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Fritz Sonderland, Der Liebesbrief dusky street scene with a young woman eagerly waiting for a letter and an old postman looking through a pile of letters, poetic, glazed genre painting in dark-toned, restrained colours, Bruckmann "Lexikon der Düsseldorfer Malerschule" comments: "... His extraordinarily popular, mostly ironic and humorous compositions, which show clear references to works by Hiddemann and Benjamin Vautier the Elder, both thematically and in their spatial structure and colouring, appealed because of their naturalness and fine painting technique and found buyers at home and abroad. They were reproduced in numerous illustrated magazines, ...", the motif seems to have enjoyed great popularity, so that Sonderland repeatedly executed it with smaller variations, oil on canvas, c. 1880, mounted on hardboard, signed "F. Sonderland" lower left, labels with information from Boetticher and Müller-Singer on the artist on the reverse, somewhat retouched, paint rubbed off, somewhat in need of restoration, framed in a gilt stucco frame, folding dimensions c. 65 x 55 cm. Artist information: actually Friedrich Sonderland, German painter and graphic artist. Painter and graphic artist (1836 Düsseldorf - 1896 Düsseldorf), son and pupil of the painter, etcher, illustrator and lithographer Johann Baptist Sonderland (1805-1878), initially trained as an engineer, studied painting at the Düsseldorf Academy from 1853-61 under Carl Müller, Christian Köhler, Josef Wintergerst, Theodor Hildebrandt, Eduard Bendemann, Karl Ferdinand Sohn, Rudolf Wiegmann, Karl Mosler and Heinrich Mücke, turned to genre painting under the influence of Friedrich Hiddemann, undertook study trips to the Schwalm, the Black Forest and through Westphalia, as well as to the Rhine and Moselle, From the 1860s onwards, he took part in exhibitions in Düsseldorf, Munich, Berlin, Glasgow, Hanover, Magdeburg, Dresden, Hamburg, Bremen, Vienna and London as well as the 1893 World's Fair in Chicago, 1870 to 1890 stays at the Willingshausen painters' colony in the Schwalm, 1857-96 member of the Düsseldorf artists' association "Malkasten" and the academic painters' association "Orient", achieved national fame through the reproduction of his works in high-circulation magazines such as "Daheim", "Die Gartenlaube", "Über Land und Meer" and "Illustrierte Zeitung", active in Düsseldorf, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", student lists of the Düsseldorf Academy, Boetticher, Bruckmann "Lexikon der Düsseldorfer Malerschule", Müller-Singer, Seubert, Bantzer "Hessen in der dt. Malerei", Wollmann "Die Willingshäuser Malerkolonie und die Malerkolonie Kleinsassen", Schmaling "Künstlerlexikon Hessen-Cassel 1777-2000", Ries, Busse, Schweers and Wikipedia.

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Fritz Sonderland, Der Liebesbrief dusky street scene with a young woman eagerly waiting for a letter and an old postman looking through a pile of letters, poetic, glazed genre painting in dark-toned, restrained colours, Bruckmann "Lexikon der Düsseldorfer Malerschule" comments: "... His extraordinarily popular, mostly ironic and humorous compositions, which show clear references to works by Hiddemann and Benjamin Vautier the Elder, both thematically and in their spatial structure and colouring, appealed because of their naturalness and fine painting technique and found buyers at home and abroad. They were reproduced in numerous illustrated magazines, ...", the motif seems to have enjoyed great popularity, so that Sonderland repeatedly executed it with smaller variations, oil on canvas, c. 1880, mounted on hardboard, signed "F. Sonderland" lower left, labels with information from Boetticher and Müller-Singer on the artist on the reverse, somewhat retouched, paint rubbed off, somewhat in need of restoration, framed in a gilt stucco frame, folding dimensions c. 65 x 55 cm. Artist information: actually Friedrich Sonderland, German painter and graphic artist. Painter and graphic artist (1836 Düsseldorf - 1896 Düsseldorf), son and pupil of the painter, etcher, illustrator and lithographer Johann Baptist Sonderland (1805-1878), initially trained as an engineer, studied painting at the Düsseldorf Academy from 1853-61 under Carl Müller, Christian Köhler, Josef Wintergerst, Theodor Hildebrandt, Eduard Bendemann, Karl Ferdinand Sohn, Rudolf Wiegmann, Karl Mosler and Heinrich Mücke, turned to genre painting under the influence of Friedrich Hiddemann, undertook study trips to the Schwalm, the Black Forest and through Westphalia, as well as to the Rhine and Moselle, From the 1860s onwards, he took part in exhibitions in Düsseldorf, Munich, Berlin, Glasgow, Hanover, Magdeburg, Dresden, Hamburg, Bremen, Vienna and London as well as the 1893 World's Fair in Chicago, 1870 to 1890 stays at the Willingshausen painters' colony in the Schwalm, 1857-96 member of the Düsseldorf artists' association "Malkasten" and the academic painters' association "Orient", achieved national fame through the reproduction of his works in high-circulation magazines such as "Daheim", "Die Gartenlaube", "Über Land und Meer" and "Illustrierte Zeitung", active in Düsseldorf, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", student lists of the Düsseldorf Academy, Boetticher, Bruckmann "Lexikon der Düsseldorfer Malerschule", Müller-Singer, Seubert, Bantzer "Hessen in der dt. Malerei", Wollmann "Die Willingshäuser Malerkolonie und die Malerkolonie Kleinsassen", Schmaling "Künstlerlexikon Hessen-Cassel 1777-2000", Ries, Busse, Schweers and Wikipedia.

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