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Live in progress

A West African nayin (crossbow) Simple, one-piece wooden bow with plant fiber string, slender, slightly profiled column with long trigger. Wood with drying cracks in places. Length 112 cm. Crossbows were used in large parts of West Africa by the Pangwe, Yoruba, Mandinka and other peoples. Condition: II - III

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A Papua New Guinean bone dagger, 1st half of the 20th century The dagger carved in one piece out of the long bone of a cassowary. With incised geometric ornamentation, part of the blade serrated. Red gemstones glued onto the inner surface. Lavish embellishment made of faux pearls and cassowary feathers. Length 32.5 cm. Condition: II +

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A large Papua New Guinean sword club from the Sepik river Long club of heavy reddish hardwood with a slightly widening blade with a rounded point and "sharp" striking edges. Handle with fine cord winding (damaged), the pommel ending in two horns (one broken off). Length 143 cm. Beautiful patina, slight signs of age and use. Condition: II -

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Live in progress

A Papua New Guinean sword club from the Sepik river Club made of heavy reddish hardwood with a slightly widening blade with a rounded point. Rounded handle/pommel at the lower end. Length 122 cm. Heavy, simple weapon Condition: II -

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Tue 09 Jul

JOSE MARIA MIJARES (Havana, 1921-2004). "Bird. Oil on canvas. Enclosed certificate María Antonia Cabrera de Mijares. Provenance Doña María Antonia Cabrera de Mijares, widow of the artist. Measurements: 90 x 121 cm; 117 x 150 cm (frame). In this work the autochthonous referents are fused with the formal language learned in Europe to produce works where the characters of the Yoruba pantheon that will populate great part of his later production already appear. The Cuban school of the 20th century was characterized by embracing the European avant-garde and developing, on that basis, a language of its own. This generalized current of artists trained in Europe, who returned to Cuba, meant a great artistic impulse for the country. Thanks to painters who fused their roots and experiences, thus creating a new personal and independent language as can be seen in the representation of this bird. A symbol that was used on several occasions by Mijares, who resorted to the symbolism of the bird as the protagonist of some of his compositions. Mijares, considered one of the great 20th century Cuban and Latin American artists, studied at the San Alejandro National School of Fine Arts in Havana, where he taught. Among his teachers were Romanach, Menocal, Valderrama, Ramon Loy, Caravia and others. It was Mijares himself who recognized that one of his most influential teachers was Ponce, who helped him develop his own style of expression. He was a member of the group Diez Pintores Concretos. Between 1968 and 1973 he was a member of Grupo Gala in Miami, where he settled at the age of 47. He directed Alacrán Azul magazine in Miami. He held his first exhibition at the Havana Lyceum (1947). In the eighties he exhibited in Coral Gables, Florida, where he reiterated his presence. In 1994 the Cuban Museum of Art and Culture of Miami dedicated a retrospective to him. Also the Alfredo Martinez Gallery of Coral Gables would organize an ontological one in 1996. As for group exhibitions, it is worth mentioning his participation in the Venice Biennial of 1952. He is represented at the Cintas Foundation in New York, the Loewe Art Museum, Florida; the Museum of Modern Art of Latin America in Washington, D.C., and the Museum of Modern Art in New York. Mijares' well-deserved recognition came mainly from knowing how to harmonize his universal vocation with the search for an autochthonous Cuban language. His works are characterized by illustrating a personal, expressive artistic style, with a special poetics that values at the same time the versatility of his plastic resources and an exquisite sensitivity in handling different themes. Sometimes starting from a colorful postcubism through which he practically enters into abstraction, but without losing the referential thread. The Florida International University awarded Mijares an honorary doctorate in fine arts in December 2001. In 2002, he opened the Mijares Gallery in Coral Gables, where his latest works were exhibited. Attached certificate María Antonia Cabrera de Mijares.

Valorac. 9 500 - 10 000 EUR