Auction 185 - Day 3

On Friday, November 27 | 04:00 PM

Auktionshaus Peege

Dreikönigstr. 43 79102, Freiburg

Registration closes on Friday, November 27 at 10:00 AM

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Auction 185 - Day 3

Auktionshaus Peege

945 - Icon: Russia, 19th century. Egg tempera on wood. Depiction of Saint Nicholas. Inscribed in Cyrillic. (Two sponki, one of which is chipped; restored; minor chipping.) 31 x 27 cm.

946 - Icon: Russia, 18th/19th century, egg tempera/wood. Baptism of Christ with John and angel on the banks of the Jordan. Hovering above him, the dove of the Holy Spirit and God the Father. (Two sponki, slight abrasions). In cyrill. Inscribed 31 x 26 cm.

947 - Icon: Russia, 19th century, egg tempera/wood, gold-colored background. Full-length depiction of the Tsar and Tsarina Constantine and Alexandra. (Losses, scratches, abrasions, two frontal ponki). In cyrill. Inscribed 35.5 x 32 cm.

948 - Icon: Russia, 19th century. Egg tempera on wood. Saint Nicholas of Myra with an open Gospel; Mary and Christ on either side. The saint’s nimbus and blessing hand are decorated with embossed oklad. Inscribed in Cyrillic script (chipping near the mouth, color wear). 38 x 31 cm.

949 - Triptych: Russia, 19th/20th century. Egg tempera on wood, gilded. In the center is the Mother of God of Vladimir. The side panels depict the archangels Raphael and Gabriel. Inscribed in Cyrillic script (chips, craquelure, no active worm damage). When opened: 46 x 62 cm.

950 - Icon: Probably Greece, 19th century. Egg tempera on wood. Depiction of the Mother of Tenderness (Eleusa), with Saint Demetrius below. (Vertical stress crack, chip.) 22.5 x 16 cm.

951 - Icon: Russia, ca. 1900. Egg tempera on wood. Our Lady, Joy of All Who Suffer. Floral border. Inscribed in Cyrillic (two sponki). 31 x 26.5 cm.

952 - Icon: Russia, 19th century. Egg tempera on wood. Depiction of the Descent into Hell, featuring the Mouth of Hell and Old Testament kings and prophets. 31.5 x 27 cm. (Chips, missing sections).

954 - Icon: Russia, 19th century. Egg tempera on wood. Six saints. Inscribed in Cyrillic. (Two small chips, flaking, and missing areas). 17.5 x 20.5 cm.

955 - Three Russian miniatures: Probably 18th century. Mixed media on metal. Portraits of the young Saint Prince Vladimir, the older Prince Vladimir wearing a princely crown, and probably Saint George, each with a halo. Each measures 5 x 4 cm.

956 - South German Master: 18th century. Oil on linen mounted on cardboard. Portrait of a holy bishop (Nicholas) against an architectural backdrop (signature worn). 65 x 54 cm. (73 x 62 cm). R.

958 - Ziegler, Johann Michael: Circa 1800. Two paintings. Oil on wood. Elizabeth Teaches Mary to Read. (Tear). Saint Aloysius of Gonzaga. Signed on the reverse and dated 1813. Each (restored) 44 x 33.5 cm. (50 x 39 cm). R.

959 - South German Master: 18th century. Oil on canvas. Four scenes from the Stations of the Cross with the respective indulgence provisions. Stations of the Cross I, II, III, and VIII. Each inscribed lower right (doubles, minimal wear). 55 x 40 cm. (70 x 54 cm). R.

960 - German Master: 18th century. Oil on canvas. Saint Benedict, dressed in a black habit, causes a spring to gush forth on the summit of Monte Cassino. In the background is a magnificent monastery complex, presumably Seeon Abbey. (Slightly wavy, craquelure). 74 x 85 cm. (80 x 87 cm). R.

961 - Cusco School: 17th/18th century. Oil on canvas. Under a canopy, Mary as Queen of Heaven with a crown on her head, holding a rosary and the infant Jesus with a orb in her arms. (Doubled, restored). 129 x 89 cm. (140 x 100 cm). R. Verifiably imported before 1980.

963 - Bent, Jan van der: 1650–1690, Amsterdam. Oil on wood. Large, Illustrious Hunting Party. (Craquelure). Mounted on a metal panel; dimensions on the frame: 52 x 67 cm. (63 x 80 cm). R. Lit.: 11.

965 - Dutch Master: 17th century. Oil on wood. A vast, summery, mountainous landscape with a resting herd of goats, cows, and sheep. In the foreground, two shepherds are saddling a horse. (Restored, craquelure, overpainted). 34 x 44.6 cm. (51.5 x 64 cm). R.

