Auction 185 - Day 3

On Friday, November 27 | 04:00 PM

Auktionshaus Peege

Dreikönigstr. 43 79102, Freiburg

Registration closes on Friday, November 27 at 10:00 AM

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Auction 185 - Day 3

Auktionshaus Peege

1144 - Gerson, Johannes: 1363 Gerson-lès-Barby – 1420 Lyon. Woodcut. Johannes Gerson as a wandering pilgrim with a coat of arms. Frontispiece from: *Tercia pars operum Johannis de Gerson doctoris *Christianissimi*. 22 x 14.5 cm. (36.5 x 28.5 cm). Pass. R.

1145 - Dürer, Albrecht: 1471 Nuremberg – 1528 ibid. Woodcut. Christ’s Farewell to His Mother. Sheet 8 from the series: The Little Passion. Monogrammed in the lower right corner of the block. On the reverse, a Latin poem: “In Coena domini Carmen Heroicum.” 13 x 10 cm. (31 x 28 cm). Pass. R.

1146 - Botanical Sheets: 17th century. Three copper engravings, old color. Hyacinths. Daffodils. (Tear). Sea thistle. Inscribed in Latin. (Bound, slightly stained). From: *Hortus Eystettensis*, Basil Besler. Each 50 x 41 cm. (69 x 59 cm). Mounted. R.

1148 - Preisler, Georg Martin: 1700 Nuremberg – 1754 ibid. Copperplate engraving. Figure study. Male figure with a rope. Inscribed lower right (Gebr.) 32 x 19.5 cm. (60.5 x 39 cm). Pass. R.

1149 - Leitenstorffer, Franz Anton: 1721 Reutte, Tyrol – 1795 Mannheim. Copperplate engraving. Figure study. Seated male nude. (Tear in the margin, missing section in the upper right). Signed lower right in the plate and inscribed “u. Roma.” 36 x 26.5 cm. (70 x 56 cm). Mounted. Ref.: 11.

1153 - Breisacher Gate in Freiburg: 19th-century lithograph, “The Storming of the Barricade around the Breisacher Gate in Freiburg by the Grand Ducal Hessian Federal Troops on April 24, 1848.” Inscribed on the stone (tears, crease, minimal blotting). 25.5 x 32 cm. (33 x 41 cm). Pass. R.

1154 - Geiges, Fritz: 1853 Offenburg – 1935 Freiburg. Lithograph: “Facade of the City Hall in Freiburg im Breisgau, renovated in 1881.” Signed lower right in the stone and dated 1882. 30 x 43.5 cm. (42 x 57 cm). Mounted on board.

1155 - Views of the Rhine: 19th century. Three aquatint views: Andernach, St. Goar, and Rheinfels. View of Caub and the Palatinate. From: *Picturesque Souvenirs of the Rhine* by J.J. Weber. Each 11.5 x 15 cm. (27 x 31 cm). R.

1156 - Daur, Hermann: 1870 Stetten/Lörrach – 1925 Ötlingen. Lithograph: “On a Lonely Hill.” (Stain). 28 x 39 cm. (33.5 x 45.5 cm). Ref.: 1, 8, 11, 14.

1157 - Thoma, Hans: 1839 Bernau – 1924 Karlsruhe. Three etchings. The Virgin with the Lion. 20 x 25 cm. (36 x 47.5 cm). The Prodigal Son. (Bound). 29 x 22 cm. (50 x 35 cm). Parzifal. 25 x 29.5 cm. (37 x 52 cm). Each signed in pencil and framed. Lit.: 1, 2, 5, 11, 14.

1158 - Thoma, Hans: 1839 Bernau – 1924 Karlsruhe. Five etchings. Marvelous Birds. (Bound). Guardian Angel. 1913. Death the Reaper. (Heavily stained). Flight of Swallows. (Stained). The Tamed Griffin. Each signed in pencil. Approx. 25 x 20 cm. (45 x 34 cm). Ref.: 1, 2, 5, 11, 14.

