D'après Titien Assomption de Vierge Marie, Tableau de mosaïque en médaillon Travail du XIXe siècle Dimensions : 79 x 72cm D'après la fresque de Titien réalisée vers 1516-1518 et conservée à la Basilique Sainte-Marie-Glorieuse-des-Frères à Venise.

Schätzwert 600 - 800 EUR

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Aufgeld: 26.8 %

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Alexandre Landre Beaune
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Los 1

Schätzw. 6 000 - 7 000 EUR

Circle of PEDRO MACHUCA (Toledo, ca. 1490-Granada, 1550); 16th century. "The Assumption of the Virgin. Oil on panel. The original frame is preserved. It shows faults and losses on the pictorial surface. It shows damage caused by xylophages. Measurements: 187 x 104 cm; 204 x 119 cm (frame). It is a composition full of movement and dynamism, where each one of the characters is studied individually and as a whole, showing different postures and planes. This mastery in the profusion of figures and the mastery of a complex composition. This majestic panel depicts the Assumption of the Virgin, carried body and soul into Heaven, in a triumphal and scenographic manner. Behind her is the Glory, represented by a faint divine light, an elaborate break in the margins of which we see angels in different positions, some looking towards the earth and others towards the Virgin. On the earthly plane, clearly differentiated from the heavenly plane by the line of clouds, the figures gather around the Virgin's open tomb. They are the apostles who, having witnessed Mary's death, marvel at her Assumption. Some of them are depicted with their backs to the tomb, closing a circular composition defined around the tomb, classical and orderly despite the apparent crowding of the figures in favour of the theatricality and, above all, the dynamism of the scene. Most of the figures are shown looking up towards the sky, with their hands raised in surprise as well as veneration, a skilful aspect of the narrative. We see how Mary does not ascend to heaven by her own means, like Christ, but is raised to Paradise by the angels. As is customary in Western art, the artist depicts her bodily Assumption outside the tomb where the apostles had buried her. Formally the work falls within the circle of Pedro Machuca, who is chiefly remembered as the Spanish architect responsible for the design of the Palace of Charles V (begun in 1528) adjacent to the Alcazar in Granada. The details of his life are little known. Born in Toledo, he is said to have been a pupil or friend of Michelangelo and Pontormo. His presence is documented in Italy as early as 1517, when he signed The Virgin and the Souls in Purgatory (Prado), whose style has led him to be associated with the workshop of Raphael. On his return to Spain in 1520, he worked as a painter in the Royal Chapel of Granada, as well as in Jaén, Toledo and Uclés.

Los 23

Startpreis 400 EUR

C. STEINMÜLLER (*1587), Coronation of the Virgin Mary, Pen drawing Christian Steinmüller (1587 - 1651 ): Coronation of the Virgin Mary by saints, surrounded by angels and clouds Assumption of the Virgin Mary, 17th century, Pen drawing Technique: Washed Pen drawing on Paper, mounted on Cardboard Watermark: Coat of arms - Common figures - Coat of arms with sickle - Salzburg - Date: 1570 | watermarks online reference: AT3800-PO-122143 Inscription: Lower right inscribed: "H. Ra[?]". Date: 17th century Verso: Sketch in pencil. Executioner hands the head of John to Salome Keywords: Mary; Madonna; Assumption; Apotheosis; Coronation; Saint; Pope; John; Jesus Christ; Dove; God the Father; Holy Spirit, 17th century, Baroque, Religious, Germany, Size: Paper: 16,7 cm x 18,8 cm (6,6 x 7,4 in)

Los 59

Startpreis 400 EUR

Unknown (17th), Study sheet. Ascension, Pencil Unknown (17th century): Study sheet Assumption of Mary and figures as altarpiece design, 18th century, Pencil Technique: Pencil and Pen drawing on Paper Watermark: Undeterminable watermark Date: Date: 18th century Description: Possibly a Sienese artist. Verso: Study of a male torso in red chalk and line samples Keywords: Mary; Madonna; Assumption; Apotheosis; Saint; Study sheet; Study, 18th century, Rococo, Religious, Italy, Size: Paper: 13,6 cm x 20,5 cm (5,4 x 8,1 in)

Los 513

Startpreis 300 EUR

TITIEN d'après, - Vénus sortant du bain - Gravure en couleur par Dagoty - 61 x 50 cm. - Au dos une inscription "N°10 Galerie roïale/Peins par Titien et gravé en couleur par Edouard Dagoty A.F.D.R./Dédié à ... Monseigneur le Duc de Chartre»

D'après Titien Assomption de Vierge Marie, Tableau de mosaïque en médaillon Travail du XIXe siècle Dimensions : 79 x 72cm D'après la fresque de Titien réalisée vers 1516-1518 et conservée à la Basilique Sainte-Marie-Glorieuse-des-Frères à Venise.

D'après Titien Assomption de Vierge Marie, Tableau de mosaïque en médaillon Travail du XIXe siècle Dimensions : 79 x 72cm D'après la fresque de Titien réalisée vers 1516-1518 et conservée à la Basilique Sainte-Marie-Glorieuse-des-Frères à Venise.

TITIEN d'après, - Vénus sortant du bain - Gravure en couleur par Dagoty - 61 x 50 cm. - Au dos une inscription "N°10 Galerie roïale/Peins par Titien et gravé en couleur par Edouard Dagoty A.F.D.R./Dédié à ... Monseigneur le Duc de Chartre»

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