966 - Dutch Master: 17th century. Oil on wood. A herd of goats, cows, and sheep resting in a summer landscape. Next to them, a shepherd boy playing with his little dog. (Overpainting, craquelure). 33.5 x 45 cm. (52 x 62.5 cm). R.

967 - Portraitist: 17th century. Oil on wood. Portrait of the Flemish artist Roelant Savery. Dated 24 x 18 cm on the reverse on an adhesive label.

968 - Miereveldt, Michiel van, circa 17th/18th century. Oil on wood. Three-quarter-length portrait of a nobleman wearing a millstone collar. Signed on the reverse. 24 x 22 cm. (37 x 36 cm). R.

969 - Dutch master: 17th/18th century oil on wood. Two paintings. Rural village festival. In front of the town gates peasants celebrating with dancing, playing music and drinking company. (Craquelé). Each 42 x 57 cm. (53 x 70 cm). R.

970 - Bega, after Cornelis Pietersz: 1620 Haarlem – 1664 ibid. Oil on wood. Tavern scene. A peasant couple seated at a table, listening to the musicians. Signed upper right; signed on the reverse. (Horizontal, restored crack in the center.) 26 x 34.5 cm.

971 - Attributed to Pieter Wouwerman: 17th century. Oil on canvas. A military camp scene depicting soldiers playing cards and enjoying themselves. (Doubled, craquelure, restored). 42 x 52 cm. (58 x 68 cm). R.

972 - Teniers, David the Younger: 1610 Antwerp - 1690 Brussels. Oil/wood. Rising full moon over a Dutch canal landscape with view of a changing of the guard on the pier. DT monogr. lower right (two restored, horizontal stress cracks). 35 x 55.5 cm. (54 x 74 cm). R. Lit.: 1,11,14.

974 - Dutch landscape painter: 18th century. Oil on copper. Outside the gates of a town situated along a river, featuring a medieval defensive tower; travelers, merchants, and traders on the paths; and a group of people in the tavern. (Damage, restored). 28 x 39 cm. (44 x 55 cm). R.

975 - French landscape painter: 17th century. Oil on canvas, mounted on wood. A hunting dog flushing out quail. Castle and palace complexes in the background. (Craquelure). 28 x 39 cm. (34 x 45 cm). R.

977 - Stairway of Life: Circa 1900. Oil print. "The Passing Years of Man." 33 x 43 cm. (37 x 47.5 cm). R.

978 - Meer, Barend van der: 1659 Haarlem – 1700 ibid. Oil on canvas. A magnificent, autumnal still life featuring figs, grapes, and peaches. A distant landscape view in the background. (Color flaking, craquelure). Signed lower left. 60 x 48 cm. (83 x 70 cm). Frame (damaged). Lit.: 11.

981 - Swiss portrait painter: 18th century. Oil on canvas. Three-quarter-length portrait of Madame Charlotte Cartier, née de Sandoz-Travers, facing the viewer. She married Pierre Cartier in 1755. (Doubled, overpainted). 85 x 62 cm. (101 x 80 cm). Magnificent, gilded frame.

982 - Rosa, Gaetano da (attributed): 1690 Vienna – 1770 Rome. Oil on canvas. A vast, summery river landscape. A shepherd resting on a hill with his herd of cows, goats, and sheep. Inscribed on the reverse and dated 1746 (doublé). 68 x 82 cm. (84 x 102 cm). R. Lit.: 11.

984 - Böckhorst, Johann and circle: 19th century. Oil on canvas. Sleeping nymphs are eavesdropped on by satyrs. In front of them lies the game hunted by the nymphs. Detail from the painting of the same name by Jan Boeckhorst and Jan Brueghel II. Late 17th century. 63 x 59 cm. (84 x 78 cm). R.

988 - Barbarini, Gustav: 1840 Vienna – 1909 Hinterbrühl/Möding. Studied at the Vienna Academy of Fine Arts. Oil on canvas. Tyrolean landscape depicting a village square with a fountain and figures. Monogrammed lower left. 74 x 97 cm. (100 x 124 cm). Magnificent, gilded frame. Lit.: 1, 5, 11.

989 - German landscapist: 19th century, oil on canvas. Wide view from a hill over the rocky Rhine landscape after a rain shower. (Rest., overpainting, slight tears, craquelure). 83 x 112 cm. (97 x 125 cm). R.

990 - Görschner: 19th century. Oil on wood. A vast, summery, tree-lined river landscape at dawn. On the riverbank, a view of a fishing village with thatched-roof stone houses and hikers. In the background, village silhouettes and a sailboat. Signed lower left. 43 x 90 cm. R

992 - Landscape painter: 19th century. Oil on canvas. Coastal landscape at dusk with rowboats and a cottage perched on the rocks. (Doubled, craquelure). 15 x 23.5 cm. (20.5 x 28 cm). R.

