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Nymphenburg writing utensils, purple painting Designed by Adelbert Niemeyer in 1906, mould and green stamp mark 1910-1975, model number 844, brush numbers 190 and 29 and OL and 29 respectively.two-piece set, comprising a quatrefoil tray with scalloped rim and fixed cylindrical inkwell with original insert and lid with openwork knob and matching three-piece screw-mounted blotting cradle, all decorated with black partial ground and purple Camaieu overglaze painting as floral bouquets in the quatrefoil reserves and rim lines, these minimally rubbed on the inkwell and insert rim with a chip, otherwise good condition for age, L tray 19 cm.

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Nymphenburg writing utensils, purple painting Designed by Adelbert Niemeyer in 1906, mould and green stamp mark 1910-1975, model number 844, brush numbers 190 and 29 and OL and 29 respectively.two-piece set, comprising a quatrefoil tray with scalloped rim and fixed cylindrical inkwell with original insert and lid with openwork knob and matching three-piece screw-mounted blotting cradle, all decorated with black partial ground and purple Camaieu overglaze painting as floral bouquets in the quatrefoil reserves and rim lines, these minimally rubbed on the inkwell and insert rim with a chip, otherwise good condition for age, L tray 19 cm.

Stima 120 - 180 EUR
Base d'asta 120 EUR

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In vendita il Friday 30 Aug : 10:00 (CEST)
plauen, Germania
Auktionshaus Mehlis GmbH
+493741221005
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Adelbert Niemeyer, Frau in der Stube In a North German or Flemish-style tiled hallway, a knitting lady with a bonnet, sitting on a chair in front of a green door, in the background a bed with a curtain, painting executed in a lively, impressionistic style with partially dissolved contours, oil on linen mounted on cardboard, signed "ADELB NIEMEYER" and dated "[18]91.", above incised, barely legible annotation "Kno[...]k[...]" and date "Aug[ust] [18]91", on the reverse with label of the first Great Berlin Art Exhibition from 1893, with information on the artist in ink and inscribed "1 Ölbild Interieur", below label of the Munich Secession, of which Niemeyer was a member at the time, beautiful partially gilded stucco moulding of the time, folded dimensions approx. 55.5 x 43.5 cm. Artist information: actually Adelbert Hans Gustav Niemeyer, German painter, architect and artist. Painter, architect and applied artist (1867 Warburg - 1932 Munich), 1884-88 studied at the Düsseldorf Art Academy, then at a private art school in Munich and at the Académie Julian in Paris, from 1907 professor at the Kunstgewerbeschule in Munich, 1907 co-founder of the Deutscher Werkbund and the Deutsche Werkstätten für Handwerkskunst in Dresden and Munich, also worked for the Meissen and Nymphenburg porcelain manufactories as well as for Villeroy & Boch, Richard Merkelbach and the Karlsruhe Majolica Manufactory, 1925 designed the procession for the opening of the Deutsches Museum, source: Thieme-Becker, Vollmer and Wikipedia.