Mobilier et objets d'art

Lot 1 - SILVER MUSTARD POT, ATTRIBUTED TO MASTER SILVERSMITH JEAN-BAPTISTE HARRAULT (1715-1773) OR HIS SON JEAN THOMAS (1741-1796), AVIGNON, CIRCA 1765 of baluster form, decorated with torsoed ribs on the lid, standing on a segmented pedestal, the rim molded with ribboned fillets; the base of the body chased with waves; the body partially foliated, the upper part chased with waves on an amati ground; the lid surmounted by a foliated scroll; the pouring spout, the graven coat of arms surmounted by a marquis's crown; the scrolled handle. Under the base, city hallmark and goldsmith's hallmark (twice). (Small accidents) A silver mustard pot attributed to the master goldsmith Jean-Baptiste Harrault or to his son Jean Thomas, Avignon, circa 1765 Weight : 290 g. - 10.23 OZ - H. 14,80 CM - H. 5,8 IN. Related items Mustard makers; by Antoine Bailly, Paris, 1758-1759, coll. of the Metropolitan Museum, New York, described and reproduced in Faith Dennis, vol. 1-2, no. 27; and by Paul Chandeson (fils), Perpignan, circa 1765, Fraysse sale, 6/7.12.2022, lot 133.

Estim. 5 000 - 8 000 EUR

Lot 2 - TRIPOD SILVER POURER (950), SILVERSMITH MÉRITE/E.SANNER of baluster form, with twisted ribs and flat sides, the feet with foliate scrolls, the spout decorated with foliage and shells, the hinged lid topped by a seed-shaped grip, the handle in blackened wood. Hallmark and goldsmith's mark in all letters Minerve hallmark (Lid hinge rivet missing, small accident) A silver tripod coffee pot by silversmith Merite/E.Sanner Weight : 590 g. - 20.81 OZ HEIGHT. 23 CM - H. 9,1 IN.

Estim. 150 - 300 EUR

Lot 3 - SILVER POURER, MASTER SILVERSMITH JEAN-CHARLES LERICHE, RECEIVED 1745, PARIS, 1752-1753 of plain baluster form; standing on three projecting feet; the pouring spout adorned in its lower part with a shell delimited by fillet moldings; the lid surmounted by a button grip; the handle of blackened wood. No discharge mark A silver coffee pot by master goldsmith Jean-Charles Leriche, Paris, 1752-1753 Weight (without handle): 632 g. - 22.3 oz. HEIGHT. 24 CM - H. 9,4 IN.

Estim. 400 - 600 EUR

Lot 4 - COVERED SILVER LÉGUMIER (950), LAPAR ORFÈVRE, PARIS, LATE 19th TO EARLY 20th CENTURY of circular form with contours and pinched ribs, standing on a pedestal, the double handles with scrolls and shells, the lid surmounted by a ring-shaped grip with foliate scrolls on a rocaille terrace, engraved with a monogram. The lid apparently has no goldsmith's hallmark; for the lid grip, goldsmith Henri Gauthier (1902-1920), Paris. Minerve hallmark (Damage to lid rim) A silver vegetable dish and its cover by silversmith Lapar, Paris, late 19th/early 20th century Weight 1,031 g. - 36,4 OZ Diam 21,5 CM - D. 8,46 IN. - H. 16,50 CM - H. 6,5 IN.

Estim. 300 - 500 EUR

Lot 5 - COVERED SILVER VEGETABLE (950), EDMOND TÉTARD (1880-1903) PARIS, LATE 19th TO EARLY 20th CENTURY of circular form, standing on a pedestal; decorated with waves, foliate fillet borders, scrolled and rocaille handles, the lid surmounted by a cabbage and vegetable handle. Goldsmith's hallmark on the body, apparently no goldsmith's hallmark on the lid. Minerve hallmark (Scratches from use) A silver vegetable dish and its cover by silversmith Edmond Tétard, Paris, late 19th/early 20th century Weight : 1 356 g. - 47.83 oz HEIGHT 17,50 CM - H. 6,9 IN.

Estim. 400 - 600 EUR

Lot 6 - TEA AND COFFEE SET WITH TWISTED SIDES IN SILVER (950), CARDEILHAC ORFÈVRE, PARIS, LATE 19th TO EARLY 20th CENTURY of baluster form, standing on a frame, decorated with a leafy cartouche, the lid surmounted by a leafy seed socket, the handles in silver or wood, comprising: a teapot, a coffee pot, a sugar bowl and lid, a milk jug Goldsmith's hallmark and full mark Minerve hallmark (Accidents) A silver tea service by silversmith Cardeilhac, Paris, late 19th/early 20th century Gross weight: 1,436 g. - 50.7 OZ

Estim. 800 - 1 200 EUR

Lot 7 - SMALL TRIPOD SILVER COFFEE POT (950) MAKER ÉMILE DELAIRE (1882-1920), PARIS baluster-shaped, with scrolled feet and leafy attachments, the spout adorned with a mascaron with a woman's head, the lid topped by a leafy seed-shaped grip, the handle in brown wood. Minerve hallmark (Small shock, restorations, repolished) A small tripod coffee pot by silversmith Émile Delaire, Paris Weight : 288 g. - 10.2 OZ HEIGHT. 15 CM - H. 5,9 IN.

Estim. 150 - 250 EUR

Lot 8 - PAIR OF OVAL SILVER CORBEILLES (800), GERMANY, LATE 19th TO EARLY 20th CENTURY standing on a pedestal; the rim with contours; with openwork decoration of crosses, flowers and cartouches; the handles with scrolls; engraved with a monogram. (Crack) A pair of oval silver baskets, Germany, late 19th/early 20th CENTURY Weight : 702 g. - 24.76 OZ height. 8.50 - WIDTH. 36 x PROF. 21,20 CM - 3,3 x 14,2 x 8,3 IN.

Estim. 400 - 600 EUR

Lot 9 - PAIR OF SMALL WATER JUGS, SILVER, HANAU, LATE 19th TO EARLY 20th CENTURY oval-shaped, standing on four claw feet with repoussé decoration of laurel garlands, profiles in a medallion and ribbons, the handle with foliate scrolls (dents at the base of two feet) A pair of small silver sauce boats from Hanau, Germany, late 19th/early 20th CENTURY Weight : 356 g. - 12.56 OZ HEIGHT. 10.20 - WIDTH. 15,50 CM - H. 4 x 6,1 IN.

Estim. 200 - 300 EUR

Lot 10 - SILVER AND VERMEIL OVAL DISH, PROBABLY BY PYDION HABEN, LEMBERG, 1802 This repoussé dish depicts the scene of Abraham's sacrifice, the border decorated with flowers, fruit and foliage. Goldsmith's hallmark L/SB City hallmark Tax mark (Damage, wear and restoration) A silver and silver-gilt oval dish, probably for Pydion Haben, Lemberg, 1802 Weight : 332 g. - 11.71 OZ HEIGHT 36 - WIDTH 24,50 CM - H. 14,2 x 9,6 IN. To be compared with a dish by Pydion Haben, Lemberg, early 19th century, on the same theme, Pierre Bergé sale, Paris, February 1, 2021, lot 15.

Estim. 4 000 - 6 000 EUR

Lot 11 - PART OF A SILVER AND VERMONY (950) COUVER SET, ORFÈVRE KELLER, PARIS, 20th CENTURY Filet and contour pattern, engraved with a coat of arms surmounted by a helmet, comprising : - 18 forks and 16 dessert spoons - 12 forks and 12 fish knives - 12 asparagus tongs (3 without goldsmith's hallmarks) - 12 ice-cream scoops - 11 cake forks - 12 small spoons - 12 teaspoons - 4 salt scoops - Serving pieces, consisting of : 1 fish serving set (2 pieces), 1 salad serving set (2 pieces), 1 asparagus tongs, 1 serving scoop, 1 ice scoop, 1 sauce spoon, 1 ice knife, 2 sugar tongs (various sizes), 3 candy serving pieces On cored handle : - 24 table knives - 12 cheese knives, steel blade - 18 fruit knives, vermeil blade - 1 cheese serving knife Minerve hallmark Part of a silver and silver-gilt cutlery set by silversmith Keller, Paris, 20TH CENTURY Weight of parts other than those on handle: 7200 g. - 253.97 OZ Gross weight of knives on forged handles: 3,784 g. - 133.47 OZ

Estim. 3 000 - 5 000 EUR

Lot 12 - PAIR OF GLASS AND VERMEIL TEA CADDIES, SILVERSMITH PIERRE-MANUEL DAUX, PARIS, 1802-1809, IN THEIR BOX SIGNED BIENNAIS The boxes are rectangular with sides; the frame chased with a fine garland of stylized palmettes; the sliding lid engraved with a shield; in its wooden case with two compartments, set on the upper edge with a brass lock plate, engraved "Biennais orfèvre du Premier Consul r, s Honoré n° 119". Title hallmark 1798-1809 (title800); guarantee hallmark; goldsmith's hallmark, Pierre-Manuel Daux, insculpation, 1802 (One mounting to be refixed, wear and scratches on the vermeil. Cracks on the case) A pair of glass and silver-gilt tea boxes by silversmith Pierre-Manuel Daux, Paris, 1802-1809, presented in a casket signed by Biennais Gross weight: 738 g. - 26.03 OZ Dim. of boxes : HEIGHT. 9.5 -WIDTH. 6 - DEPTH 7.6 CM - h. 3.74 - w. 2.36 - d. 2.9 IN. HEIGHT. 11.50 - WIDTH. 15,50 - PROF. 10.50 CM - H. 4.5 - W. 6,1 - D. 4,1 IN.

