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Erich Fritz Reuter, plaque "Universitas Aeterna" circa 1954, signed Reuter lower right, relief foundry mark Buderus 1731 on the reverse, titled "Universitas Aeterna", cast iron with light brown patina, created for the library of the Technical University of Berlin as a wall relief, geometrically arranged numbers, symbols and formulas, there are several new editions in other sizes, wall mounting on the reverse, in good condition for its age, dimensions H 14 cm x W 27 cm. Source: Website of the artist erich-fritz-reuter.de. Artist information: German sculptor (1911 Berlin - 1997), attended the Köllnische Gymnasium (Berlin-Mitte), then stonemason apprenticeship (until 1934), during which he acquired knowledge of restorations in castles and museum buildings, at the same time 1926-1929 training at the Kunstgewerbeschule Charlottenburg, from 1934-1940 studied sculpture at the Hochschule für Bildende Künste, orientated himself towards Lehmbruck, Barlach and Kolbe in addition to the prominent trends of the time, 1942 military service (interruptions for studies in Palermo), 1943 expulsion from the Reichskunstkammer due to his marriage to his "non-Aryan" wife and permanent transfer to the front in Italy, Subsequently American captivity, 1945 return and takeover of a studio in Dresden, from 1949 resident in Berlin again, followed by exhibitions and prizes as well as a professorship at the Chair of Plastic Design at the Technical University of Berlin, 1987 emeritus status, Reuter adhered to a classical-figurative conception of sculpture almost all his life and charmingly refused to follow the spirit of the times for a long time, only late on did he tentatively begin to tread paths into abstraction. Source: erich-fritz-reuter.de

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Erich Fritz Reuter, plaque "Universitas Aeterna" circa 1954, signed Reuter lower right, relief foundry mark Buderus 1731 on the reverse, titled "Universitas Aeterna", cast iron with light brown patina, created for the library of the Technical University of Berlin as a wall relief, geometrically arranged numbers, symbols and formulas, there are several new editions in other sizes, wall mounting on the reverse, in good condition for its age, dimensions H 14 cm x W 27 cm. Source: Website of the artist erich-fritz-reuter.de. Artist information: German sculptor (1911 Berlin - 1997), attended the Köllnische Gymnasium (Berlin-Mitte), then stonemason apprenticeship (until 1934), during which he acquired knowledge of restorations in castles and museum buildings, at the same time 1926-1929 training at the Kunstgewerbeschule Charlottenburg, from 1934-1940 studied sculpture at the Hochschule für Bildende Künste, orientated himself towards Lehmbruck, Barlach and Kolbe in addition to the prominent trends of the time, 1942 military service (interruptions for studies in Palermo), 1943 expulsion from the Reichskunstkammer due to his marriage to his "non-Aryan" wife and permanent transfer to the front in Italy, Subsequently American captivity, 1945 return and takeover of a studio in Dresden, from 1949 resident in Berlin again, followed by exhibitions and prizes as well as a professorship at the Chair of Plastic Design at the Technical University of Berlin, 1987 emeritus status, Reuter adhered to a classical-figurative conception of sculpture almost all his life and charmingly refused to follow the spirit of the times for a long time, only late on did he tentatively begin to tread paths into abstraction. Source: erich-fritz-reuter.de

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Prof. Erich Heckel, "Der Spaziergang" Father in conversation with his son, in front of a landscape under a radiant sun, catalogue raisonné Dube 317, woodcut, signed and dated "Erich Heckel (19)20" in pencil below the image on the right, paper browned and slightly stained in the lower area, matted and framed behind glass, dimensions approx. 46 x 32 cm. Artist info: important German painter and graphic artist. Painter and graphic artist (1883 Döbeln - 1970 Radolfzell/Bodensee), studied architecture at the Technische Hochschule Dresden from 1904, discontinued his studies in early 1906, worked (until 1907) in a Dresden architectural office and turned to painting and graphic art as an autodidact, 1905 together with Karl Schmidt-Rottluff, Ernst Ludwig Kirchner and Fritz Bleyl founded the artists' group "Brücke" in Dresden, 1907-10 study visits with Schmidt-Rottluff in Dangast, 1909 trip to Italy and studio community with Kirchner in Dresden, 1909-11 summer stays of the Brücke artists at the Moritzburg ponds, 1911 move to Berlin, here 1912 friendship with Lyonel Feininger, Franz Marc and August Macke, 1913 Dissolution of Die Brücke and first solo exhibition with Fritz Gurlitt in Berlin, discovered the small village of Osterholz in the Flensburg Fjord for himself in 1913 and spent the summer and autumn months here until 1943, 1914 with Heinrich Nauen in Dilborn and took part in the Werkbund exhibition in Cologne, 1915-18 military service as a medic, 1918 member of the "Arbeitsrat für Kunst" and member of the Nationalgalerie's acquisition commission, from 1920 regular study trips through Germany, southern France, Italy, England and the Alps, 1931 retrospective at the Kunsthütte Chemnitz, from 1937 exhibition ban and ostracised as "degenerate", at the picture burning on 20.3.In 1939, 1004 paintings and 3825 watercolours and prints by Erich Heckel were destroyed in the courtyard of the Berlin fire station, 1941-43 stay in Carinthia, 1944 destruction of the studio in Berlin by bombing and relocation to Hemmenhofen on Lake Constance, 1949-55 professor at the Karlsruhe Academy, participated in numerous exhibitions, including documenta 1 in Kassel in 1955, member of the Reichsverband Bildender Künstler Deutschlands and the Deutscher Künstlerbund Weimar, source: Thieme-Becker, Vollmer, Dressler and Internet.