1159 - Munch, Edward: 1863 Engelhaug/Loten – 1944 Oslo. Etching. Norwegian landscape. 1908. (Stained). 11 x 15 cm. (24 x 27.5 cm). Mounted. Ref.: 1, 2, 5, 11, 14.

1161 - Kollwitz, Käthe: 1867 Königsberg – 1945 Moritzburg. Etching. You bleed from many wounds, O people. Imprint: Kunstverlag Berlin-Halensee. 22 × 12.5 × 34 cm. (40.5 × 50.5 cm). In good condition. Lit.: 1, 2, 5, 11, 14.

1168 - Toulouse-Lautrec, Henri de: 1864, Albi – 1901, Château Malromé, Saint-André-du-Bois. Heliogravure. Tandem team. Monogrammed in the stone in the upper right. 26 x 39 cm. (33 x 47.5 cm). R. Lit.: 1, 2, 5, 11, 14.

1169 - Vallotton, Louis: 1865 Lausanne – 1925 Neuilly-sur-Seine. Woodcut. “Le coupe de vent.” Monogrammed lower left on the block. Inscribed lower left. 18 x 22 cm. (36 x 37.5 cm). Mounted on board. Lit.: 1, 2, 11, 14.

1170 - Vallotton, Louis: 1865 Lausanne – 1925 Neuilly-sur-Seine. Woodcut. “La Sortie.” Monogrammed lower left in the block. Signed lower right. 19 x 23.5 cm. (35 x 37.5 cm). Mounted on board. Lit.: 1, 2, 11, 14.

1171 - Felixmüller, Conrad: 1897 Dresden - 1977 Berlin. Woodcut. Model study. From: The painter's life. Sheet 3. 1927. Signed in pencil lower right. Monogr. in stick 26 x 19.5 cm. (52 x 42 cm). Pass. R. Lit.: 1,2,13,14.

1173 - Kogan, Moissey: 1879 Orgejeff, Bessarabia – 1943 Auschwitz. Woodcut in reddish brown, mounted on cardboard. An expressive dancer in motion. Signed in pencil lower right and illegibly inscribed. 18.5 x 12 cm. (35 x 28 cm). Mounted. Ref.: 1, 2, 11, 13, 14.

1174 - Corinth, Lovis: 1858 Tapiau, East Prussia – 1925 Zandvoort, Netherlands. Etching. Boy in swimming trunks and a straw hat. 1915. Signed in pencil in the lower right corner. Inscribed “Probedruck” in the lower left corner; total edition of 75. Lit.: 1, 2, 5, 9, 11, 14. WVZ Schwarz 206.

1175 - Grossmann, Rudolf: 1882 Freiburg – 1941 ibid. Etching. *In the Circus Ring*. Signed lower right and numbered 6/30 lower left. 10 x 11.5 cm. (30 x 40 cm). Mounted on the right. Lit.: 1, 2, 14.

1176 - Grossmann, Rudolf: 1882 Freiburg – 1941 ibid. Etching. The Old Gardener. Signed in pencil lower left (brother). 19 x 15 cm. (46 x 36 cm). Mounted. R. Lit.: 1, 2, 14.

1177 - Chagall, Marc: 1887 Vitebsk – 1985 Saint-Paul-de-Vence. Color lithograph, “Esther.” 1960. From: *Dessins pour la Bible*. 35 x 26 cm. (63 x 54 cm). Mounted. R. Mourlot 252. Lit.: 1, 2, 11, 14.

1178 - Dali, Salvador: 1904 Figueras – 1989 ibid. Color lithograph, *The Persisting Memory*. Montre Molle. Signed in pencil upper right, numbered LXXXVIII/CL lower left. 35 x 44 cm (50 x 68 cm). Related literature: 1, 2, 14.

