51st Timed Auction: Old Master and 19th-Century Prints, Drawings, and Oil Paintings

Remaining time:

09d 14h 33m 57s

Timed auctions

Until Saturday, November 14 | 02:00 PM

H. W. Fichter Kunsthandel

Arndtstr. 49 60325, Frankfurt

1000 results

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51st Timed Auction: Old Master and 19th-Century Prints, Drawings, and Oil Paintings

H. W. Fichter Kunsthandel

401 - W. LOWRY (1762–1824), St. Michael’s Mount in Cornwall, Etching

402 - J. ROSBACH (18th century) after MÁNYOKI (*1673), Portrait of Johann Christoph Freund, ca. 1750, copper engraving

403 - R. POLLARD (*1755) after METZ (*1749), Raphael with Adam and Eve, 1792, Aquatint

404 - A. PRENNER (*1683) after NEEFFS (*1578), Cathedral of Our Lady, Antwerp, Copper engraving

405 - I. KLAUBER (*1753) after NETSCHER (*1629), A portrait of the genre painter Caspar Netscher, circa 1

406 - After NETSCHER (*1629), Singer and Lute Player at the Window, around 1780, copper engraving

407 - NOBLE (18th), St. Joseph’s, Glastonbury & Alderton Church, Suffolk, Etching

408 - NOBLE (18th), Dudley Castle, Staffordshire, Etching

409 - J. BAUSE (*1738) after OESER (*1717), Portrait of Rudolph August Schubart (1694-1770), 1772, Copper

410 - B. OVERBEKE (1660–1705), The Colonnade of the Hadrianeum in Rome, 1709, Etching

411 - G. PAGE (19th), Winchelsea Church in Sussex, Etching

412 - J. PELTRO (1760–1808), Netley Abbey in Hampshire, etching

413 - J. WANGNER (*1703) after PILLEMENT (*1728), Landscape with Shepherds and Mules, Copper engraving

415 - J. PRIEUR (1759-1795), Looting of the arsenal in Lyon, Etching

416 - H. ROBERT (1733-1808), Views of Rome, around 1765, Etching

417 - C. RUGENDAS (*1708) after RUGENDAS (*1666), An Encounter by the Wayside, mezzotint

418 - J. DUPIN (18th) after SANTERRE (*1651), Portrait of the writer Jean Racine, Copper engraving

419 - A. CAYLUS (*1692) after RAFFAEL (*1483), Retreat of the Saracens at Ostia, Etching

420 - J. SCHELLENBERG (*1740), Picture Academy for Young People, Plate XXXVII, 1784, Etching

421 - J. SCHELLENBERG (*1740), Picture Academy for Young People, Plate XLVI, 1784, Etching

422 - J. SCHELLENBERG (*1740), Picture Academy for Young People, Plate XXXVIII, 1784, Etching

423 - J. PENZEL (*1754) after SCHELLENBERG (*1740), Academy of Fine Arts, Plate XLV, 1784, etching

424 - J. PENZEL (*1754) after SCHELLENBERG (*1740), Academy of Fine Arts, Plate XXVI, 1784, etching

425 - J. SCHELLENBERG (*1740), Academy of Fine Arts, Plate XLVIII, 1784, Etching

426 - J. PENZEL (*1754) after SCHELLENBERG (*1740), Academy of Fine Arts, Plate XXIII, 1784, etching

427 - J. SCHELLENBERG (*1740), Academy of Fine Arts, Plate XXI, 1784, Etching

428 - J. PENZEL (*1754) after SCHELLENBERG (*1740), Academy of Fine Arts, Plate XXXI, 1784, etching

429 - C. STÖLZEL (*1751) after SCHENAU (*1737), Book illustration, 1795, Etching

430 - C. STÖLZEL (*1751) after SCHENAU (*1737), Warriors in Ancient Garb, 1781, etching

431 - C. STÖLZEL (*1751) after SCHENAU (*1737), Christ Bestowing His Blessing, copper engraving

432 - C. STÖLZEL (*1751) after SCHENAU (*1737), Hug, 1794, Etching

433 - J. SCHREYER (*1768) after SCHENAU (*1737), Ruler on Horseback, Etching

434 - E. KRÜGER (*1756) after SCHENAU (*1737), Cupid at the Altar, copper engraving