994 - Landscape painter: 19th century. Two oil paintings on metal. Summer mountain landscape with a river and figures. Each 27 x 30 cm (42 x 47 cm). Gilded frame.

995 - South German landscape painter: 19th century. Oil on copper. View of the Mater Dolorosa pilgrimage church in Bad Rippoldsau-Schapbach with figures. 24 x 3.5 cm. (33 x 41 cm). R.

996 - Swiss landscape painter: 19th century. Oil on canvas. View of the old customs bridge over the Rhône between Geneva and Lyon. Inscribed “Moina” on the reverse on an old adhesive label (restored, craquelure). 47 x 53 cm. (59 x 67 cm). R.

998 - Couwenberg, Abraham: 1806 Delft – 1844 Arnhem. Oil on canvas. A summer morning landscape with a river. On the bank, a shepherd with his herd of cows and sheep. Signed lower right. (Doubled, craquelure, restored). 31 x 37.5 cm. (39 x 45 cm). R.

999 - Kirchner, Otto: 1887 Ilshofen – 1960 Munich. Oil on wood. A gentleman seated at a writing desk with a goose quill. Signed lower right and inscribed “Munich.” 18 x 14 cm. (40 x 36 cm). R. Lit.: 1, 5, 14.

1000 - Knilling, Joseph: 1851 Munich - ca. 1881, studied at the Munich Art Academy. Oil/wood. Kitchen interior with elderly peasant couple. Signed lower right a. 79(18) dat. (remainder, parquetted). 32 x 23.5 cm. (57 x 47.5 cm). R. Lit.: 1,2,11,14.

1002 - Böcklin, Arnold: 1827 Basel - 1901 San Domenico/Fiesole. Oil on canvas. Oil sketch. Small dog, frightening a farmer riding on a donkey. Signed lower left. 33 x 26 cm. (62 x 56 cm). R. Lit.: 1,2,5,11,14.

1004 - Seyler, Julius: 1873 Munich – 1958 ibid. Oil on panel. Crab fishermen in the mudflats. Signed lower right. 62 x 89 cm. (80 x 109 cm). Related literature: 1, 11, 13, 14.

1006 - Landscape painter: First half of the 20th century. Oil on canvas. View of a sunny, autumnal forest landscape with a stream. Signed illegibly in the lower right corner. 110 x 80 cm. (124 x 96 cm). R.

1007 - Petersen, F.: 1st half 20th century, oil on canvas. Rest on the run. After Anthonis van Dyck. Signed lower left. (abrasion to the left). 100 x 80 cm. (115 x 95 cm). R.

1011 - Mandel, J.: Circa 1900. Oil on canvas. Portrait of a boy in a Pierrot costume, facing the viewer to the right. Signed upper left and dated 1883. 54 x 38 cm. (64 x 48 cm). R.

1012 - Schultze, Robert: 1828 Magdeburg – 1910 Munich. Studied at the Dresden and Düsseldorf Academies of Fine Arts. Oil on painting board. “Hardanger.” Sunny forest landscape. Signed lower left. Dated and inscribed on the reverse. 31 x 42 cm. (47.5 x 58 cm). R. Lit.: 1, 5, 11, 13, 14.

1015 - Stelly-Desmoulins, Georges: 1882–1959. Oil on canvas. An elegant lady seated on the riverbank. Next to her, a bird perched on a bouquet of blooming flowers. Oval composition. Signed on the reverse. 73 x 58 cm. (82 x 69 cm). R. Lit.: 1.

1016 - Vukmanovic, Stefan: 1924 Belgrade – 1995 Biberach. Studied at the Munich Academy of Fine Arts; a master student of Charles Crodel. Oil on Pavatex. A nocturnal, wintry Parisian street scene. Signed lower right. 48 x 27.5 cm. Lit.: 1,14.

1018 - Genre painter: First half of the 20th century. Oil on cardboard. Colorful fair scene in the village square. Signed lower right and dated 42(19). 38 x 49 cm. (43 x 53.5 cm). R.

1019 - Genre painter: Circa 1900. Oil on linen mounted on wood. Nighttime Parisian street scene at the Moulin Rouge with bistro patrons. Customs stamp on the reverse. 20 x 31 cm. (35 x 45.5 cm). R.

1020 - Dauchot, Gabriel: 1927 Livry-Gargan – 2003 Paris. Studied at the École Nationale Supérieure des Beaux-Arts in Paris and at the Académie de la Grande Chaumière. Oil on canvas. Parisian bistro scene with a waiter. Signed lower left. 48 x 20 cm. (62 x 33.5 cm). R. Lit.: 1,14.

