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Description

Lovis Corinth, from "Das hohe Lied" Sheet from the series published as the fifth work of the Pan-Presse by Paul Cassirer, catalogue raisonné Schwarz 82, rare colour lithograph, 1911, signed "Lovis Corinth" in pencil below the image on the right, evenly slightly browned, matted and framed behind glass, image dimensions approx. 19.3 x 23 cm. Artist information: actually Franz Heinrich Louis Corinth, important German painter, lithographer and etcher. Painter, lithographer and etcher (1858 Tapiau/East Prussia to 1925 Zandvoort), studied at the Königsberg Academy under Otto Günther and from 1880 at the Munich Academy under Franz von Defregger and Ludwig von Loefftz, influenced by Wilhelm Trübner, trained as an etcher by Otto Eckmann, later in Paris and Bouguereau, alongside Max Liebermann and Max Slevogt the most important member of the Berlin Secession, awarded the title of professor by the Berlin Academy of Arts in 1918, received an honorary doctorate from the University of Königsberg in 1921, worked in Berlin and Urfeld am Walchensee, sources: Thieme-Becker, Vollmer, register of the Munich Academy and Internet.

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Lovis Corinth, from "Das hohe Lied" Sheet from the series published as the fifth work of the Pan-Presse by Paul Cassirer, catalogue raisonné Schwarz 82, rare colour lithograph, 1911, signed "Lovis Corinth" in pencil below the image on the right, evenly slightly browned, matted and framed behind glass, image dimensions approx. 19.3 x 23 cm. Artist information: actually Franz Heinrich Louis Corinth, important German painter, lithographer and etcher. Painter, lithographer and etcher (1858 Tapiau/East Prussia to 1925 Zandvoort), studied at the Königsberg Academy under Otto Günther and from 1880 at the Munich Academy under Franz von Defregger and Ludwig von Loefftz, influenced by Wilhelm Trübner, trained as an etcher by Otto Eckmann, later in Paris and Bouguereau, alongside Max Liebermann and Max Slevogt the most important member of the Berlin Secession, awarded the title of professor by the Berlin Academy of Arts in 1918, received an honorary doctorate from the University of Königsberg in 1921, worked in Berlin and Urfeld am Walchensee, sources: Thieme-Becker, Vollmer, register of the Munich Academy and Internet.

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Paul Paeschke, "Hamburg-Uhlenhorster Fährhaus I" View of the well-known restaurant on the Outer Alster, which existed until the 2nd World War. World War II on the Outer Alster in Hamburg, in the foreground numerous rowing boats on the water, drypoint etching with beautiful plate tone, 1920, signed "Paul Paeschke" in pencil below the image on the right and numbered "52/100" on the left, slightly yellowed and somewhat age-marked, image dimensions approx. 24.5 x 24 cm, sheet dimensions approx. 36 x 48 cm. Artist information: German painter and graphic artist (1875 Berlin - 1943 Berlin), initially trained as a drawing teacher, studied at the Berlin academy under Otto Brausewetter and Georg Ludwig Meyn after receiving his teaching diploma 1900-06, finally master student of Karl Koepping, participated in the Great Berlin Art Exhibition from 1905, undertook study trips to Paris, Italy, Spain and England, volunteered in the First World War 1914-18, maintained close friendships. He maintained close friendships with Lovis Corinth and Charlotte Berend-Corinth, spent three months studying with the Corinths in Greece, worked as an art teacher in Brandenburg during the Second World War, represented in numerous museums, including the print cabinets in Berlin, Dresden, Munich and Strasbourg, Member of the Berlin Secession, the Berlin Artists' Association and the German Artists' Association Weimar, active in Berlin-Zehlendorf, Source: Thieme-Becker, Vollmer, Dressler, Wirth "Paul Paeschke, einem Berliner Maler zum 100. Geburtstag" and Internet.

Gertrud Fredrich, Herbstliche Gebirgslandschaft Autumnal view over pines and mixed forests to the characterful mountain silhouette on the horizon, glazed landscape painting, oil on canvas, secondarily loosely mounted on plywood panel, around 1930, signed "G. Fredrich" lower right under mounting strip, rubbing, somewhat in need of restoration, provisionally framed, picture dimensions approx. 59.5 x 57.5 cm. Autumnal view over pines and mixed forests to the characterful mountain silhouette on the horizon, glazed landscape painting, oil on canvas, secondarily loosely mounted on plywood panel, around 1930, signed "G. Fredrich" lower right under mounting strip, rubbing, somewhat in need of restoration, provisionally framed, picture dimensions approx. 59.5 x 57.5 cm. Artist information: erroneously also Gertrud Frederich, German painter, colour woodcut artist and graphic artist (1874 Lissa in Posen [Polish: Leszno] to 1963 Berlin?), studied at the Königliche Kunstschule Berlin, further training with Lovis Corinth, Käthe Kollwitz and Martin Brandenburg, socialised in the circle of the Berlin artists' association "Vereinigung der XI" and the Berlin Secession, undertook study trips to Bavaria and Italy, 1902 on Sylt, 1915-63 member and 1927 and 1933 board member of the Verein der Künstlerinnen zu Berlin, whose exhibitions she organised 1918-58, member of the Freie Vereinigung der Graphiker zu Berlin, the Reichsverband bildender Künstler Deutschlands and the Schleswig-Holsteinische Künstlergesellschaft, organised the Große Berliner Kunstausstellung, active in Berlin-Schöneberg, mentioned in Eisenach in 1921, due to the war 1943-53 in Ballenstedt am Harz, later back in Berlin, source: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, files of the Reichskammer der bildenden Künste Berlin, Wolff-Thomsen and "Käthe, Paula und der ganze Rest".