Estim. 1 000 - 2 000 EUR

Lot 13 - EWER IN TWISTED RIB CRYSTAL AND SILVER (950), SILVERSMITH ALFRED HECTOR (1881-1913), PARIS baluster-shaped, standing on a pedestal; decorated with waves, scrolls, foliage and shells; the lid surmounted by a feather-shaped grip, the handle with scrolls. Minerve hallmark A crystal and silver ewer by silversmith Alfred Hector, Paris Gross weight: 1,086 g. - 38.31 OZ HEIGHT. 27 CM - 10,6 IN.

Estim. 200 - 300 EUR

Lot 14 - TWO CRYSTAL AND SILVER EWERS (950), SILVERSMITHS, LAPAR, BEGUIN AND EDMOND TÉTARD of baluster form, standing on a contoured pedestal; decorated with latticework, foliage, shells, flowers and ribbons, the handle with scrolls and foliage, the lid surmounted by a leafy seed-shaped grip. One is hallmarked Edmond Tétard, and marked Louis Rey/Joaillier orfèvre/A Marseille. For the second, Edmond Tétard and Lapar st Béguin/Paris. Minerve hallmark (Missing inner stoppers, small impact on an applique and small deformation on a lid) Two silver and crystal ewers that can be paired, by silversmiths Lapar, Beguin and Edmond Tétard Gross weight: 2,416 g. - 85.22 OZ 31,50 CM - 12,4 IN.

Estim. 1 200 - 1 800 EUR

Lot 15 - TABLE TOP, LATE 19th CENTURY - EARLY 20th CENTURY in silver-plated metal, oval in shape with contours. It has a wide border decorated with stylized dolphins, foliage and shells, on a mirror background, and a screwed wooden plate under the base. The cartouche jardinière stands on four feet with dolphin heads or gadrooned motifs, the handles decorated on each side with a mermaid or a fisherman; with its glass lining. (Small scratches, cracks in the wood, missing screws, small accidents, chips). A mirror surtout-de-table, late 19th/early 20th CENTURY Long. 58,5 - Larg. 38 CM - H. 23.03 - W.14.96 IN. Faculty of reunion with lot 16

Estim. 1 500 - 2 500 EUR

Lot 16 - GARDEN FABRIC, LATE 19th CENTURY - EARLY 20th CENTURY in silver-plated metal, oval with contours. It is decorated with cartouches, standing on four feet with dolphin heads or gadrooned motifs, the handles decorated on each side with a mermaid or a fisherman; with its glass lining. (Small scratches, cracks in the wood, missing screws, small accidents, chips). A silver-plated jardiniere, late 19th/early 20th CENTURY Long. 55 - Larg. 20 CM - H. 21.65 - W. 7.87 IN. Faculty of reunion with lot 15

Estim. 1 000 - 2 000 EUR

Lot 17 - TWO SILVER SUGAR BOWLS AND DISPLAY STANDS WITH TWISTED RIBS AND A SMALL BOWL (950) For one sugar bowl, the scrolled handles and its display stand, silversmith Paul Canaux; for the second, the lateral handles, apparently without silversmith's hallmark, the display stand without hallmark; the bowl, the lid decorated with a monogrammed cartouche, silversmith, VD? (Minerve hallmark) Two silver sugar pots with their stands and a small silver ecuelle by silversmith VD Height from 11 CM to 8 CM - FROM 4.33 TO 3.14 IN. Weight approx. 1,021 g. - 36.01 OZ

Estim. 600 - 800 EUR

Lot 18 - silver tea and coffee service (800), probably belgium, 20th century Baluster-shaped service on a contoured pedestal, engraved with a coat of arms, consisting of a coffee pot, a teapot, a sugar bowl and its lid, a milk jug, the handles in silver or wood. (Coffee pot and teapot lids deformed, scratches) A silver tea and coffee set, probably from Belgium, 20TH CENTURY Gross weight: 2,588 g. - 91.3 OZ

Estim. 800 - 1 200 EUR

Lot 19 - SILVER (950) RIBBED POURER, AUCOC AINÉ SILVERSMITH of baluster form, standing on a pedestal, the base of the body and the rim decorated with waves; the pouring spout with channels, the lid surmounted by the grip formed by three leafy burrs Goldsmith's hallmark and full mark Minerve hallmark (No handle) A silver coffee pot by silversmith Aucoc Aîné Weight : 838 G. - 29,56 OZ HEIGHT. 21 CM - H. 8,3 IN.

Estim. 150 - 200 EUR

Lot 20 - PAIR OF LARGE CANDELABRES, ONE SIGNED VALENTI, SPAIN, 20th CENTURY standing on a rounded base, decorated with leaves and rocaille, adorned with two hunting dogs; the shaft is formed by a tree trunk; the light arms are partially foliated. A pair of large candelabra, one signed Valenti, Spain, 20TH CENTURY HAUT. 70 CM - H. 27,6 IN.

Estim. 3 000 - 5 000 EUR

Lot 21 - PART OF A SILVER FLATWARE SET (950), SILVERSMITH LOUIS COIGNET (1889-1893), PARIS gadrooned medallion model, engraved with a monogram. Comprising : - 12 forks and 12 table spoons - 10 forks and 12 dessert spoons - 5 small spoons Minerve hallmark Part of a silver cutlery set by silversmith Louis Coignet, Paris Weight : 3 146 g. - 110.97 OZ

Estim. 800 - 1 200 EUR

Lot 22 - PAIR OF ROUND HOLLOW DISHES, SILVER, GOLDSMITH EUGÈNE DELEBOIS, INSCULPATION, 1827, PARIS, 1827-1838 The rim with gadroon moldings, engraved on the side with a monogram and below the rim with C.D. (Scratches, accidents) Pair of round deep silver dishes by silversmith Eugène Delebois, Paris, 1827-1838 Weight : 1 566 g. - 55,24 OZ Diam. 30 CM - D. 11.81 IN.

Estim. 400 - 600 EUR

Lot 23 - CRYSTAL AND SILVER BROC (950), ORFÈVRE GEORGES BOIN, PARIS, SECOND HALF OF THE 19th CENTURY the flat-bottomed base, the crystal engraved with scrolls, heads of fauna; the mounting decorated with pampres on an amati background; the pourer decorated in relief with a head of fauna, the lid surmounted by pomegranates burst, the handle with scrolls and foliage. Goldsmith's hallmark and number: 2147 B Minerve hallmark A crystal and silver jug by silversmith Georges Boin, Paris, second half 19TH CENTURY Gross weight: 1,504 g. - 53.05 OZ HEIGHT 26 CM - H. 0,2 IN.

Estim. 200 - 300 EUR

Lot 24 - PART OF A SILVER CUTLERY SET (950), PAUL DEVAUX ORFÈVRE (1902-1920), PARIS 20th CENTURY three-lobed pattern with foliage, flowers and ribbons; composed of : Twelve forks and twelve table spoons Eleven teaspoons One ladle One stewing spoon Part of a silver cutlery set by silversmith Paul Devaux, Paris, 20TH CENTURY Weight : 2 284 g. - 73.51 OZ

Estim. 500 - 800 EUR

Lot 25 - LARGE CANDELABRA WITH EIGHT LIGHT ARMS, IN SILVERED METAL, PROBABLY ENGLAND, LATE 19th CENTURY The contoured base, standing on three leafy feet, the terrace with two deer statuettes, the shaft formed by a trunk and vine branches. Engraved on the base with a commemorative inscription, dated 1881, and a crest under a motto "Boutez en avant". (Some deformation to the light arms, some wear). A large silver-plated candelabra with eight lights, probably England, late 19th century Height 85 CM - H. 33,5 IN.

Estim. 300 - 500 EUR

Lot 26 - SILVER COUVER SERVICE (950), ORFÈVRE ROBERT LINZELER (1897-1926), PARIS, 20th CENTURY piriform model with enrubanné fillets, the spoons edged; engraved with a monogram Comprising : - 12 forks and 12 table spoons - 12 forks and 12 dessert spoons On cored handle : - 12 table knives - 12 dessert knives Minerve hallmark (72) In black-coated wooden case with two trays A silver table service by silversmith Robert Linzeler, Paris, 20TH CENTURY Total weight: 3,188 g - 112.45 OZ Net weight of silver pieces: 3,608 g. - 127.27 OZ Gross weight of coins on capped handle: 1,452 G. - 51.22 OZ

Estim. 1 000 - 2 000 EUR

Lot 27 - PART OF A SILVER FLATWARE SET (950), GOLDSMITH SOCIÉTÉ ANONYME "ORFÈVRERIE MAILLARD" (1905-1910) AND GOLDSMITH TIRBOUR (1897-1951) piriform model with garlands of foliage and shells; engraved with a monogram; several engraved on one side J.FAYAR Consisting of : - 18 forks and 12 table spoons - 18 dessert forks and 17 dessert spoons - 12 coffee spoons - 1 ladle On cored handle : - 4 table knives - 12 dessert knives - 12 fruit knives, vermeil blades - 6 cheese knives, gilded metal blades - 1 cake server (2) - 1 sauce spoon Minerve hallmark (115) (Accidents, several handles loose) In 6 mismatched and damaged boxes Part of a silver cutlery set by 'Orfèvrerie Maillard' and silversmith Tirbour, Paris, 20th century Net weight of silver pieces: 3,946 g. - 139.19 oz Gross weight of pieces on forged handle: 1,686 g. - 59.47 oz

Estim. 1 200 - 1 800 EUR

Lot 28 - THREE OVAL PLATES, IN SILVER (830), SWEDEN, 20th CENTURY contoured and filleted pattern, engraved with a monogram Three silver oval dishes, Sweden, 20TH CENTURY For two : long. 49,8 et 50 CM - L. 19,61 AND 19,68 IN. Larg. 32,9 CM - W. 12.95 IN. For the third: length 45 - Width 30 CM - L. 17,71 - W. 11.81 IN. Weight: 3,676 g. - 129.67 OZ

Estim. 1 200 - 1 800 EUR

Lot 29 - SILVER LOT, EGYPT, 20th CENTURY, COMPOSED OF : Three round dishes and two plates, different models; an oval sauceboat; a pitcher and three bowls, different models (Scratches) A silverware lot, Egypt, 20TH CENTURY Diam. of dishes: 34.5 - 31 - 28.5 CM -13.58 - 12.2 - 11.2 IN. Diam. of plates: 23 CM - 9 IN. Bowl diam. from 15 CM to 8,5 CM - from 5,9 to 3,3 IN. Sauce boat length: 21 CM - 8,2 IN. Height of pitcher: 19 CM - 7.5 in. Total weight : 4 658 g. - 164.3 oz.

