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Marinus van Raden, Summer Landscape Idyllic scene on the edge of a village with chatting farmers on a country road in bright sunlight, against an imposing high mountain backdrop, atmospheric, impasto landscape painting, oil on canvas and wood panel, c. 1870, signed lower left "M. v. Raden fct. [fecit for: did it]", slightly retouched, framed in a beautiful gilt stucco frame with brass frame label "M. Raden", dimensions approx. 42.5 x 60 cm. Artist information: Dutch draughtsman, watercolourist and painter (1832 The Hague to 1879 The Hague), studied 1845-49 at the Academy of Fine Arts in The Hague under Jean Baptiste Weenink (1790 Paris to 1855 The Hague), undertook various study trips, including to Belgium, France, Italy and Switzerland, exhibited in The Hague from 1856-78, active in The Hague, source: Saur "Bio-Bibliographisches Künstlerlexikon", Scheen, Info Rijksbureau voor Kunsthistorische Documentatie and death register of the city of The Hague.

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Marinus van Raden, Summer Landscape Idyllic scene on the edge of a village with chatting farmers on a country road in bright sunlight, against an imposing high mountain backdrop, atmospheric, impasto landscape painting, oil on canvas and wood panel, c. 1870, signed lower left "M. v. Raden fct. [fecit for: did it]", slightly retouched, framed in a beautiful gilt stucco frame with brass frame label "M. Raden", dimensions approx. 42.5 x 60 cm. Artist information: Dutch draughtsman, watercolourist and painter (1832 The Hague to 1879 The Hague), studied 1845-49 at the Academy of Fine Arts in The Hague under Jean Baptiste Weenink (1790 Paris to 1855 The Hague), undertook various study trips, including to Belgium, France, Italy and Switzerland, exhibited in The Hague from 1856-78, active in The Hague, source: Saur "Bio-Bibliographisches Künstlerlexikon", Scheen, Info Rijksbureau voor Kunsthistorische Documentatie and death register of the city of The Hague.

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Venne, Fritz van derKutsche im Schnee. Um 1900. Öl auf Leinwand. 50 x 38,5 cm. Signiert und ortsbezeichnet "München". Im goldfarbenem Stuckrahmen der Zeit mit Arkanthusblattdekor prunkvoll gerahmt. - Entlang der Kanten mit leichtem Farbabrieb und punktuellem Farbausbrüchen. Dort etwas angegilbt. Mit vereinzeltem, feinem Craquelé. Mit oberflächlichen Anschmutzungen. Unter UV keine Retuschen erkennbar. Insgesamt gut. Stimmungsvolle Szene mit Mensch und Pferd vor winterlicher Landschaft. Genre Venne, Fritz van der Kutsche im Schnee. Um 1900. Öl auf Leinwand. 50 x 38,5 cm. Signiert und ortsbezeichnet "München". Im goldfarbenem Stuckrahmen der Zeit mit Arkanthusblattdekor prunkvoll gerahmt. - Entlang der Kanten mit leichtem Farbabrieb und punktuellem Farbausbrüchen. Dort etwas angegilbt. Mit vereinzeltem, feinem Craquelé. Mit oberflächlichen Anschmutzungen. Unter UV keine Retuschen erkennbar. Insgesamt gut. Stimmungsvolle Szene mit Mensch und Pferd vor winterlicher Landschaft. Fritz van der Vennes' Oeuvre zeichnet sich durch großes Interesse an Pferden aus, die er malerisch vor verschiedensten Kulissen inzensierte. Stilistisch bewegte sich der Künstler sicher im Deutschen Impressionismus, die Anklänge des Naturalismus scheinen noch durch, das Kolorit ist insgesamt etwas gedämpfter, was die Szene der Kutschfahrt auflockert. Oil on canvas. Signed and indicated "München". Magnificiently framed in a gold-coloured stucco frame with acanthus decor of the period. - Along the edges with slight colour abrasion and isolated losses of colour. Slightly yellowed there. With occasional fine craquelure. With superficial soiling. No visible retouches under UV light. All in all good. Atmospheric scene with man and horse in front of a wintry landscape. - Fritz van der Venne's oeuvre is characterised by his great interest in horses which he painted against a wide variety of backgrpunds. Stylistically the artist was certainly part of German Impressionism, echoes of Naturalism are visible though, colours are rather subdued overall and lightens the scene of the carriage ride up.

Carsten Henrichsen, attr, "Skovløberhus i Esrum" idyllic Danish summer landscape with forester's house and church, in the warm light of the late sun, slightly impasto landscape painting in warm-toned colours, oil on canvas, on the reverse probably signed, dated and indistinctly titled "Carsten Henrichsen 1868 - Skovløberhus i Esrum", the motif appears repeatedly in the artist's work with the foreground forester's house, with slight variations in the background, thus an almost identical painting by the artist's hand with "Mølledam [Engl.The village of Kongens Lyngby, which belongs to the municipality of Lyngby-Taarbæk, with its characteristic Gothic church with stepped gables, borders Copenhagen to the north and was part of the artist's painting territory, old closed losses in the canvas, somewhat restored, framed in Florentine moulding, folded dimensions approx. 34 x 45 cm. Artist information: actually Carsten Frederik Henrichsen, Danish landscape painter (1824 Copenhagen to 1897 Copenhagen), with the support of Baron Løvenskjold, Count Adam Wilhelm Moltke and the English ambassador Wynn 1840-43 studied at the Copenhagen Academy, 1845-49 drawing pupil of Frederik Ferdinand Helsted, in the 1860s, out of necessity, worked as a painting and drawing teacher, finally freelance as a landscape painter, from 1847 regularly attended the art exhibitions at Charlottenborg Palace, honoured with the Neuhausen Prize in 1855, active in Copenhagen, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Weilbach and Internet.