1022 - Jantzen, Horace: c. 1860 – c. 1879. Worked in Stuttgart, Dresden, and Berlin. Oil on hardboard. View from the Lorettoberg of Freiburg with the cathedral. Signed lower left and dated 1874. 58 x 86 cm. (78 x 105 cm). Related literature: 1, 5, 11, 14.

1024 - André, Jules: 1807 Paris – 1869 ibid. Oil on canvas. A vast, summery French landscape with a solitary horseman. (Doubled, craquelure). Signed lower right. 50 x 60 cm. (68 x 78 cm). R. Lit.: 1, 2, 14.

1026 - Russian artist: 20th century. Oil on wood. Floral still life. A magnificently blooming bouquet of lilacs in a glass vase. 60 x 49 cm. (85 x 73 cm). R.

1028 - Kalckreuth, Patrick von: 1898 Kiel – 1970 Starnberg. Oil on canvas. Ocean surf at dusk. Signed lower left. 62 x 80 cm. (76 x 97 cm). Ratio: 1.14.

1030 - Riegel, Max: First half of the 20th century. Oil on canvas. Dresden. View from the banks of the Elbe across the Augustus Bridge toward Dresden’s Old Town. Signed lower right. 64 x 68 cm. (73 x 98 cm). R. Lit.: 1.

1032 - Juncker, Franz: 1899 Speyer – 1980 Homburg. Member of the Saarland Artists’ Association. Theologian, teacher, poet, and painter. Oil on Pavatex. Circus scene. Performers in front of a blue circus wagon. Signed lower right and dated 52(19). 60 x 70 cm. (75 x 84 cm). Lit.: 1.

1034 - Honnorat, Ernest: 1881–1953. Worked in Provence, among other places. Oil on canvas. Farmer Returning Home with a Donkey Cart. Signed lower right. (Restored). 80 x 100 cm. (101 x 119 cm). Related literature: 1.

1035 - Jungblut, Johann: 1860 Saarburg - 1912 Düsseldorf. Oil/panel. On a frozen river course market people with large wicker baskets. The town silhouette in the background. Inscribed on the frame. 60 x 51 cm. (90 x 80 cm). R. Lit.: 1,5,11,14.

1036 - Haller, Wilhelm: 1873 Freiburg – 1950 ibid. Oil on cardboard. A Summer Outing in the Wutach Gorge. Signed lower right and dated 1945 (minor paint wear). 98.5 x 77 cm. Lit.: 1, 13, 14.

1037 - Ganter, Ernst: 1903 Furtwangen – 1991. Oil on cardboard. Spring in the Black Forest. View from the bank of a mountain stream of a Black Forest farmstead standing on a hill. Signed lower right and dated 1997. 80 x 69 cm. (95 x 84 cm). Ref.: 1.

1038 - Wiedenmayer, Georg: First half of the 20th century. Oil on canvas. View of the city of Heidelberg, the castle, and the Neckar River. Signed lower right and dated October 1914, inscribed “Heidelberg.” (Slight wear). 76 x 112 cm. (82 x 121 cm). R. Lit.: 1.

1039 - Böhler, Karl: First half of the 20th century. Oil on canvas. View of the snow-covered Black Forest peaks. Signed lower right and dated 1925. 64 x 94 cm. (70 x 101 cm). R.

1040 - Haller, Wilhelm: 1873 Freiburg – 1950 ibid. Oil on painting board. Summer landscape with a view of a quarry. Signed lower left and dated 1946. 25 x 34 cm. (33 x 42 cm). Related literature: 1, 13, 14.

1041 - Bühler, Hans Adolf: 1877 Steinen – 1951 Burg Sponeck. Oil on canvas. A hill with an old farmstead and a sunny view of the Rhine Valley. Signed lower right. (Craquelé). 49 x 59 cm. (53 x 63 cm). R. Lit.: 1,8.

1042 - Heilmann, Karl: 1881 Neustadt/Orla – 1935 Freiburg. Oil on canvas, mounted on cardboard. A sunny, snow-covered Black Forest landscape. Signed lower right (slightly soiled, minimal wear). 21 x 31 cm. (33.5 x 43 cm). R. Lit.: 1.

1043 - Heilmann, Karl: 1881 Neustadt/Orla – 1935 Freiburg. Oil on canvas, mounted. “Sunny Day with a View Across the Black Forest Landscape toward a Village Silhouette.” 39 x 44.5 cm. (50 x 55.5 cm). R. Lit.: 1.

Drouot App