Estim. 800 - 1 200 EUR

Lot 30 - PAIR OF SILVER DISHES (925), IMPORT, LONDON, 20th CENTURY The scrolled rim engraved with a coat of arms under a motto. A pair of silver plates, London, 20TH CENTURY Diameter : 23 CM - 9 IN. Weight : 868 g. - 30.62 oz

Estim. 400 - 600 EUR

Lot 31 - LARGE OVAL SILVER TRAY (925), FOREIGN WORK, 20th CENTURY The rim is contoured and fillet-molded, the handles threaded with scrolls. (Scratches) A large oval silver tray, 20TH CENTURY Weight : 4 256 g. - 150.12 OZ H. 79 - W. 50 CM - H. 31,1 - W. 19,7 IN.

Estim. 1 500 - 1 600 EUR

Lot 32 - TWO SQUARE SILVER DISHES (950), PUIFORCAT GOLDSMITH The rim with contours and moldings of ribboned fillets, engraved on the wing with a monogram (Scratches) Two square silver dishes by Puiforcat silversmith SIDE : 33 CM et 30,5 CM - SIDE 13 AND 12 IN. Weight : 1 756 g. - 61.94 oz

Estim. 500 - 800 EUR

Lot 33 - SILVER TEA AND COFFEE SET (950), ORFÈVRE GOMBERT & BIBOLLET, PARIS, 20th CENTURY baluster-shaped model, standing on a pedestal, the rims with laurel leaf moldings, decorated at mid-body with fillets and acanthus leaves, the handles in silver or blackened wood. Composed of a teapot, a coffeepot, a sugar bowl and its lid, and a milk jug. Minerve hallmark (Accidents) Silver tea and coffee set, Gombert & Bibollet silversmiths, Paris, 20TH CENTURY Gross weight: 2,106 g. - 74.23 OZ

Estim. 800 - 1 200 EUR

Lot 34 - PART OF A SILVER CUTLERY SET (950), PARIS, SECOND HALF OF THE 19th CENTURY Gordian knot pattern, engraved with monograms (variants), different silversmiths Comprising : - 14 forks and 14 table spoons - 12 forks and 12 dessert spoons - 12 small spoons without monogram On cored handles : - 12 table knives - 12 cheese knives - 1 salad servers (2), the tops in composition Minerve hallmark (90) Part of a silver cutlery set, Paris, second half 19TH CENTURY Net weight of silver pieces: 3,890 g.- 137.22 OZ Gross weight of pieces on cored handle: 1,698 g. - 59.89 OZ

Estim. 1 200 - 1 800 EUR

Lot 35 - LOUIS XII AND ANNE DE BRETAGNE 1498-1515 + FELICE. LVDOVICO. REGNATE.DVODECIMO. CESARE. ALTERO. GAVDET. OMNIS. NACIO. "Under the happy reign of Louis twelve all nations enjoy another Caesar" Bust of King Louis XII, wearing the crowned mortarboard and the collar of the Order of Saint Michael. Fleurdelisé field. Below, lion walking left. R/. + LVGDUN. REPUBLICA. GAVDETE. BIS. ANNA. REGNANTE. BENIGNE. SIC. FVI. CONFL. ATA. 1499. "When the Republic of Lyon was rejoicing in the second reign of the good Queen Anne, I was thus melted 1499". Crowned and veiled bust of Queen Anne. Field strewn with lilies and ermine spots. Below, lion walking left (emblem of the city of Lyon). Mazerolle 27. 140. Bronze medal 1499. Later cast. Ø 113.68 mm; 472 g Two fine realistic portraits. A fine example of this very rare medal with an attractive brown patina. (The blanks have been cleaned and scraped; a few dents on the edge and scratches behind the portrait of Anne de Bretagne). This medal was presented to the sovereigns by the city of Lyon in 1499, when they entered the city on March 15, 1500. It was produced by several Lyon artists: Nicolas Leclerc, Jean de Saint-Priest, Jean and Colin Lepère. Anne de Bretagne married Charles VIII in 1491. But she remained Duchess and Sovereign of Brittany. Then, in 1498, Charles VIII died accidentally. Anne returned to her duchy. In 1499, Anne became Queen of France again, marrying Louis XII, who had hastily repudiated his first wife. The duchy remained separate from the crown. Finally, in 1514, Anne de Bretagne died and her daughter, Claude de France, inherited the duchy. She married François d'Angoulême, the future François I. In 1532, Claude ceded her duchy to the crown. François I had this definitive union of Brittany and France ratified by the Parliament of Vannes. A bronze medal depicting the King and Queen Louis XII and Anne of Brittany, 1498-1515

Estim. 4 000 - 6 000 EUR

Lot 36 - NAPOLEON III (1852-1870) 20 Francs or (bare head) 1859 BB = Strasbourg. (6,43 g) Cut on the edge A gold coin with the profile of Napoleon III

Estim. 300 - 320 EUR

Lot 37 - RUSSIA, NICOLAS II (1894-1917) 15 Gold Rubles 1897 Saint Petersburg (12.90 g) Fifteen roubles with the profile of Nicolas II, 1894-1917

Estim. 650 - 700 EUR

Lot 38 - RUSSIA, NICOLAS II (1894-1917) 5 Roubles gold 1899 Saint Petersburg (4.28 g) Five roubles with the profile of Nicolas II, 1894-1917

Estim. 200 - 220 EUR

Lot 39 - RUSSIA, NICOLAS II (1894-1917) 5 Gold Roubles 1899 Saint Petersburg (4.29 g) Five roubles with the profile of Nicolas II, 1894-191

Estim. 200 - 220 EUR

Lot 40 - TOBACCO POT, NORTHERN FRANCE, 18th CENTURY in earthenware, ovoid shape, with two mascaron-shaped side handles decorated in blue and black monochrome with the inscription BON TABAC DE St. VINCENT. Brass lid. (Chips) A faience tobacco jar, Northern France, 18TH CENTURY HEIGHT. 27 - LARG. 29 CM - H.10,6 - W. 11,4 IN.

Estim. 300 - 400 EUR

Lot 41 - PAIR OF LARGE JARS, TALAVERNA, 18th CENTURY Oblong earthenware vessels with two high handles, decorated in blue, yellow and green with the Franciscan order in a shield framed by masks, ribbons, a putto's face under a crown, and on the base a band left free for the inscription. (One restored, both restored and damaged) A pair of large jars, Talaverna, 18TH CENTURY HEIGHT. 45 CM - H. 17,7 IN.

Estim. 2 000 - 3 000 EUR

Lot 42 - DIANE'S RETURN FROM THE HUNT, NAPLES, 19th CENTURY Large white-glazed earthenware group with five figures depicting Diana returning from the hunt, accompanied by two dogs. Large oval bronze base with acanthus leaves and cartouche in relief. (Accents and restorations) Diane's return from the hunt, Naples, 19TH CENTURY H. 72 - W. 63 CM - H. 28,3 - W. 24,8 IN.

Estim. 4 000 - 6 000 EUR

Lot 43 - CIDER JUG, ROUEN, 18th CENTURY, 1738 in earthenware with polychrome decoration of four Chinese and pagodas, winged dragons, birds, butterflies on a terrace Dated on the base: 1738 (Restoration to handle and neck) A cider jug, Rouen, 18TH CENTURY, 1738 HEIGHT. 27.50 CM - H. 10.8 IN.

Estim. 200 - 300 EUR

Lot 44 - TWO ROUND FAIENCE PLATES, DELFT, 18th CENTURY with polychrome decoration of a bouquet of flowers on one and flowering vases on the other (Chips) DIAM. 34,3 CM - D. 13,5 IN. Two round earthenware dishes, Delft, 18TH CENTURY

Estim. 200 - 400 EUR

Lot 45 - THREE ROUND FAIENCE PLATES, DELFT, 18th CENTURY with polychrome decoration of flowering pierced rock, shrubs, flowering vases and planters 18th century (Chips) Three round earthenware plates, Delft, 18TH CENTURY DIAM. 34 and 30 CM - D. 13,4 and 11,8 in.

Estim. 300 - 600 EUR

Lot 46 - FAIENCE DISH, MANUFACTURE DE LA HACHE, 18th CENTURY with full blue monochrome decoration of a whale-hunting scene captioned: n° 2 De vloot Seÿlt in't ¨ÿs A De La Hache Manufactory faience plate, 18TH CENTURY DIAM. 22.2 CM - D. 8.6 IN.

Estim. 500 - 800 EUR

Lot 47 - OVAL PLATE, DELFT, 18th CENTURY blue monochrome earthenware with a Chinese woman holding a vase on a terrace, the border highlighted with polychrome scrolls and rocaille shells in relief. (Some enamel wear) An oval faience plaque, Delft, 18TH CENTURY HEIGHT. 33 - LARG. 27 CM - H. 13 - W. 10,6 IN.