435 - E. KRÜGER (*1756) after SCHENAU (*1737), Pericles on His Deathbed, copper engraving

436 - E. KRÜGER (*1756) after SCHENAU (*1737), *The Triumph of Faith*, 1788, copper engraving

437 - P. SCHENK (1653–1713), Battle of Indoigne, 1706, c. 1712, copper engraving

438 - P. SCHENK (1653–1713), The Death of Emperor Joseph I in 1711, circa 1712, copper engraving

439 - P. SCHENK (1653–1713), Louis XV, Proclamation, around 1712, copper engraving

440 - P. SCHENK (1653–1713), Duke of Orléans, Valencia, 1707, c. 1712, copper engraving

441 - P. SCHENK (1653–1713), The Capture of Gibraltar in 1704, circa 1712, copper engraving

442 - P. SCHENK (1653–1713), Alburquerque, June 10, 1705, circa 1712, copper engraving

443 - P. SCHENK (1653–1713), Hulst in the province of Zeeland, around 1712, copper engraving

444 - P. SCHENK (1653–1713), Plan of the fortress at Béthune, around 1712, copper engraving

445 - P. SCHENK (1660-1778), Portrait of Johann Doläus, Mezzotint

446 - F. SCHEURECK (18th), Greeting card featuring cherubs, Etching

447 - J. HOUBRAKEN (*1698) after SCHOUMAN (*1710), Portrait of Pastor Petrus Nieuwland, 1759, copper engraving

448 - J. SYSANG (1703–1757), Educator Johann Gottlieb Bidermann, 1753, copper engraving

449 - J. SYSANG (1703–1757), William Augustus, Duke of Cumberland, c. 1750, copper engraving

450 - THORNTON (18th), Bristol and Bath Cathedrals, Etching

451 - B. CRIVELLARI (*1716) after TIBALDI (*1527), Odysseus and Ino, copper engraving

452 - B. CRIVELLARI (*1716) after TIBALDI (*1527), Odysseus at the Court of Alcinous, circa 1756, copper

453 - J. TISCHBEIN (*1742), Man Wearing a Neck Brace, in the style of a crayon drawing

454 - J. TISCHBEIN (*1742), In the stables, Aquatint

455 - J. TISCHBEIN (*1742) after TISCHBEIN (*1722), Acis and Galatea, ca. 1758, etching

456 - J. TISCHBEIN (*1722), Menelaus and Paris, 1757, Etching

457 - A. KARCHER (*1760) after TISCHBEIN (*1722), self-portrait, 1797, stipple engraving

458 - E. VERHELST (1733-1818), Frederick the Great, 1794, Copper engraving

459 - G. VERTUE (1684-1756), Portrait of King James I (1566-1626), around 1720, Copper engraving

460 - J. ZIMMERMANN (*1705) after VIVIEN (*1657), Portrait of Maria Anna (1600-1690), Princess of Bavaria,

461 - P. DREVET (*1663) after WALKER (*1599), Portrait of Thomas Fairfax, around 1720, Copper engraving

463 - P. LAMINIT (*1773) after WEBER (*1761), 12 sheets. The Military and the Bourgeoisie, circa 1799, Et

464 - J. WILLE (1715-1808), Portrait of a man in uniform, 1779, Copper engraving

465 - A. WOLFGANG (1660–1736), A Man Dressed in Oriental Clothing, Etching

466 - A. WOLFGANG (1660–1736), Portrait of a Man at a Table, Etching

467 - A. WOLFGANG (1660–1736), Portrait of a Man Writing, Etching

468 - A. WOLFGANG (1660–1736), Portrait of a Man, Etching

469 - A. WOLFGANG (1660–1736), A Guest at the Pub, Etching

470 - A. WOLFGANG (1660–1736), A bearded man with his eyes downcast, Etching

471 - A. WOLFGANG (1660–1736), Portrait of a Young Boy Reading, Etching

472 - J. WOODING (1788–1790), View of Baynard’s Castle, London, Etching

473 - J. WOODING (1788-1790), Castle Acre Monastery, Norfolk, Etching

474 - L. ZUCCHI (1704–1779), The Sacrament of Confirmation, 1767, copper engraving