1179 - Dali, Salvador: 1904 Figueras – 1989 ibid. Color lithograph with embossed print. “Narcissus telephonans inondis.” 1972. Signed in pencil in the upper right corner. Numbered 114/350 lower left. In the plate. Dimensions: 64 x 42 cm (85.5 x 63 cm). Mounted. Lit.: 1, 2, 14.

1183 - Albers, Josef: 1888 Bottrop – 1976 New Haven. Studied in Berlin, Essen, and initially at the Bauhaus under Johannes Itten; later served as a Bauhaus master; fled to the U.S. in 1933. Silkscreen print. Red Squares. From: Hommage to the Square. 1967. 31 x 31 cm. (41 x 42 cm). Scale: 1.14.

1186 - Dali, Salvador: 1904 Figueras – 1989 ibid. Aquatint. Sigismund (red chalk). From: Life Is a Dream. Signed in pencil in the upper right. Numbered 75/75 in the lower left. Signed in the plate and dated 1966 (brownish light border). 30 x 23 cm. (41 x 31.5 cm). R. Lit.: 1, 2, 14.

1187 - Janosch (actually Horst Eckert): 1931, Hindenburg, Upper Silesia. Worked in Tenerife. Color etching. 'Be Kissed, Dear Angel.' Signed in pencil lower right; numbered 147/199 lower left. 10 x 10 cm. (41.5 x 31.5 cm). Mounted. Ref.: 1,14.

1188 - Winter, Fritz: 1905 Altenbögge – 1976 Herrsching. “Color Aquatint 11” – black, yellow, brick red. Signed in pencil in the upper right and dated 68(19). Numbered 19/25 in the lower left. 41 x 32 cm. (60 x 43.5 cm). R. Lit.: 1,14.

1189 - Fruhtrunk, Günter: 1923 Munich – 1982 ibid. Color silkscreen. “Gestautes Grün.” Signed in pencil lower right. Numbered 158/230 lower left. 40 x 40 cm. (52.5 x 50 cm). R. Lit.: 1,14.

1193 - Beuys, Joseph: 1921 Krefeld – 1986 Düsseldorf. Offset lithograph “Morgen III.” Proof sheets. Signed in the lower margin, 1982. 23 x 32 cm. (32 x 42.5 cm). R. Lit.: 1.14.

1194 - Antes, Horst: 1936, Heppenheim. Worked in Karlsruhe, Berlin, and Castellina. Etching. Male figure in a glass case. Signed in pencil lower right; dated 67(19) lower left and inscribed E/A; 21 x 15 cm (43 x 33.5 cm). Mounted on board. Lit.: 1,14.

1195 - Simeti, Turi: 1929 Alcamo – 2021 Milan. Member of the “ZERO” group. Embossed print. Squares. Signed in pencil lower right and dated 85(19). Numbered 34/35 lower left. Sheet size: 34 x 34.5 cm. (37 x 37.5 cm). R. Lit.: 1.14.

1196 - Simeti, Turi: 1929 Alcamo – 2021 Milan. Member of the “ZERO” group. Embossed print. Four ellipses arranged in a row. Signed in pencil lower right and dated 94(19). Sheet size: 33 x 32 cm. (36 x 35 cm). R. Lit.: 1.14.

1197 - Piene, Otto: 1929 Lassphe – 2014 Berlin. Silkscreen print in shades of bronze and gold. Sacred figure. Signed in pencil lower right. Numbered 57/90 lower left. No. 87(19). Dated 29.5 x 21 cm. (40.5 x 31.5 cm). R. Lit.: 1,14.

1198 - Tapies, Antoni: 1923 Barcelona – 2012 ibid. Etching/enamel paint/handmade paper. Plate 3 from: Petrificada Petrificante. Signed in pencil lower right, 1978. Numbered IV/V lower left. 51 x 40 cm. (60 x 49 cm). R. Lit.: 1,14.