Estim. 500 - 800 EUR

Lot 48 - IMPORTANT GARNITURE, DELFT, 18th CENTURY composed of : A set of five earthenware vases consisting of three covered baluster vases and two cornet-shaped vases decorated in blue monochrome with birds, flowering shrubs and shells in rocaille frames, the lion-shaped handles on the lids. 18th century. HEIGHT. 33 and 23 CM - H. 12.9 AND 9 IN. (Accidents and restorations) A set of three covered earthenware baluster vases decorated in blue monochrome with animated landscapes, the lion-shaped handles on the lids. 18th century. HEIGHT. 30 CM - H. 11.8 IN. (Accents and restorations). Two covered earthenware baluster vases decorated in blue monochrome with a Chinese woman and children and flowers on a terrace. 18th century. (Accents and restorations) An important garniture, Delft, 18TH CENTURY HEIGHT. 37 and 35 CM - H. 14,5 and 13,77 IN.

Estim. 600 - 800 EUR

Lot 49 - CHRISTIAN DIOR, ITALY, 20th CENTURY Pair of square earthenware cases decorated in green with an artichoke Marked : Dior Italy 20th century (Six artichoke leaves chipped and a ball missing from the top of one case) A pair of faience artichokes flowers signed Christian Dior, Italy, 20th century HEIGHT. 27 CM - H. 10,6 IN.

Estim. 500 - 800 EUR

Lot 50 - HANGER, CHANTILLY, MID-19th CENTURY in cookie and porcelain, featuring a young woman seated on a fox skin on a rock near a tambourine, holding a child, on an oval base with polychrome decoration of antique profiles, sphinxes, foliage, pearls and palmettes on a turquoise blue and orange background. Engraved CHANTILLY. A Chantilly porcelain and cookie clock, mid-19th century HEIGHT. 45 - WIDTH. 38 CM - H. 17,7 - W. 15 IN.

Estim. 400 - 600 EUR

Lot 51 - PAIR OF CACHE-POTS, SAMSON MANUFACTURE, 19th CENTURY in porcelain and ormolu of cylindrical form with polychrome decoration in famille rose enamels of peonies and pebbled background Louis XVI-style gilt bronze mounting (Restorations) A pair of Samson cache-pot, 19TH CENTURY HEIGHT 13.50 CM - H. 5.3 IN.

Estim. 500 - 800 EUR

Lot 52 - SET OF THREE SCULPTURES OF HUNTERS, SÈVRES, LATE 19th CENTURY in bisque, two holding rifles and the third a hunting horn. They stand on blue oval bases adorned with a gold princely crown. The figures are engraved: D. 90, D. 92 and D. 99, The bases marked: RF doré à Sèvres 92 in red. (The three figures are damaged and missing, one base is chipped). (Sonneur: the horn broken into three pieces, chips on the bell, the bell detached). (Hunter with rifle no. 1: the rifle broken into several pieces and formerly restored, missing). (Hunter with rifle n° 2: the rifle broken into several pieces and formerly restored, left hand broken and glued back together, missing). A Sèvres cookie set of three hunters, dated 9, late 19th century H. of figures: 36 CM - H. 14,17 IN. Total H. with base: 42 CM - 16.5 IN. L. of bases: 27.5 CM - 10.8 IN. On November 3, 1846, the Duc d'Aumale's commissioning secretariat informed the director of the Sèvres manufactory that the Prince intended to come to Sèvres the following day "to choose the design for the dessert service that the King has kindly granted to His Royal Highness". A note dated November 4, 1846 details the pieces of the "surtout de table ordered by S.A.R. Mgr le Duc d'Aumale": at that date. The set was delivered to Chantilly on May 10 and is still kept in the office at the Château de Chantilly. The original "surtout des chasses", sculpted by Blondeau after Jean-Baptiste Oudry, whose composition could vary, continued to be produced at the Sèvres manufactory until the end of the 19th century.

Estim. 1 500 - 2 500 EUR

Lot 53 - SÈVRES, LARGE VASE WITH BRONZE MOUNT, LATE 19th CENTURY, 1890 Porcelain spindle-shaped vase with polychrome decoration of hollyhocks on a celadon background, the neck decorated with gold palmettes, the pedestal decorated with rosettes and gold gadroons on a brown background, square gilt bronze base. Marked: S. 90, RF decorated in Sèvres. (Small chips on top edge). Large ormolu-mounted Sèvres vase, late 19th century, 1890 HEIGHT. 114 CM - H. 44.9 IN. - DIAM. 40 CM - D. 15,7 IN. Provenance This vase, offered by France on the occasion of the 50th wedding anniversary of the King and Queen of Montenegro in 1910, was acquired from Xania of Montenegro by the great-grandfather of the current owner.

Estim. 15 000 - 25 000 EUR

Lot 54 - UNIFORM SWORD, EMPIRE PERIOD gilt bronze and chased single-branch hilt; mother-of-pearl plate spindle; keyboard decorated with the Emperor's profile on a background of trophies of arms; triangular blade engraved and signed "BAUS ET COMP. A SOLINGEN" (Good condition) A staff officer sword, First Empire period, 19TH CENTURY H. 95,50 CM - H. 37,6 IN.

Estim. 500 - 800 EUR

Lot 55 - COURT SWORD, EARLY 19th CENTURY Chased and gilded bronze single-branch hilt; pommel decorated with an old man's head; jointed bow decorated with a Roman-style bust; keyboard featuring a seated goddess against a background of trophies; quadrille wood spindle; single-edged blade engraved and blued one-third of the way through. (Wear) An officer sword, early 19TH CENTURY HEIGHT 95.50 CM - H. 37.6 IN.

Estim. 300 - 500 EUR

Lot 56 - BEAUTIFUL SET OF GOLD MINIATURES including: Saint-Louis, Légion d'honneur Restauration, Légion d'honneur Monarchie de Juillet, Ordre du Lys, Ordre de Malte Beautiful set of gold miniatures Gross weight: 10 g - 0.35 OZ

Estim. 450 - 500 EUR

Lot 57 - CROIX DE L'ORDRE DE SAINT-LOUIS, LOUIS XVIII PERIOD gold and enamel, fragment of ribbon (slightly redenté) A cross of the order of Saint-Louis, Louis XVIII period Gross weight: 14 g - 0.56 OZ

Estim. 500 - 600 EUR

Lot 58 - TRICOLORED RIBBON WITH GOLD FRANGE, MID-19th CENTURY decorated with a gilded metal lictor beam; ornament probably worn by a parliamentarian; presented in a gilded papier-mâché frame A tricolored ribbon with gold fringe, mid-19TH CENTURY

Estim. 80 - 100 EUR

Lot 59 - GOLD OFFICER'S CROSS OF THE ORDER OF LEOPOLD Jewel case by "WOLFERS A BRUXELLES". A gold officer's medal of the Order of Leopold Gross weight: 24 g - 0.3 OZ

Estim. 400 - 450 EUR

Lot 60 - BARRETTE FOR A SOLDIER comprising: - Officer's cross of the Order of Leopold - knight's cross of the order of the crown - Knight's cross of the Order of Leopold - Knight's cross of the Order of the Black Star of Benin - insignia of the knight of the order of Ethiopia Bar for a soldier military decorations Gross weight: 142 g - 5 OZ

Estim. 100 - 120 EUR

Lot 61 - ORDER OF THE CROWN OF PRUSSIA Gold knight's cross, without ribbon, in a case A gold knight's cross of the Order of the prussian crown Gross weight: 120 g - 4.23 OZ

Estim. 200 - 250 EUR

Lot 62 - GRAND OFFICER'S PLAQUE OF THE ORDER OF LEOPOLD Silver and vermeil, in a case With a box for commander of the Legion of Honor A silver and silver-gilt grand officer's plaque of the order of Leopold with a box for commander of the legion of honor Gross weight: 122 g - 4.3 OZ Diam. 19 CM - 7,4 IN.

Estim. 200 - 250 EUR

Lot 63 - SET OF MEDALS including : - Leopold I medal; 1865-1905 - 2nd class civic merit medal; in case - civic medal; 1939-1945 - civic medal; in its case A set of different medals

Estim. 40 - 50 EUR

Lot 64 - EMPIRE DALAM, COMMANDER'S BADGE OF THE MILLION ELEPHANTS Module in gilded and enamelled metal, good tie in original case A badge of the commander of the million elephants, Dalam Empire Gross weight: 36 g - 1.26 OZ Diam. 45 mm - 1.7 IN.

Estim. 200 - 250 EUR

Lot 65 - IMPORTANT BARRETTE OF MINIATURES IN GOLD, SILVER AND METAL Order of the Belgians, Legion of Honor, Annebrog, Black Star of Benin, Double Dragon of China, etc. 11 pieces in a presentation case from Wolfers, Brussels An important bar of miniatures in gold, silver and metal Gross weight: 28 g - 0.9 OZ

Estim. 400 - 450 EUR

Lot 66 - LOT OF SILVER AND METAL MINIATURES MOUNTED ON CLIPS mainly Belgian decorations: - Order of Leopold, Order of the Crown, War Cross, Civic Merit, etc. 10 pieces; Wolfers case. A miniature of the Order of Leopold is included. A set of bar-mounted miniatures in silver and metal Gross weight: 34 g - 1.2 OZ

Estim. 120 - 150 EUR

Lot 67 - JEAN-BAPTISTE CARPEAUX (1827-1875) La Rieuse napolitaine n° 2 Model created in 1864 Bronze bust with shaded brown patina Signed "JB. Carpeaux" on the left shoulder Bears the stamp "PROPRIÉTÉ CARPEAUX" and the imperial eagle stamp on the reverse. The laughing Neapolitan girl n° 2, bronze sculpture with brown patina by Jean-Baptiste Carpeaux, created circa 1864 HEIGHT. 26 CM - H. 10,2 IN. Related literature Michel Poletti, Alain Richarme, Jean-Baptiste Carpeaux, sculpteur. Catalog raisonné de l'œuvre édité, Paris, Les Expressions contemporaines,2003, model listed under no. BU 48, p. 150. This is the portrait of Anna Foucart, eldest daughter of Jean-Baptiste Foucart, a close friend of Jean-Baptiste Carpeaux. The sculptor painted the young girl in 1860 and reused the model several times, adapting it for Rieuse napolitaine in 1863 and Rieuse aux roses in 1872. Here, the emphasis is on traditional Neapolitan costume, as a counterpart to the bust of Le Rieur napolitain, one of the Valenciennes sculptor's greatest successes.

