Man Ray (Philadelphia, 1890 - Paris, 1976). Poster, 1974. 50x70 cm. Offset print. Poster image reproduces an original photograph taken by the artist for the Marconi studio, Milan, in 1943, published in 1974, in no. 100 copies on photographic paper of size 18x13 cm, numbered and signed. Poster. In Nielsen aluminum frame with glass.

Valoración 300 - 400 EUR

Precio de salida 100 EUR

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Lote 42

Valorac. 1 000 - 1 200 EUR

MAN RAY (1890-1976) Eric Satie's Pear, 1969 (Anselmino N°45) Lithograph on Japon nacré, signed and justified artist's proof, 64 x 49 cm (on view), framed

Lote 2018

Valorac. 120 - 150 EUR

MINOTAURE (Le). n°7. Paris, Albert Skira, 1935. In-folio paperback, cover illustrated in color by Joan MIRO. Several restorations to cover, spine fully restored. Texts by E. Tériade, Roger Caillois, Henri Michaux, Jacques Baron, Paul Eluard, Maurice Raynal, Maurice Heine, Young, Georges Pudelko, Jacques Delamain, André Breton, Salvador Dali, A. Petitjean, Georges Lafourcade, Man Ray, Herbert Read, Paul Recht. Reproductions of works by Man Ray, Le Charles, André Beaudin, Bellmer, Brassaï, Borès, Fischer, Rogi André, Juliette Lasserre, Balthus, Paolo Uccello, Dali.

Lote 2019

Valorac. 120 - 150 EUR

MINOTAURE (Le). n°7. Paris, Albert Skira, 1935. In-folio paperback, cover illustrated in color by Joan MIRO. Restoration to cover, spine fully restored and edge of back cover redone. Texts by E. Tériade, Roger Caillois, Henri Michaux, Jacques Baron, Paul Eluard, Maurice Raynal, Maurice Heine, Young, Georges Pudelko, Jacques Delamain, André Breton, Salvador Dali, A. Petitjean, Georges Lafourcade, Man Ray, Herbert Read, Paul Recht. Reproductions of works by Man Ray, Le Charles, André Beaudin, Bellmer, Brassaï, Borès, Fischer, Rogi André, Juliette Lasserre, Balthus, Paolo Uccello, Dali.

Lote 24

Valorac. 2 500 - 3 000 EUR

MAN RAY (Philadelphia, USA, 1890 - Paris, 1976). "Mask", 1971. Relief in bronze. Edition of 90 copies. Signed in the lower left corner. Measurements: 17.5 x 13 cm; 42 x 37 x 4 cm. As the multifaceted artist that he was, Man Ray dabbled in all kinds of techniques and languages. In this bronze relief made towards the end of his life, he offers us a dreamlike image: the face of a sleeping man caressed by multiple hands that, like angels, watch over his dreams. A visionary artist, master of experimental photography, painter, filmmaker, poet, essayist, philosopher, and a leader of American modernism, he was known for representing the vibrant French cultural scene from his unique point of view. Man Ray began training in drawing with Robert Henri at the Ferrer Center, while, at the same time, he regularly attended Alfred Stieglitz's gallery 291. Influenced by Stieglitz's photographs, his works embraced unusual subject matter in an unabashed manner. His skills in art led him to experiment within the realm of plastic works, working in a cubist style, which drifted towards an abstract tendency. Ray also experimented with various techniques in the process of execution and photographic development, such as the so-called Sabatier effect, or solarization, providing a silvery and ghostly effect to the image, as well as rayograms. Man Ray exhibited his art in galleries in New York, London, Paris, among other cities. His innovative works can be found in museums around the world, as well as in private collections, and he is remembered for his artistic ingenuity and originality.

MAN RAY (1890-1976) Eric Satie's Pear, 1969 (Anselmino N°45) Lithograph on Japon nacré, signed and justified artist's proof, 64 x 49 cm (on view), framed

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