1200 - Marineau, Guy: 1947 Saint-Germain-en-Laye. Photograph. Claudia Schiffer. Signed on the verso and numbered 3/8. Grace Radzwill Gallery. 62 x 42 cm. (84 x 62 cm). Ref.: 1.

1201 - Ramos, Mel: 1935 Sacramento, USA – 2018 Oakland. Color lithograph, *Banana Split*. 2000. Signed in pencil lower right. Lower left: marked “PP” (Printer’s Proof) and numbered 19/20. 65 x 75 cm. (91 x 103 cm). R. Lit.: 1,14.

1202 - Leupin Herbert: 1916 Beinwil, Switzerland – 1999 Basel. Color lithograph: Clown holding flowers. Signed in pencil lower right; inscribed “épreuve d’artiste” lower left and dated 1986. 68 x 48 cm. (89 x 69 cm). Mounted on board. Lit.: 1, sikart.

1205 - Klapheck, Konrad: 1935 Düsseldorf – 2023, ibid. Studied at the Düsseldorf Academy of Art. Color lithographic poster. “Davis Cup ’83.” Signed lower right on the stone. Published by: Galerie Maeght, Paris. 93 x 63 cm. (101 x 71 cm). R. Lit.: 1,14.

1207 - Waydelich, Raymond E.: 1938 Strasbourg-Neudorf – 2024 Hindisheim/Strasbourg. Six silkscreen prints, collage. Géométries Du Quotidien. Each signed in pencil lower right and dated 73(19). Each numbered 64/100. 80 x 57 cm. (80 x 60 cm). Framed under glass. Lit.: 1,14.

1210 - Hofer, Karl: 1878 Karlsruhe – 1955 Berlin. Lithograph. Female half-nude with arms propped up. Signed in pencil lower left. 22 x 17.5 cm. Lit.: 1, 2, 14.

1211 - Hofer, Karl: 1878 Karlsruhe – 1955 Berlin. Lithograph: Young Woman with Flowers. Monogrammed on the stone. (Slight creases, used.) 57 x 37 cm. Lit.: 1, 2, 14.

1213 - Kogan, Moissey: 1879 Orhei, Bessarabia – 1943 Auschwitz. Woodcut, reddish-brown. Study of the movements of the expressive dancer Charlotte Bara. Title page for the book by Alfred Richard Meyer: “Charlotte Bara.” 1921. 33 x 13 cm. Lit.: 1, 2, 11, 13, 14.

1214 - Morandi, Giorgio: 1890 Bologna, Italy – 1964 ibid. Lithograph: Still Life with Vessels. 1959. Signed lower left. 18 x 24 cm. (33 x 39.5 cm). Mounted. Certificate from the Morat Institute for Art and Art History, Freiburg. Lit.: 1, 2, 14.

1215 - Wacker, Rudolf: 1893 Bregenz – 1939 ibid. Lithographic self-portrait with left arm raised. Signed lower left in pencil and dated 21(19) (brother’s). 43 x 31 cm. Sheet size: 53 x 41 cm. Rare. Lit.: 1,14.

1220 - Vasarely, Victor: 1906 Pécs – 1997 Paris. Silkscreen print. Darjeeling. Signed in pencil in the upper right (slight crease in the upper right). 28 x 34 cm. Sheet size: 61 x 51 cm. Lit.: 1,14.

1222 - Hoflehner, Rudolf: 1916 Linz – 1995 Pantaneto/Siena. Professor at the Stuttgart Academy of Art. Color etching. 'Design I'. 1971. Signed in pencil lower right. Numbered 1/50 lower left. Dry stamp: manus presse. 63 x 48 cm. Sheet size: 76 x 57 cm. Lit.: 1,14.

1223 - Fongi, Y.: 1936 Vechelde/Braunschweig – 2012 Zschachenmühle/Thuringia. Screen print. Female Nude. Signed in pencil lower right, dated 70(19), and numbered 57/104. 42 x 62 cm. Lit.: 1,14.