Estim. 2 000 - 3 000 EUR

Lot 68 - ÉMILE LOUIS PICAULT (1833-1915) 14th-century Escholier Bronze with brown patina Signed "E. PICAULT" on the terrace behind the feet Titled on a cartouche on the front "Escholier / 14eme siècle". An Escholer from the 14th century patinated bronze sculpture by Émile Louis Picault HEIGHT 50 CM - H. 19,7 IN. Related work Émile Picault, Escholier du XIVe siècle, circa 1850, bronze statuette, H. 49 x W. 21 x D. 15 cm, Paris, Musée d'Orsay, inv. RF 3729.

Estim. 500 - 800 EUR

Lot 69 - MARIUS JEAN ANTONIN MERCIÉ (1845-1916) David defeating Goliath Model created in Rome 1869-70; published by Barbedienne (1810-1892) from 1875. Bronze with brown patina Signed "A MERCIE" on the terrace Bears the founder's stamp "F. BARBEDIENNE. Fondeur" on the back of the base (Small deformation of the sword) David defeating Goliath, bronze sculpture with brown patina by Marius Jean Anthonin Mercié HEIGHT 62.50 CM - WIDTH 24.6 IN. Related work Antonin Mercié, David, circa 1872, bronze, H. 184,1 ; W. 76,8 ; D. 83,2 CM, Paris, Musée d'Orsay, inv. RF 186. Related literature Florence Rionnet, Les bronzes Barbedienne, l'œuvre d'une dynastie de fondeurs (1834-1954), Paris, Arthena, 2016, model listed under no. 1072, p. 372. With this shipment from Rome, Antonin Mercié met with immediate success and recognition from the State, which awarded him the Légion d'honneur and commissioned a bronze version in 1872, which was placed in the Musée des Artistes Vivants in 1874. It was also a popular success: the work was reproduced in all the newspapers. Bronze reductions multiplied, and the Barbedienne foundry produced six versions in different sizes. On December 18, 1916, the newspaper l'Écho reported a news item that summed up the general craze for this figure: "The most popular statue made by Antonin Mercié is certainly his 'David vainqueur'. The little Italians who sell plaster casts in the streets of Paris almost always carry several models of this figure in their baskets. [...] " Antonin Mercié's contemporaries saw in this sculpture, sent from Rome in 1870, an echo of the events that were shaking France at the time. After the Prussian victory, the French spirit was rising and already looking forward to a forthcoming reconquest. Mercié saw in the biblical hero an expression of this hope. He makes David a personification of France and Goliath a symbol of the Prussian oppressor. Mercié's use of the biblical subject follows in the footsteps of Florentine sculptors of the Renaissance, notably Donatello, who gave his David a civic and political dimension. From the Florentine master, Mercié also takes on the graceful allure given by the canon of the body and the slight contrapposto. To this youthful gentleness, Mercié added more dynamic and realistic details, making his sculptures popular with the Third Republic. In the wake of this David, Mercié received numerous commissions for public monuments exalting the fatherland and its heroes.

Estim. 1 500 - 2 000 EUR

Lot 70 - ALBERT-ERNEST CARRIER-BELLEUSE (1824-1887) L'Amour se confie à l'Amitié (Love confides in Friendship) Original model presented at the 1857 Salon; cast by Jean-François Denière (1774-1866) Bronze proof with brown patina Signed "A.CARRIER" on the terrace Bears the founder's mark "DENIERE" on the terrace Titled "L'AMOUR SE CONFIE À L'AMITIÉ" (Love Confides in Friendship) Love confides in friendship, bronze with brown patina by Albert-Ernest Carrier-Belleuse H. 83,50 CM - H. 32,9 IN. Related works - Albert-Ernest Carrier-Belleuse, L'Amour se confie à l'Amitié, circa 1865, bronze, H. 80 CM, London, Victoria & Albert museum, inv. 752-1869 ; - Albert-Ernest Carrier-Belleuse, L'Amour et l'Amitié, circa 1857, bronze, signed "A. Carrier", founder's mark "Deniere", H. 76.2 CM, Minneapolis, The Minneapolis institute of art, inv. 84.23.

Estim. 3 000 - 5 000 EUR

Lot 71 - CHARLES CROZATIER (1795-1855) Seated Virgin and Child Brown patina bronze statuette Bears the cold-chased inscriptions on the reverse "Donné à Mme Vacheron/ par Mme Crozatier" and "Dernier ouvrage de sculpture / de C. Crozatier. and "Dernier ouvrage de sculpture / de C. Crozatier / 1854". A Virgin and Child, bronze statuette with brown patina by Charles Crozatier, 1854 HEIGHT. 42 CM - H. 16,5 IN. Related work Charles Crozatier, Virgin and Child, seated, 1854, bronze statuette, H. 69 CM, Le Puy-en-Velay, Musée Crozatier, inv. 868.10.2. Related literature Louis Lepage, Charles Crozatier, sa vie, ses œuvres, 1794-1855, Paris, La Pensée universelle, 1978.

Estim. 400 - 600 EUR

Lot 72 - HIPPOLYTE MOREAU (1832-1927) The Aveu Bronze with double brown and bronze patina Signed "Hip. Moreau". Inscribed "L'AVEU / Salon des Beaux-Arts" in a cartouche on the front (Worn patina) The confession, bronze sculpture by Hippolyte Moreau HEIGHT. 47 - WIDTH. 25 CM - H. 18,5 x W. 9,8 IN.

Estim. 500 - 800 EUR

Lot 73 - ALBERT-ERNEST CARRIER-BELLEUSE (1824-1887) The spring Bronze with brown patina Signed "A.CARRIER" on reverse left The source, bronze with brown patina by Albert-Ernest Carrier-Belleuse HEIGHT. 45 CM - h. 17,71 in. terrace HAUT. 63 - LARG. 20 CM - H. 24,8 - W. 7.87 IN. on a wooden base 9.5 x 80 x 36 CM - 3.7 x 31.5 x 14.1 in. Related works - Groupe de l'Abondance, stone, Musée du Louvre facade, Paris - Albert-Ernest Carrier-Belleuse, Enfant source, 1864, terracotta, H.41 x 70 CM, signed "A. Carrier. 1 864", Düsseldorf, Ralph Gierhards collection; - Albert-Ernest Carrier Belleuse, Putti representing Earth and Water, 1865, terracotta, Cleveland, The Cleveland museum of Art, inv. 1986.67. Related literature - June Ellen Hargrove, Gilles Grandjean, Carrier-Belleuse, Le Maître de Rodin, cat. exp., Compiègne, Palais de Compiègne, May 22-October 27, 2014, Paris, RMN, 2014, model listed under no. cat. 85, p. 125 ; - June Ellen Hargrove, The life and work of Carrier-Belleuse, Garland Pub, 1977, pl. 148. This charming group of putti surrounding a vase from which water is flowing is directly inspired by a relief on the façade of the Louvre Palace illustrating Abundance. In the 1860s, Carrier Belleuse devoted himself to creating small groups of playful children, in the spirit of Clodion and the terracottists of the 18th century. These small-scale decorative groups were a great success, and were distributed by his workshop in all materials.

Estim. 1 500 - 2 500 EUR

Lot 74 - AUGUSTE MOREAU (1834-1917) The message Bronze with brown patina Signed 'Auguste Moreau Scpt' on the edge of the terrace The message, bronze sculpture with brown patina by Auguste Moreau HEIGHT 70 CM - H. 27,6 IN.

Estim. 1 500 - 2 500 EUR

Lot 75 - ROSA BONHEUR (1822-1899) Bull Bronze with shaded brown patina Signed "ROSA BONHEUR" on the terrace A patinated bronze bull sculpture by Rosa Bonheur, signed on the terrace HEIGHT. 40 CM - 15.7 IN. - and terrace : 37 x 16 CM - 14,5 X 6.3 IN. A famous animal painter, Rosa Bonheur was also renowned for her sculptures, which she produced until the 1850s. Trained by her father and Léon Cogniet, she was particularly fond of domestic animals seen at fairs. The vast majority of her sculptures were produced in bronze by the founder Hippolyte Peyrol (1856-1929), husband of Juliette Bonheur, the artist's younger sister.

Estim. 1 000 - 2 000 EUR

Lot 76 - ALBERT-ERNEST CARRIER-BELLEUSE (1824-1887) Suzanne surprise Brown patina bronze Signed "A. CARRIER" on the side (Patina wear on protruding parts) Susannah surprised, bronze sculpture with brown patina by Albert-Ernest Carrier-Belleuse HEIGHT 62 CM - H. 24,4 IN. Related literature June Ellen Hargrove, Gilles Grandjean, Carrier-Belleuse, le maître de Rodin, cat. exp., Compiègne, Palais de Compiègne, May 22 - October 27, 2014, Paris, RMN, 2014.