475 - L. ZUCCHI (1704–1779), Sacrament, Last Rites, ca. 1750, copper engraving

476 - Unknown (18th century), Foot-washing by the Queen Regent, Etching

477 - Unknown (18th century), Depictions of Medieval Seals, Etching

478 - Unknown (18th century), Seal, Ludovicus the Fourth, D.G. Augustus, Etching

479 - Unknown (18th), Depiction of a princely tomb, Etching

480 - Unknown (18th century), Inscriptions, from *Monumenta Boica*, Etching

403 - R. POLLARD (1755) after METZ (1749), Raphael with Adam and Eve, 1792, Aquatint

404 - A. PRENNER (1683) after NEEFFS (1578), Cathedral of Our Lady, Antwerp, Copper engraving

405 - I. KLAUBER (1753) after NETSCHER (1629), A portrait of the genre painter Caspar Netscher, circa 1

409 - J. BAUSE (1738) after OESER (1717), Portrait of Rudolph August Schubart (1694-1770), 1772, Copper

413 - J. WANGNER (1703) after PILLEMENT (1728), Landscape with Shepherds and Mules, Copper engraving

417 - C. RUGENDAS (1708) after RUGENDAS (1666), An Encounter by the Wayside, mezzotint

419 - A. CAYLUS (1692) after RAFFAEL (1483), Retreat of the Saracens at Ostia, Etching

423 - J. PENZEL (1754) after SCHELLENBERG (1740), Academy of Fine Arts, Plate XLV, 1784, etching

424 - J. PENZEL (1754) after SCHELLENBERG (1740), Academy of Fine Arts, Plate XXVI, 1784, etching

426 - J. PENZEL (1754) after SCHELLENBERG (1740), Academy of Fine Arts, Plate XXIII, 1784, etching

428 - J. PENZEL (1754) after SCHELLENBERG (1740), Academy of Fine Arts, Plate XXXI, 1784, etching

429 - C. STÖLZEL (1751) after SCHENAU (1737), Book illustration, 1795, Etching

430 - C. STÖLZEL (1751) after SCHENAU (1737), Warriors in Ancient Garb, 1781, etching

431 - C. STÖLZEL (1751) after SCHENAU (1737), Christ Bestowing His Blessing, copper engraving

432 - C. STÖLZEL (1751) after SCHENAU (1737), Hug, 1794, Etching

433 - J. SCHREYER (1768) after SCHENAU (1737), Ruler on Horseback, Etching

434 - E. KRÜGER (1756) after SCHENAU (1737), Cupid at the Altar, copper engraving

435 - E. KRÜGER (1756) after SCHENAU (1737), Pericles on His Deathbed, copper engraving

436 - E. KRÜGER (1756) after SCHENAU (1737), The Triumph of Faith, 1788, copper engraving

447 - J. HOUBRAKEN (1698) after SCHOUMAN (1710), Portrait of Pastor Petrus Nieuwland, 1759, copper engraving

451 - B. CRIVELLARI (1716) after TIBALDI (1527), Odysseus and Ino, copper engraving

452 - B. CRIVELLARI (1716) after TIBALDI (1527), Odysseus at the Court of Alcinous, circa 1756, copper

455 - J. TISCHBEIN (1742) after TISCHBEIN (1722), Acis and Galatea, ca. 1758, etching

457 - A. KARCHER (1760) after TISCHBEIN (1722), self-portrait, 1797, stipple engraving

460 - J. ZIMMERMANN (1705) after VIVIEN (1657), Portrait of Maria Anna (1600-1690), Princess of Bavaria,

461 - P. DREVET (1663) after WALKER (1599), Portrait of Thomas Fairfax, around 1720, Copper engraving

463 - P. LAMINIT (1773) after WEBER (1761), 12 sheets. The Military and the Bourgeoisie, circa 1799, Et

480 - Unknown (18th century), Inscriptions, from Monumenta Boica, Etching

489 - Unknown (18th century), The Shepherd, 1777, etching

498 - F. PILOTY (1786) after BANDINELLI (1493), A Woman Under a Canopy, around 1811, lithograph

500 - E. BRANDARD (1819) after BARTLETT (1809), Osborne House, around 1850, Steel engraving