1224 - Pfahler, Georg Karl: 1926 Emetzheim/Weißenburg – 2006 ibid. Color silkscreen print. Untitled. Signed in pencil in the lower right corner; proof marked and dated 62(19). 50 x 49 cm. Lit.: 1,14.

1226 - Manigk, Oskar: 1934, Berlin. Worked in Ückeritz and Berlin. Color lithograph, “Das Meer ist blau” (The Sea Is Blue). Signed in pencil in the lower right and dated 01(20). Inscribed in the lower middle. Numbered 6/90 in the lower left. 30 x 49 cm. Sheet size: 50 x 70 cm. Lit.: 1.

1227 - Opitz, Franz Karl: 1916 Zurich – 1998 Obfelden. Aquatint etching. Untitled. Signed in pencil lower right. Numbered 46/100 lower left. 55 x 62 cm. Sheet size: 67 x 74 cm. Lit.: 1,14.

1228 - Gessner, Robert Salomon: 1908 Zurich – 1982 Locarno. Two color screen prints. Spiral composition. Each signed in pencil lower right and dated 69(19). Numbered 30/40 lower left. Each 45 x 45 cm. Lit.: 1,14.

1230 - Völkle, Bernd: 1940 Müllheim. Visiting lecturer at the Academy of Fine Arts in Karlsruhe. Worked in Tannenkirch. Color etching. Untitled. Signed in pencil in the upper right and dated 67(19). Numbered 11/15 in the lower left. 98 x 68 cm. Lit.: 1,8.

1231 - Völkle, Bernd: 1940 Müllheim. Visiting lecturer at the Academy of Fine Arts in Karlsruhe. Worked in Tannenkirch. Etching. Untitled. Signed in pencil in the upper right and dated 66(19). Numbered 10/10 in the lower left. 64 x 50 cm. Sheet size: 106 x 78 cm. Lit.: 1.

1232 - Völkle, Bernd: 1940 Müllheim. Visiting lecturer at the Academy of Fine Arts in Karlsruhe. Worked in Tannenkirch. Etching. Untitled. Signed in pencil in the upper right and dated 67(19). Numbered 18/30 in the lower left. 23 x 27 cm. Sheet size: 40 x 53 cm. Lit.: 1.

1233 - Swan, Douglas: 1930 New Britain, Connecticut – 2000 Bonn. Collage/foil. “Air.” Signed in pencil lower right. Numbered 11/100 lower left. 1973. 71.5 x 50 cm. Lit.: 1,14.

1234 - Manigk, Oskar: 1934, Berlin. Worked in Ückeritz and Berlin. Untitled lithograph. Signed in pencil in the lower right and dated 97(19). Numbered 4/25 in the lower left. 25 x 30 cm. (50 x 60 cm). Mounted. Lit.: 1.

1236 - Fischer, Klaus Jürgen: 1930 Hüls – 2017 Rastatt. A leading figure of the Informel movement. Painting over a photograph. Signed lower right and dated 57(19). 18 x 23 cm. (32 x 46.5 cm). Mounted. Lit.: 1,14.

1237 - Fischer, Klaus Jürgen: 1930 Hüls – 2017 Rastatt. A key representative of the Informel movement. Etching. Untitled. Signed in pencil in the upper right and dated 58(19). Numbered 36/50 in the lower left. 10.5 x 43 cm. Sheet size: 35 x 64 cm. Lit.: 1,14.

1238 - Alechinsky, Pierre: 1927, Saint-Gilles, Belgium. Active in France. Two color lithographs: “Maitresse Vague” and “Grain.” (Center fold.) From: *Derrière le miroir*, No. 247, 1981. Each 38 x 56 cm. Lit.: 1,14.