Estim. 1 500 - 2 000 EUR

Lot 77 - ALFRED BOUCHER (1850-1934) Au But Model created in 1886 Bronze with brown patina Signed "A BOUCHER" on the terrace Bears the founder's stamp "SIOT DECAUVILLE FONDEURS PARIS" on the edge of the terrace and the number "U200". On a griotte red marble base H. 6.5 CM 'Au but', bronze sculpture with brown patina by Alfred Boucher HEIGHT. 28 - WIDTH. 15 - PROF. 9 CM - H. 11 x W. 5,9 x D. 3,5 IN. Related works - Alfred Boucher, Au But, circa 1886, plaster, H.200 CM, Troyes, musée d'art et d'histoire, inv. D.887.2 ; - Alfred Boucher, Au But, 1886, bronze, H. 45.8 x W. 69 x D. 35 cm, Nogent-sur-Seine, Musée Camille Claudel, inv. 1994.2 ; - Alfred Boucher, Au But, after 1886, bronze, H. 100.5 x W. 79 x D. 146.5 cm, Reims, Musée des Beaux-Arts, inv. 933.23.1. Innovative for its time, this work testifies to the artist's mastery in representing balance and movement. The plaster version of the group was shown at the Salon of 1886, then at the Universal Exhibition of 1889, where it was awarded a gold medal. He produced a monumental bronze for the French State, destroyed in 1940, and published reductions by founders Barbedienne and Siot.

Estim. 2 000 - 2 500 EUR

Lot 78 - ALFRED BARYE (1839-1882) Elephant Bronze with brown patina Signed "A. BARYE" on the terrace Elephant, bronze sculpture with brown patina by Antoine-Louis Barye Dim. terrace 11,6 x 5,6 CM - IN. HAUT. 10,10 CM - H. IN. Following the example of his father Antoine-Louis Barye, with whom he trained, Alfred Barye specialized in animal subjects. From 1864 to 1882, he exhibited regularly at the Salon.

Estim. 400 - 600 EUR

Lot 79 - PIERRE JEAN DAVID D'ANGERS (1788-1856) Suite of six bronze medallions with brown patina and gilded bronze surrounds - Portrait of Jacques-Antoine Manuel (1775-1825) Titled "MANUEL" on the left side and signed and dated "DAVID 1831" below the edge of the neck. Diam. 14 CM - 5.5 IN. and total diam. 15.9 CM - 6.2 IN. - Portrait of François-Vincent Raspail (1794-1878) Titled "Raspail" on the left side and signed "DAVID" below the neck edge Diam. 15.1 CM - 5.9 IN. and total diam. 16.9 CM - 6.6 IN. - Portrait of Michel-Eugène Chevreul (1786-1889) Titled "Chevreul" on the right side and signed "DAVID" and dated (illegible) below the neck cutout. Numbered "1435" in white paint on the reverse. Diam. 15.7 CM - 6.1 in. and total diam. 16.9 CM - 6.6 IN. (Worn patina) - Portrait of François Arago (1786-1853) Titled "F. Arago" on the right side and signed and dated "DAVID 1832" below the edge of the neck. Diam. 14.9 CM - 5.8 IN. and total diam. 16.3 CM - 6.4 IN. - Portrait of Friedrich Stammann (1807-1880) Titled "Friedrich Stammann" on the left side and signed and dated "DAVID 1833" below the neck cutout. Diam. 14.6 CM - 5.7 IN. and total diam.: 15.9 CM - 6.2 IN. - Portrait of Casimir Périer (1847-1907) Titled "Casimir Périer" on the left side and signed and dated "DAVID 1833" under the neck cutout. Worn patina Diam. 15.4 CM - 6 IN. and total diam. 16.9 CM - 6.6 IN. A suite of six patinated bronze medallions by Pierre Jean David d'Angers Related work - Pierre Jean dit David d'Angers, Manuel, before 1856, bronze medallion, diam. 14 CM, Paris, Musée du Louvre, inv. DA 62 E. - Pierre Jean dit David d'Angers, Raspail, 1833, bronze medallion, diam. 16.3 CM, Paris, Musée Carnavalet, inv. S.1876. - Pierre Jean dit David d'Angers, Eugène Chevreul, 1834, bronze medallion, diam. 16.1 CM, Paris, Musée du Louvre, inv. DA 15 B. - Pierre Jean dit David d'Angers, François Arago, 1832, bronze medallion, diam. 15.5 CM, Paris, Musée du Louvre, inv. DA 36 A. - Pierre Jean dit David d'Angers, Friedrich Stammann, 1833, bronze medallion, diam. 14.7 CM, Paris, Musée du Louvre, inv. DA 9 E. - Pierre Jean dit David d'Angers, Casimir Périer, 1833, bronze, diam. 15.8 CM, Paris, Musée du Louvre, inv. DA 61 F.

Estim. 2 000 - 3 000 EUR

Lot 80 - EDOARDO LIONETTI (1862-1912) Neapolitan fisherman's head Small life-size bust in bronze with brown patina Signed "E Lionetti A Neapolitan fisherman's head, bronze sculpture with brown patina by Edoardo Lionetti Dont piédouche H 11 CM - With piédouche 4 3/8 IN. HAUT. 34 CM - H.13,4 IN.

Estim. 2 000 - 5 000 EUR

Lot 81 - ITALIAN COLLECTION, 19th CENTURY, AFTER PIETRO TACCA (1577- 1640) Chained captives Pair of bronzes with brown and gilded patinas On wooden bases painted in imitation of marble and porphyry Pair of bronze sculptures with brown and gilded patina, 19th century Italian school, after Pietro Tacca HEIGHT 44 CM - H. 17,3 IN. Reference work Pietro Tacca, Monument to Ferdinand Medici, 1620-1623, Piazzetta della Darsena, Livorno Auguste Bartholdi (1834-1904) Born in Colmar, where his family had settled in the 17th century, Auguste Bartholdi trained in Ary Scheffer's studio, who recognized his talent for sculpture, which he then studied with Jean-François Soitoux. After a highly formative trip to the Orient with painter Jean-Léon Gérôme in the 1850s, Bartholdi returned to France and took part in a number of public competitions. He was particularly sought after by his native town, for which he erected a monument to General Rapp in 1854. In 1857, the town of Colmar commissioned him to erect a monument to Colmerian Admiral Armand Joseph Bruat, a hero of the French Navy and the Crimean War who had died two years earlier. While complying with the Colmar mayor's wish to erect the municipality's very first continuous fountain, the sculptor conceived an ambitious five-part initial monument project: the figure of the victorious admiral stands at his command post on the ship's deck, holding a telescope and a map with an anchor at his feet. The statue overlooks a circular basin adorned with the city's four coats of arms framed by a sea monster, and divided into four sections on which allegorical figures inspired by antiquity recline. The water is to flow through four antique trireme prows. The project was immediately approved by the municipality, but the lack of financial prospects led to objections and delays. As the project had to be simplified, Bartholdi made a number of modifications, notably the figures in the basin, symbolizing the four continents the Admiral had travelled to as a servant of France. Again for reasons of cost, in 1861 the Committee asked Bartholdi to abandon these allegorical figures, which were ultimately not removed thanks to a fortunate anonymous donation (actually from his mother). In 1863, Bartholdi exhibited the model at the Salon. The monument was finally erected in bronze for the statue of Bruat, and in Vosges sandstone for the elements of the basin, and inaugurated on August 21, 1864. Unfortunately, the monument in its original state is no longer known, as it was partially destroyed on August 30, 1940 by the German occupying forces. The heads of the Continents were salvaged, however, and are now housed in the Bartholdi Museum in Colmar. In 1958, the monument was rebuilt around Bruat's bronze statue, the only original element preserved, on a fountain surrounded by new stone allegories by sculptor Gérard Choain and architect Michel Porte. These two heads in patinated plaster correspond to the preparatory and final versions for these heads of Africa and America, which underwent a veritable rollercoaster ride from conception to preservation. These two works are rare testimonies to the artist's creative process, and fortunately complete the meagre corpus of works, along with the preparatory model in patinated plaster and the sandstone heads of the Continents preserved at the Musée Bartholdi in Colmar, concerning the conception of this monument, which is considered a milestone in the artist's career. As the artist's specialist Robert Belot points out, Bartholdi conceived not only this monument to a local hero, but also his first work "with a philosophical resonance and global scope", conveying in it the message, to anyone who would see it, of his political commitment to the struggle against slavery, his support for abolitionist thinking and universalist values.

Estim. 5 000 - 8 000 EUR

Lot 82 - AUGUSTE BARTHOLDI (1834-1904) Head of America circa 1856-1863 Patinated plaster in preparation for the Bruat monument, Colmar (Minor accidents) Head of America, sculpture in patinated plaster by Auguste Bartholdi, circa 1856-1863 HEIGHT 58 CM - H. 22,8 IN. Provenance By oral tradition, acquired by the previous owner directly from the descendants of the Bartholdi family. Related works - Auguste Bartholdi, Statue de l'amiral Bruat, 1857-1864, bronze, Champs de Mars, Colmar ; - Auguste Bartholdi, Projet pour le Monument Bruat, tinted plaster model, 1856, Musée Bartholdi, Colmar; - Auguste Bartholdi, Tête de l'Afrique, Fragment de l'ancienne fontaine, pink sandstone, 1863, Musée Bartholdi, Colmar; - Auguste Bartholdi, Head of America, Fragment of the old fountain, pink sandstone, 1863, Musée Bartholdi, Colmar. Related literature - Stanislas Lami, Dictionnaire des sculpteurs de l'École française au dix-neuvième siècle, t. I, edition of p. 65 ; - Jacques Betz, Bartholdi, Les éditions de Minuits, Paris, 1954, pp. 46, 47 and 49; - Robert Belot and Daniel Bermond, Bartholdi, Perrin, 2004, pp.117-119; - Robert Belot, Bartholdi, l'homme qui inventa la liberté, collection Biographies et mythes historiques, Ellipses, 2019, pp.159-169, 314, 527. Of rare modernity and powerful forms, this plaster head of America corresponds to the definitive state of the Allegory of the New Continent. America is "represented by a young man whose appearance still has something of the savage about it; with his left foot he pushes aside old idols, under his elbow a cogwheel symbolizes industry, and an oar, the genius of navigation". His forehead is topped with a star. This star originally adorned the forehead of the woman who was to represent Europe "as a symbol of the light of which Europe is the center". While it has been said that this added star was a Masonic sign, a discreet sign of Bruat's commitment to Freemasonry, its transfer from the forehead of "Old Europe" to "Young America" takes on a highly symbolic and precursory dimension in the gesture of Bartholdi, who, from this time onwards, wished to convey a humanist message through art. More than a decade before Bartholdi, close to the abolitionist movement, became close to Édouard de Laboulaye, a moderate republican who saw America as a model of liberty in 1865 and proposed his Statue of Liberty project, he presented here an optimistic image of the Continent, symbolizing the democratic ideal and the welcome of immigrants.

