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Descripción

Dorothée SELZ Time of the stations, 1973-1978 One-of-a-kind piece Polychrome sugar installation, 8 pieces numbered 33 to 40 Dimensions: approx. 175 x 90 cm each. Provenance: Private collection, Paris. Part of the monumental work will be exhibited. Other pieces are sold by prior arrangement. Each piece comes with its own wooden crate, made at the time by Chenue for transport. Le Temps des gares was conceived and designed by French artist Dorothée Selz, at the request of the general curator of the exhibition of the same name: "Le Temps des gares" in 1978 at the Centre Georges Pompidou in Paris. After the Centre Pompidou, it was exhibited in Bordeaux and Lyon, then in Europe in Milan (Leonardo da Vinci National Museum of Science and Technology), Brussels (Palais des Beaux-Arts), Amsterdam (Fondation du Musée d'Architecture), Lausanne and London (Museum of Science). It covers an area of around 30 m2 square. It is made up of 8 pieces which, when placed end-to-end, offer the viewer a vision of a fantastic landscape over which electric trains run. This work illustrates one of the exhibition's themes: "The railway station: a stimulus to the imagination". Dorothée Selz gives us her playful vision, accentuated by the combination of bright colors and soft shapes. Each piece depicts a rainbow-colored imaginary landscape, crossed by rails and featuring tiny characters and animals that make us dream of another world. Dorothée Selz was born in 1946. She belongs to the Eat Art movement of the 1970s, whose leading artists - Daniel Spoerri, Diter Rot, Arman, César - sought to desacralize art by making it edible. Exhibitions : Le Temps des Gares, CCI Centre Georges Pompidou, Paris, December 1 - 3 1978 - April 9 1979 Dorothée Selz's Le Temps des Gares is not only a major work reflecting an era and an artistic movement: the Eat Art of the 70s, but also a reflection on the theme of railways. As such, it belongs in a Centre d'Art Contemporain as well as in a Museum of Science and Technology.

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Dorothée SELZ Time of the stations, 1973-1978 One-of-a-kind piece Polychrome sugar installation, 8 pieces numbered 33 to 40 Dimensions: approx. 175 x 90 cm each. Provenance: Private collection, Paris. Part of the monumental work will be exhibited. Other pieces are sold by prior arrangement. Each piece comes with its own wooden crate, made at the time by Chenue for transport. Le Temps des gares was conceived and designed by French artist Dorothée Selz, at the request of the general curator of the exhibition of the same name: "Le Temps des gares" in 1978 at the Centre Georges Pompidou in Paris. After the Centre Pompidou, it was exhibited in Bordeaux and Lyon, then in Europe in Milan (Leonardo da Vinci National Museum of Science and Technology), Brussels (Palais des Beaux-Arts), Amsterdam (Fondation du Musée d'Architecture), Lausanne and London (Museum of Science). It covers an area of around 30 m2 square. It is made up of 8 pieces which, when placed end-to-end, offer the viewer a vision of a fantastic landscape over which electric trains run. This work illustrates one of the exhibition's themes: "The railway station: a stimulus to the imagination". Dorothée Selz gives us her playful vision, accentuated by the combination of bright colors and soft shapes. Each piece depicts a rainbow-colored imaginary landscape, crossed by rails and featuring tiny characters and animals that make us dream of another world. Dorothée Selz was born in 1946. She belongs to the Eat Art movement of the 1970s, whose leading artists - Daniel Spoerri, Diter Rot, Arman, César - sought to desacralize art by making it edible. Exhibitions : Le Temps des Gares, CCI Centre Georges Pompidou, Paris, December 1 - 3 1978 - April 9 1979 Dorothée Selz's Le Temps des Gares is not only a major work reflecting an era and an artistic movement: the Eat Art of the 70s, but also a reflection on the theme of railways. As such, it belongs in a Centre d'Art Contemporain as well as in a Museum of Science and Technology.

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