1239 - Dienst, Rolf Gunter: 1942 Kiel – 2016 Baden-Baden. Color screen print. Untitled. Signed in pencil lower right and dated 63(19). Numbered 8/35 lower left. 58 x 48 cm. Lit.: 1,14.

1240 - Alechinsky, Pierre: 1927, Saint-Gilles, Belgium. Based in Paris. Two color etchings. From the series “Quelques vieilles lignes.” 1962. “A la Gare,” 1964. Each signed in pencil lower right and marked “épreuve d’artiste,” 14.5 x 11 cm. Sheet size: 24.5 x 17.5 cm. Lit.: 1,14.

1241 - Vogel, Peter: 1937 Freiburg – 2017 ibid. Two lithographs: “Entwurf für Tonlichter” and “Kettenreaktion.” 1972. Each 42 x 30 cm. Lit.: 1,14.

1242 - Calderara, Antonio: 1903 Abbiategrasso – 1978 Vacciago. Three color screen prints. 'Al Tuana'. Each signed in pencil, dated 1973, and numbered 3/100, 38/100, and 9/100, respectively. Each 30 x 30 cm. Lit.: 1, 2, 14.

1243 - Schad, Christian: 1894 Miesbach – 1982 Stuttgart. Woodcut. “Orchestra.” Signed in pencil in the lower right corner, dated 15(19). Numbered 39/40 in the center. Inscribed in the lower left. 18 x 12 cm. Sheet size: 53 x 37 cm. Lit.: 1, 13, 14.

Drouot App

1144 - Gerson, Johannes: 1363 Gerson-lès-Barby – 1420 Lyon. Woodcut. Johannes Gerson as a wandering pilgrim with a coat of arms. Frontispiece from: Tercia pars operum Johannis de Gerson doctoris Christianissimi*. 22 x 14.5 cm. (36.5 x 28.5 cm). Pass. R.

1146 - Botanical Sheets: 17th century. Three copper engravings, old color. Hyacinths. Daffodils. (Tear). Sea thistle. Inscribed in Latin. (Bound, slightly stained). From: Hortus Eystettensis, Basil Besler. Each 50 x 41 cm. (69 x 59 cm). Mounted. R.

1155 - Views of the Rhine: 19th century. Three aquatint views: Andernach, St. Goar, and Rheinfels. View of Caub and the Palatinate. From: Picturesque Souvenirs of the Rhine by J.J. Weber. Each 11.5 x 15 cm. (27 x 31 cm). R.

1175 - Grossmann, Rudolf: 1882 Freiburg – 1941 ibid. Etching. In the Circus Ring. Signed lower right and numbered 6/30 lower left. 10 x 11.5 cm. (30 x 40 cm). Mounted on the right. Lit.: 1, 2, 14.

1177 - Chagall, Marc: 1887 Vitebsk – 1985 Saint-Paul-de-Vence. Color lithograph, “Esther.” 1960. From: Dessins pour la Bible. 35 x 26 cm. (63 x 54 cm). Mounted. R. Mourlot 252. Lit.: 1, 2, 11, 14.

1178 - Dali, Salvador: 1904 Figueras – 1989 ibid. Color lithograph, The Persisting Memory. Montre Molle. Signed in pencil upper right, numbered LXXXVIII/CL lower left. 35 x 44 cm (50 x 68 cm). Related literature: 1, 2, 14.

1201 - Ramos, Mel: 1935 Sacramento, USA – 2018 Oakland. Color lithograph, Banana Split. 2000. Signed in pencil lower right. Lower left: marked “PP” (Printer’s Proof) and numbered 19/20. 65 x 75 cm. (91 x 103 cm). R. Lit.: 1,14.

1238 - Alechinsky, Pierre: 1927, Saint-Gilles, Belgium. Active in France. Two color lithographs: “Maitresse Vague” and “Grain.” (Center fold.) From: Derrière le miroir, No. 247, 1981. Each 38 x 56 cm. Lit.: 1,14.