Estim. 30 000 - 50 000 EUR

Lot 83 - AUGUSTE BARTHOLDI (1834-1904) Head of Africa circa 1863 Patinated plaster in preparation for the Bruat monument, Colmar (Minor accidents) Head of Africa, sculpture in patinated plaster by Auguste Bartholdi, circa 1863 HEIGHT 58 CM - H. 22,8 IN. Provenance By oral tradition, acquired by the previous owner directly from the descendants of the Bartholdi family. Related works - Auguste Bartholdi, Statue de l'amiral Bruat, 1857-1864, bronze, Champs de Mars, Colmar ; - Auguste Bartholdi, Projet pour le Monument Bruat, tinted plaster model, 1856, Musée Bartholdi, Colmar; - Auguste Bartholdi, Tête de l'Afrique, Fragment de l'ancienne fontaine, pink sandstone, 1863, Musée Bartholdi, Colmar; - Auguste Bartholdi, Head of America, Fragment of the old fountain, pink sandstone, 1863, Musée Bartholdi, Colmar. Related literature - Stanislas Lami, Dictionnaire des sculpteurs de l'École française au dix-neuvième siècle, t. I, edition of p. 65 ; - Jacques Betz, Bartholdi, Les éditions de Minuits, Paris, 1954, pp. 46, 47 and 49; - Robert Belot and Daniel Bermond, Bartholdi, Perrin, 2004, pp.117-119; - Robert Belot, Bartholdi, l'homme qui inventa la liberté, collection Biographies et mythes historiques, Ellipses, 2019, pp.159-169, 314, 527. This head represents a black man with powerful, hard features, frozen in an expression that is at once dignified, proud and bitter. In the abolitionist context of the 1860s, Bartholdi offered both a powerful image of the African victim of slavery but determined to free himself from its oppressive chains, and his first work conveying his political commitment and attachment to universalist values. The impact of this representation of Africa was also immediate for certain personalities adhering to the same values, such as Dr. Schweitzer, physician and philosopher, future Nobel Peace Prize winner in 1952, whose Bartholdi Museum preserves a moving testimony, entitled 'Am I in the grip of a dream or a hallucination' and fully transcribed in Robert Belot's 2019 biography: "... What I look upon as the noblest jewel in Colmar is "le Nègre" (a term of the time transcribed verbatim to remain faithful to the original text) who with his hands crossed above his knees the deep dazed gaze is lying at the foot of the Admiral. Yes, this "Nègre" is the noblest, most original work of our sculptural age. I know of no statue that has caused me such marvellous emotion, that moves me so deeply, to the very depths of my soul. The truth of nature and the truth of the ideal are blended to such a marvelous degree...".

Estim. 30 000 - 50 000 EUR

Lot 84 - ICON OF SAINT GEORGE TERRASSING THE DRAGON, RUSSIAN WORK, LATE 19th CENTURY Tempera on wood (Weathered but in good condition) An icon depicting Saint George killing the dragon, Russian work, late 19TH CENTURY 49 x 42 CM - 19,3 x 16,5 IN.

Estim. 1 200 - 1 500 EUR

Lot 85 - IVERSKAYA HOLY VIRGIN ICON, RUSSIAN WORK, LATE 19th CENTURY Tempera on wood, preserved with its gilded bronze lampada, set with colored glass cabochons, openwork border. (Minor wear and tear, but overall good condition) Icon of the Holy Virgin of Iverskaya, Russian work, late 19TH CENTURY 14.1 x 12.2 IN. 36 x 31 CM - 14,2 x 12,2 IN.

Estim. 400 - 600 EUR

Lot 86 - ICON OF THE HOLY MEN OF THE MONTHS "MENOLOGION", RUSSIAN WORK, 19th CENTURY Tempera on wood (Weathered, but overall good condition) An icon of the saints of the months, "Menologion", Russian work, 19TH CENTURY 70 x 48,50 CM - 27,6 x 19,1 IN.

Estim. 3 000 - 5 000 EUR

Lot 87 - ICON OF THE ARCHANGELAGO SAINT MICHEL, RUSSIAN WORK, LATE 19th CENTURY Surmounted by the Assumption of Christ, surrounded by an assembly of saints and protecting angels. Tempera on wood (Age-related wear and tear, accidents on the border, but overall good condition) An icon depicting Saint Michael, Russian work, late 19TH CENTURY 53 x 32,50 CM - 20,9 x 12,8 IN.

Estim. 2 000 - 3 000 EUR

Lot 88 - ICON OF SAINT NICOLAS THE THAUMATURG, GREEK WORK, LATE 19th CENTURY Tempera on wood (Age-related wear, small dents, but overall good condition) An icon of Saint Nicolas, Greek work, late 19TH CENTURY 56 x 42 CM - 22 x 16,5 IN.

Estim. 400 - 600 EUR

Lot 89 - ICON OF CHRIST PANTOCRATOR, GREEK WORK, LATE 19th CENTURY Tempera on wood, under silver riza (Weathered but in good condition) An icon depicting Christ Pantocrator, Greek work, late 19TH CENTURY 29,50 x 23 CM - 11,6 x 9,1 IN.

Estim. 400 - 600 EUR

Lot 90 - ICON OF SAINT ELIE AND THE FIRE TROLLEYS, RUSSIAN WORK, 19th CENTURY Tempera on wood (Weathered, small chips, as is) An icon depicting Elijah and the chariots of fire, Russian work, 19TH CENTURY 37 x 32,50 CM - 14,6 x 12,8 IN.

Estim. 400 - 600 EUR

Lot 91 - ICON OF SAINT NICOLAS THE THAUMATURG, RUSSIAN WORK, 19th CENTURY Tempera on wood, preserved under glass in its original wooden kiot. (Age wear, small chips, but overall good condition) An icon depicting Saint Nicolas, Russian work, 19TH CENTURY Sight: HEIGHT. 49 CM - cm - H. 19.2 x W. 11.8 IN. Kiot: HEIGHT. 45 CM - WIDTH. 36.5 CM - H. 7.7- W. 14.1 IN.

Estim. 400 - 600 EUR

Lot 92 - BYZANTIN RELIQUARY CROSS DITE ENCOLPION, BYZANTIN EMPIRE 13th-14th CENTURIES gold, rock crystal, traces of enamel. The cross opens with a hinge at the bélière, closed at the bottom by a key. Six rock-crystal cabochons covering small, faded phylacteries are set on each side. The backgrounds show traces of enamel, black on the front and turquoise on the reverse; the borders and cross are finely guilloché. A gold encolpion reliquary cross pendant, Byzantine Empire, 13th/14th century HEIGHT 5.10 - WIDTH 3,20 CM - H.2 - W. 1,3 IN

Estim. 3 000 - 5 000 EUR

Lot 93 - Pair of mirrored wall lights, ITALY, 18th CENTURY STYLE in the form of an escutcheon, in gilded mecca wood and cream, green and red rechampi, carved with rocaille decoration of scrolls and palms with three canted light arms and beaded bobeche. A pair of mirror-backed wall lights in 18th century style, Italy HEIGHT 54 - WIDTH 36 CM - H. 21,3 x W. 14,2 IN.

Estim. 500 - 800 EUR

Lot 94 - ALLATING VIRGIN, PARIS, FIRST HALF OF THE 14th CENTURY in ivory carved in the round. Seated on a molded throne bench, Mary presents her right breast to her Son, whom she is holding on her left knee. Her head is crowned with a half-length veil, and she is dressed in a girdled robe and a mantle, one part of which falls to the front of her knees. A nursing Virgin ivory sculpture, 14th century HEIGHT 12.50 CM - H. 4.9 IN. Provenance In the same family since the 19th century

Estim. 6 000 - 8 000 EUR

Lot 95 - THREE ELEMENTS OF WOODWORK, NORMANDY, EARLY 17th CENTURY in oak wood carved in bas-relief with three figures in a niche bordered by a frieze with foliage in the spandrels at the top. They depict an abbess holding a crosier, a holy bishop and a martyred abbot holding a crosier and a palm leaf. (The bishop's panel is shrunken in height and width.) Three wood panels, Normandy, early 17th century HEIGHT. 110 - LARG. 51 CM - H. 43,3 - W. 20,1 IN.

Estim. 600 - 800 EUR

Lot 96 - PLAQUE, LIMOGES MID-16th CENTURY Christ surrounded by the Virgin Mary and Saint John Painted enamel on copper An enamel plaque depicting Christ surrounded by the Virgin and Saint John, Limoges, mid-16th century HEIGHT. 24,50 - WIDTH. 15 CM - H. 9,6 - W.5,9 IN.

Estim. 3 000 - 5 000 EUR

Lot 97 - CHRYSOCOLLA MALACHITE A block of a carbonate mineral called chrysocolla malachite. A fine polish has been applied, revealing the veining and nodosities typical of this association. Specimen presented on a gilded base This species of mineral is not subject to regulation under the Washington Convention (CITES), European Community Regulation 338/97 of 09/12/1996, or the French Environment Code. A chrysocolla malachite Weight : 3 858 g - 136,09 OZ HEIGHT. 30 - WIDTH. 15 CM - H. 11,8 - W. 5,9 IN.

