 50%贝@尔砖(4 厘米)或 70%贝@尔砖(5 厘米)。最著名的合作项目包括与 Kaws、安迪-沃霍尔基金会、让-米歇尔-巴斯奎特、凯斯-哈林、迪斯尼、Looney Tunes、DC 漫画,甚至卢浮宫博物馆和香奈儿的合作。从音乐制作人法瑞尔-威廉姆斯(Pharrell Williams)到前《Vogue》创意总监格蕾丝-科丁顿(Grace Coddington),许多名人也收藏了 Be@rbrick。 保存完好。

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POUL KJÆRHOLM (Denmark, 1929 - 1980) for FRITZ HANSEN. PK-22 lounge chair, designed 1955. Steel frame. Upholstered in black leather. Made at Fritz Hansen in 1991, with label from here. Shows minor signs of wear and patina due to age. Measurements: 72 x 63 x 62 cm. Seat height 33 cm. The PK22 series of chairs are excellent examples of Poul Kjaerholm's ability to work with exquisite, minimalist materials. In the search for the ideal form they were created in a combination of elegant luxury and comfort. Poul Kjærholm was a Danish designer trained at the Danish School of Arts and Crafts in Copenhagen, where he entered in 1952 after having started his apprenticeship with the cabinetmaker Gronbech in 1948. From the mid-1950s he worked for his friend EjvindKoldChristiansen, a businessman who always gave him total creative freedom. His earliest creations, such as his plywood furniture series PKO, already reveal his strong personality. In 1958 he attracted international attention with his contribution to the "Formes Scandinaves" exhibition in Paris, and in the same year he won the Lunning Prize for his PK 22 chair. In 1957 and 1960 he was awarded the Grand Prix at the Milan Triennale, and in 1959 he was admitted to the Royal Danish Academy of Fine Arts. In 1973 he was appointed director of the Danish Design Institute, where he taught from 1976. His designs are now held in leading design collections, including those of the Victoria & Albert Museum in London and the MOMA in New York.

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