Máscara Isoko Máscara Isoko, Nigeria Mit Sockel / con base Madera, ratán. H 38 cm. Procedencia: - Thierry Santos, París. - Galería Alain & Abla Lecomte, París. - 2006: Colección privada en Suiza occidental. Se entregará al comprador un certificado de la Galerie Lecomte (2006). No vendido en Sotheby's París (09.04.2022, "Living Contemporary", lote 14) con una estimación de 5'000-7'000 euros. Una máscara idéntica (?) es descrita por Philip M. Peek en "For Spirits and Kings - African art from the Paul and Ruth Tishman Collection" de la siguiente manera: 82. MÁSCARA PARA FESTIVAL ERESE Nigeria, Igbo-Isoko, Estado de Bendel, pueblo de Ase Madera, rafia, cencerros de cauri, tachuelas de latón, H. 11¾ in. (29,8 cm.) 1940-60? Esta máscara es prácticamente idéntica a uno de los tres tocados registrados en Ase, Estado de Bendel, Nigeria, en 1971 (véase fig. 30). Los tres pertenecen a Odiri, sacerdote de Onye-uku-Ekukeni, la deidad mayor del clan para la guerra. La máscara Fach está rematada por una pareja unida de animales no identificados que honran aún más a la deidad. Llevados por mascareros cubiertos de plumas y pañuelos de colores, estos tocados son el centro de la fiesta Erese que se celebra cada mes de marzo para limpiar la ciudad antes de que puedan celebrarse otras fiestas. Esta ceremonia se conoce propiamente como Erese Okpokponso (del isoko kpo, "ir", y del igbo nso, "prohibido", o "alejar lo prohibido"). La combinación de términos isoko e igbo refleja la compleja historia de Ase. Los antepasados de los fundadores de Ase salieron de Benín hace siglos y poco a poco, a lo largo de muchas generaciones, se desplazaron por el río Níger. Al llegar a la confluencia de los ríos Níger y Ase, dos hermanos remontaron el Ase y se establecieron. El hermano mayor se marchó pronto en busca de lo que se convertiría en la ciudad isoko de Aviara. Durante años, Ase permaneció "subordinada" a Aviara, pero más tarde se afilió a la poderosa ciudad igbo ndosimili de Abo. En la actualidad, Ase se considera completamente igbo. Otro reflejo de la dificultad de rastrear los orígenes de las comunidades del delta del Níger y ribereñas es que el barrio de Ekukeni, donde viven los creadores del festival Erese, fue colonizado por emigrantes de Erohwa, un antiguo clan actualmente vinculado a los isoko pero anterior incluso a los ijo del delta occidental del Níger. Para más información: Vogel, Susan / Traducciones e investigación adicional de Kate EZRA (1981). Para espíritus y reyes. Arte africano de la Colección Paul y Ruth Tishman. Nueva York: Museo Metropolitano de Arte. Página 143 CHF 2 000 / 4 000 Peso en gramos: 1884 Estado de conservación: El estado (desgaste, eventuales grietas, roturas, otras imperfecciones y efectos del envejecimiento, etc. si procede) de este lote es el visible en las múltiples fotos que hemos subido para su documentación. Por favor, no dude en ponerse en contacto con Hammer Auktionen para todas las preguntas que pueda tener con respecto a este lote ([email protected]). Cualquier declaración de condición dada, como cortesía a un cliente, es sólo una opinión y no debe ser tratada como una declaración de hecho. Hammer Auctions no será responsable de ningún error u omisión. En el raro caso de que el artículo no se ajustara a la descripción del lote en la venta, Hammer Auktionen está aquí para ayudar. Los compradores podrán devolver el artículo para obtener un reembolso completo siempre que lo notifiquen a Hammer Auktionen en un plazo de 5 días a partir de la recepción del artículo. -------------------------------- El estado (posible desgaste, señales de uso, grietas, otros posibles daños y señales de antigüedad, etc.) de este lote puede apreciarse en las fotos que hemos subido para su documentación. Si tiene alguna pregunta sobre este artículo, no dude en ponerse en contacto con Hammer Auctions ([email protected]). La información relativa al estado de los artículos facilitada para comodidad de los interesados es sólo una opinión y no debe tratarse como una declaración de hecho. Hammer Auctions no se hace responsable de posibles errores u omisiones. En el raro caso de que el artículo no coincida con la descripción del catálogo, Hammer Auctions está aquí para ayudar. Los compradores pueden devolver el lote para obtener un reembolso completo siempre que lo notifiquen a Hammer Auctions en un plazo de 5 días a partir de la recepción del lote.

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Arte africano y oceánico de las colecciones de

Jean-Louis RinsozMarcel RouxPierre Vérité, Henri Cámara, Paul Berger-FreiGérald y Muriel Minkoff, Charles-Edouard Duflon

Thierry Santos Hans y Carla Baumann, René Rickli Alfons J. Keller Edwin Bentley Savage, Edith Mbella Mamá Mecano,

galería Alain Bovis galería Alain Naoum galería Clásicos del arte tribal, galería Alain Lecomte galería Walu

Se garantiza que todos los artículos son tal y como se describen o le devolvemos su dinero.

Cada obra irá acompañada de una "Confirmación de Procedencia" y un "Derecho de Enajenación", así como de todos los certificados mencionados.

¡LA MEJOR DE LAS SUERTES !

Subastas Hammer