Estim. 800 - 1 200 EUR

Lot 98 - CROIX DE PLAT DE RELIURE, IN CHAMPLEVED ENAMEL ON COPPER, LIMOGES, 13th CENTURY A champlevé Limoges enamel Christ on the cross book cover, Limoges, 13th century HEIGHT. 22 - WIDTH. 12,50 CM - H. 8,7 - L. 4,9 IN. In the 13th century, these were frequently decorated with champlevé enamel on copper in several sections. The obverse usually featured a small Christ on the cross in the center, framed by enameled moldings. Most of these pieces have been dismantled over time and now stand alone, as shown here.

Estim. 2 000 - 3 000 EUR

Lot 99 - MIRROR, SOUTH-WEST FRANCE, 17th CENTURY in wood and burr walnut veneer with gilt brass "clinquants" decoration Period mercury mirror (Restorations, accidents and chips) A mirror, South-western France, 17th century HEIGHT. 100 - LARG. 69 CM - H. 39,4 - W. 27,2 IN.

Estim. 2 000 - 3 000 EUR

Lot 100 - ROSE DES SABLES A specimen of a mineral called Rose des sables resulting from an agglomeration mainly of fibrous gypsum in the form of star-like imbrications of cruciform geometric form. Specimen presented on a limewood base gilded with gold leaf. This species of mineral is not subject to regulation under the Washington Convention (CITES), European Community Regulation 338/97 of 09/12/1996, or the French Environment Code. A desert rose Weight : 8765 G - 309.176 oz HEIGHT 34 CM - H. 13.4 IN.

Estim. 600 - 800 EUR

Furniture and objets d'art

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Lot 30 - PAIR OF SILVER DISHES (925), IMPORT, LONDON, 20th CENTURY The scrolled rim engraved with a coat of arms under a motto. A pair of silver plates, London, 20TH CENTURY Diameter : 23 CM - 9 IN. Weight : 868 g. - 30.62 oz

Lot 31 - LARGE OVAL SILVER TRAY (925), FOREIGN WORK, 20th CENTURY The rim is contoured and fillet-molded, the handles threaded with scrolls. (Scratches) A large oval silver tray, 20TH CENTURY Weight : 4 256 g. - 150.12 OZ H. 79 - W. 50 CM - H. 31,1 - W. 19,7 IN.

Lot 32 - TWO SQUARE SILVER DISHES (950), PUIFORCAT GOLDSMITH The rim with contours and moldings of ribboned fillets, engraved on the wing with a monogram (Scratches) Two square silver dishes by Puiforcat silversmith SIDE : 33 CM et 30,5 CM - SIDE 13 AND 12 IN. Weight : 1 756 g. - 61.94 oz

Lot 36 - NAPOLEON III (1852-1870) 20 Francs or (bare head) 1859 BB = Strasbourg. (6,43 g) Cut on the edge A gold coin with the profile of Napoleon III

Lot 37 - RUSSIA, NICOLAS II (1894-1917) 15 Gold Rubles 1897 Saint Petersburg (12.90 g) Fifteen roubles with the profile of Nicolas II, 1894-1917

Lot 38 - RUSSIA, NICOLAS II (1894-1917) 5 Roubles gold 1899 Saint Petersburg (4.28 g) Five roubles with the profile of Nicolas II, 1894-1917

Lot 39 - RUSSIA, NICOLAS II (1894-1917) 5 Gold Roubles 1899 Saint Petersburg (4.29 g) Five roubles with the profile of Nicolas II, 1894-191

Lot 43 - CIDER JUG, ROUEN, 18th CENTURY, 1738 in earthenware with polychrome decoration of four Chinese and pagodas, winged dragons, birds, butterflies on a terrace Dated on the base: 1738 (Restoration to handle and neck) A cider jug, Rouen, 18TH CENTURY, 1738 HEIGHT. 27.50 CM - H. 10.8 IN.

Lot 44 - TWO ROUND FAIENCE PLATES, DELFT, 18th CENTURY with polychrome decoration of a bouquet of flowers on one and flowering vases on the other (Chips) DIAM. 34,3 CM - D. 13,5 IN. Two round earthenware dishes, Delft, 18TH CENTURY

Lot 45 - THREE ROUND FAIENCE PLATES, DELFT, 18th CENTURY with polychrome decoration of flowering pierced rock, shrubs, flowering vases and planters 18th century (Chips) Three round earthenware plates, Delft, 18TH CENTURY DIAM. 34 and 30 CM - D. 13,4 and 11,8 in.

Lot 46 - FAIENCE DISH, MANUFACTURE DE LA HACHE, 18th CENTURY with full blue monochrome decoration of a whale-hunting scene captioned: n° 2 De vloot Seÿlt in't ¨ÿs A De La Hache Manufactory faience plate, 18TH CENTURY DIAM. 22.2 CM - D. 8.6 IN.

Lot 56 - BEAUTIFUL SET OF GOLD MINIATURES including: Saint-Louis, Légion d'honneur Restauration, Légion d'honneur Monarchie de Juillet, Ordre du Lys, Ordre de Malte Beautiful set of gold miniatures Gross weight: 10 g - 0.35 OZ

Lot 57 - CROIX DE L'ORDRE DE SAINT-LOUIS, LOUIS XVIII PERIOD gold and enamel, fragment of ribbon (slightly redenté) A cross of the order of Saint-Louis, Louis XVIII period Gross weight: 14 g - 0.56 OZ

Lot 58 - TRICOLORED RIBBON WITH GOLD FRANGE, MID-19th CENTURY decorated with a gilded metal lictor beam; ornament probably worn by a parliamentarian; presented in a gilded papier-mâché frame A tricolored ribbon with gold fringe, mid-19TH CENTURY

Lot 59 - GOLD OFFICER'S CROSS OF THE ORDER OF LEOPOLD Jewel case by "WOLFERS A BRUXELLES". A gold officer's medal of the Order of Leopold Gross weight: 24 g - 0.3 OZ

Lot 61 - ORDER OF THE CROWN OF PRUSSIA Gold knight's cross, without ribbon, in a case A gold knight's cross of the Order of the prussian crown Gross weight: 120 g - 4.23 OZ

Lot 63 - SET OF MEDALS including : - Leopold I medal; 1865-1905 - 2nd class civic merit medal; in case - civic medal; 1939-1945 - civic medal; in its case A set of different medals

Lot 64 - EMPIRE DALAM, COMMANDER'S BADGE OF THE MILLION ELEPHANTS Module in gilded and enamelled metal, good tie in original case A badge of the commander of the million elephants, Dalam Empire Gross weight: 36 g - 1.26 OZ Diam. 45 mm - 1.7 IN.

Lot 72 - HIPPOLYTE MOREAU (1832-1927) The Aveu Bronze with double brown and bronze patina Signed "Hip. Moreau". Inscribed "L'AVEU / Salon des Beaux-Arts" in a cartouche on the front (Worn patina) The confession, bronze sculpture by Hippolyte Moreau HEIGHT. 47 - WIDTH. 25 CM - H. 18,5 x W. 9,8 IN.

Lot 74 - AUGUSTE MOREAU (1834-1917) The message Bronze with brown patina Signed 'Auguste Moreau Scpt' on the edge of the terrace The message, bronze sculpture with brown patina by Auguste Moreau HEIGHT 70 CM - H. 27,6 IN.

Lot 80 - EDOARDO LIONETTI (1862-1912) Neapolitan fisherman's head Small life-size bust in bronze with brown patina Signed "E Lionetti A Neapolitan fisherman's head, bronze sculpture with brown patina by Edoardo Lionetti Dont piédouche H 11 CM - With piédouche 4 3/8 IN. HAUT. 34 CM - H.13,4 IN.

Lot 84 - ICON OF SAINT GEORGE TERRASSING THE DRAGON, RUSSIAN WORK, LATE 19th CENTURY Tempera on wood (Weathered but in good condition) An icon depicting Saint George killing the dragon, Russian work, late 19TH CENTURY 49 x 42 CM - 19,3 x 16,5 IN.

Lot 86 - ICON OF THE HOLY MEN OF THE MONTHS "MENOLOGION", RUSSIAN WORK, 19th CENTURY Tempera on wood (Weathered, but overall good condition) An icon of the saints of the months, "Menologion", Russian work, 19TH CENTURY 70 x 48,50 CM - 27,6 x 19,1 IN.

Lot 88 - ICON OF SAINT NICOLAS THE THAUMATURG, GREEK WORK, LATE 19th CENTURY Tempera on wood (Age-related wear, small dents, but overall good condition) An icon of Saint Nicolas, Greek work, late 19TH CENTURY 56 x 42 CM - 22 x 16,5 IN.

Lot 89 - ICON OF CHRIST PANTOCRATOR, GREEK WORK, LATE 19th CENTURY Tempera on wood, under silver riza (Weathered but in good condition) An icon depicting Christ Pantocrator, Greek work, late 19TH CENTURY 29,50 x 23 CM - 11,6 x 9,1 IN.

Lot 90 - ICON OF SAINT ELIE AND THE FIRE TROLLEYS, RUSSIAN WORK, 19th CENTURY Tempera on wood (Weathered, small chips, as is) An icon depicting Elijah and the chariots of fire, Russian work, 19TH CENTURY 37 x 32,50 CM - 14,6 x 12,8 IN.

Lot 96 - PLAQUE, LIMOGES MID-16th CENTURY Christ surrounded by the Virgin Mary and Saint John Painted enamel on copper An enamel plaque depicting Christ surrounded by the Virgin and Saint John, Limoges, mid-16th century HEIGHT. 24,50 - WIDTH. 15 CM - H. 9,6 - W.5,9 IN.

Lot 99 - MIRROR, SOUTH-WEST FRANCE, 17th CENTURY in wood and burr walnut veneer with gilt brass "clinquants" decoration Period mercury mirror (Restorations, accidents and chips) A mirror, South-western France, 17th century HEIGHT. 100 - LARG. 69 CM - H. 39,4 - W. 27,2 IN.