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Descripción

Summer on Lake Tegernsee Summery, sunny view of Lake Tegernsee with a sailing boat, in front of the town of Tegernsee on the far shore and the steeply rising mountain backdrop of the Alps, on the left the church tower of the Protestant-Lutheran Christuskirche and on the right the twin towers of the Catholic monastery church of St. Quirin of the secularised former Benedictine monastery, which was acquired in part from 1817 by Maximilian I Joseph King of Bavaria. Quirin of the secularised former Benedictine monastery, which was partially acquired by Maximilian I Joseph King of Bavaria from 1817 and converted into Tegernsee Castle, atmospheric, pastose, partially divisionist landscape painting with a brushstroke full of character and powerful colours, oil on canvas, mid-20th century, unsigned, two losses to the canvas, somewhat in need of restoration, framed, dimensions approx. 75 x 99 cm.

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Summer on Lake Tegernsee Summery, sunny view of Lake Tegernsee with a sailing boat, in front of the town of Tegernsee on the far shore and the steeply rising mountain backdrop of the Alps, on the left the church tower of the Protestant-Lutheran Christuskirche and on the right the twin towers of the Catholic monastery church of St. Quirin of the secularised former Benedictine monastery, which was acquired in part from 1817 by Maximilian I Joseph King of Bavaria. Quirin of the secularised former Benedictine monastery, which was partially acquired by Maximilian I Joseph King of Bavaria from 1817 and converted into Tegernsee Castle, atmospheric, pastose, partially divisionist landscape painting with a brushstroke full of character and powerful colours, oil on canvas, mid-20th century, unsigned, two losses to the canvas, somewhat in need of restoration, framed, dimensions approx. 75 x 99 cm.

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Ludwig Gschosmann, "Tegernsee mit Wallberg" Summery view from a hill towards Bad Wiessee-Holz over the Tegernsee with the Wallberg, impressionistic landscape painting, mixed media (watercolour over pencil preparatory drawing) on paper, around 1980, left indistinctly signed in ligature "L. Gschosmann", on the reverse titled and signed in ligature by the artist ""Tegernsee m. Wallberg (v. Holz)" LGschosmann TSee [Tegernsee]", somewhat stained, framed behind glass, dimensions approx. 49 x 69 cm. Artist information: also Ludwig Gschossmann, German landscape painter, draughtsman. Landscape painter, draughtsman, air painter, craftsman, actor and stage designer (1913 Munich to 1988 Tegernsee near Munich), moved to Hamburg in 1926 to join his half-brother, completed an apprenticeship as a painter and a decorative painter, further training as a stage designer at the Hochschule der bildenden Künste Hamburg, 1933 scholarship to Lübeck, then stage painter in Augsburg, From here he undertook painting and hiking trips through the Alps, initially a realistic landscape painter, later increasingly inspired by Otto Pippel and an impressionist, worked in Tegernsee as a stage painter and actor for the "Ludwig-Thoma-Bühne" theatre in Rottach-Egern, worked for an air painter in Rottach-Egern and Tegernsee, met his future wife Hannelie Töpfner here and moved to Tegernsee, in World War 2 a mountain infantryman, after the Second World War he moved to Tegernsee. After 1945 he worked as a freelancer for the Bavarian radio station Landfunks des Bayerischen Rundfunks and designed furniture for the "Bayerischen Werkstätten", attended evening classes at the Munich Academy, travelled to Italy and France to paint from 1950 onwards, participated in the Great German Art Exhibitions at the Haus der Deutschen Kunst in Munich from 1938-44 and exhibitions in Germany, Austria, France, Sweden, Switzerland, the Netherlands and the USA, active in Tegernsee, source: Info from daughter Gritli Erhardt-Gschosmann, AKL, Saur "Bio-Bibliographisches Künstlerlexikon", Bénézit, Bruckmann "Münchner Maler des 19./20. Jh." and Wikipedia.