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Anonyme. Erotisches Potpourri berühmter Opern und Operetten. Prague, sn, 1932. 46 illustrated color vignettes (unsigned) reinterpreting operas and operettas (The Magic Flute, Don Juan, The Barber of Seville, The Abduction from the Seraglio, etc., etc.) from an erotic angle, laminated on loose boards with serpents, themselves slipped into a pink moire-style cardboard slipcase with laces.

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Anonyme. Erotisches Potpourri berühmter Opern und Operetten. Prague, sn, 1932. 46 illustrated color vignettes (unsigned) reinterpreting operas and operettas (The Magic Flute, Don Juan, The Barber of Seville, The Abduction from the Seraglio, etc., etc.) from an erotic angle, laminated on loose boards with serpents, themselves slipped into a pink moire-style cardboard slipcase with laces.

Estimation 200 - 300 EUR

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En vente le Sunday 25 Aug : 11:00 (CEST) , reprise à 14:00
limoges, France
Pastaud
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Eduard Ameseder, "Ein Ständchen" On an open space in front of a Wilhelminian-style building, the already low sunlight casts its shadows into the alley, on which three musicians in historical dress, playing string and wind instruments, give a serenade, slightly pastose history painting in muted colours, oil on canvas, early 20th century, signed "E Ameseder" lower left, on the reverse of the stretcher probably signed and titled by the artist on a label with address, on a more recent typewritten label and again inscribed in pencil by another hand, old restoration, craquelure, minor marginal defects due to earlier framing, unframed on stretcher, rebated dimensions approx. 61 x 48.5 cm. Artist information: German landscape painter (1856 Czernowitz - 1938 Vienna), from 1876 studied at the Academy of Fine Arts Vienna under Christian Griepenkerl and Eduard von Lichtenfels, from 1887 to 1891 in Karlsruhe under Gustav Schönleber, since 1893 permanently in Vienna, there member of the Künstlergenossenschaft, 1902 small gold medal at the annual exhibition in Vienna, illustrator for the "Die österreich.-ungar. Monarchy in Words and Pictures", created two large murals for the new Court Museum in Vienna, his works can be found in numerous museums, including the Modern Galleries in Vienna and Prague and the Vienna Court Museum of Art History, Ameseder mainly painted landscapes in the Impressionist style, as well as depictions of milieus, he was married to the painter Laura Amanda Ameseder-Rohrwasser (1856-1919), sources: Thieme-Becker, Saur, Benezit and Internet.

Fritz Lattke, Niederlausitzer Moorlandschaft Sunset over an autumnal Lower Lusatian moor landscape, the ruts on the dirt track have become puddles, while isolated birch trees rise as pioneers from the flat landscape, atmospheric oil study in a post-Impressionist style, the motif is typical of Lattke's oeuvre, on the occasion of an exhibition in honour of the artist's 125th birthday at the Brandenburg Gallery in Großenhain station. On the occasion of an exhibition in honour of the artist's 125th birthday at the Brandenburg Gallery in the Großenhain train station, the Märkische Bote reviewed: "At the beginning of the 1940s, Fritz Lattke found his true style: landscape paintings from his Lower Lusatian homeland, melancholy, sad pond, moor and meadow landscapes, gnarled, bare trees, a high sky, sometimes decorated with a few figures [....].", quoted from, Heimat - dem Maler F. Lattke zum 125. Geburtstag, in: Der Märkische Bote, 24.1.2020, oil on cardboard, signed lower right "F. Lattke", on the reverse probably signed again by the artist "F. Lattke Weimar" and dated "1968", somewhat in need of cleaning and slight craquelure, minor abrasion to the lower right edge of the image due to the frame, this can be concealed by the framing, framed, folded dimensions approx. 17.5 x 24 cm. Artist information: actually Friedrich Karl Lattke or Fryco Latk in Lower Sorbian, Sorbian-German painter, graphic artist, illustrator. Sorbian-German painter, graphic artist, illustrator, caricaturist and comic artist (1895 Neuendorf/Gemeinde Teichland near Cottbus to 1980 Weimar), from 1895 childhood in Sandow (today Cottbus), on the intercession of his teacher Gottfried Herzog from 1910 studies with a scholarship from the city of Cottbus at the Kunstgewerbeschule Berlin, 1910-18 military and war service as well as 1918-20 member of Freikorps in Westphalia and Weimar, At the same time, he created drawings and illustrations for newspapers in Cottbus, Duisburg and Nuremberg, 1921-29 studied at the Weimar Art Academy, where he was a master student of Walther Klemm and Alexander Olbricht from 1925, 1923 co-founder of the Association of Sorbian Visual Artists, 1923 stay in Prague, invented one of the first German comics in the early 1930s with the "Hanni, Fritz and Putzi Stories", based in Weimar from 1940, travelled to Yugoslavia and Italy, regular stays in Lower Lusatia, cultivated contacts with Bogumił Šwjela, Mina Witkojc and Měrćin Nowak-Njechorński, 1939-45 stay in the Spreewald, 1945 destruction of his Weimar flat and studio, 1948-54 member of the Working Group of Sorbian Visual Artists, 1950-52 lecturer at the Buxtehude Vocational School for Painting, 1965 expelled from the Association of Visual Artists (VBK) of the GDR due to lack of socialist attitude, 1980 honoured with the Domowina Art Prize, active in Ober-Weimar, source: Vollmer, Eisold "Artists in the GDR" and Internet.