Attributable to Jacopo Torni, called Jacobo "L'Indaco" Florentino (Florence, 1476 - Villena, 1526), Granada School of the 16th century - Exquisite Saint Peter the Evangelist in wood in its color Large wood carving in its natural color, once being part of a set of 4 Evangelists. Measurements: 72 x 35 x 32 cm. Provenance: important private Andalusian collection, bibliography: JA Ceán Bermúdez, Historical dictionary of the most illustrious professors of Fine Arts in Spain, Madrid, Akal, 2001, pp. 271-272; E. Gómez Piñol, “The altarpieces of San Isidoro del Campo and some sculptural attributions derived from their study”, in San Isidoro del Campo (1301-2002), fortress of spirituality and sanctuary of power, Santiponce, Junta de Andalucía, 2002 , p. 134 et seq.; C. Belda Navarro and E. Hernández Albaladejo, Art in the region of Murcia. From the Reconquista to the Enlightenment, Murcia, Autonomous Community of the Region of Murcia, 2006. MA León Coloma, “Sculpture in the Cathedral of Granada”, in The Cathedral of Granada: the Royal Chapel and the Church of the Sagrario, vol. II, Granada, Cathedral Chapter, 2007, p. 252

Valoración 7 500 - 10 000 EUR

Precio de salida 2 500 EUR

* Gastos de venta no incluidos.
Consulte las condiciones de venta para calcular el precio de los gastos.

Gastos de venta: 26.62 %

Dejar una orden

Inscribirse en la subasta

Subasta el Thursday 25 Jul : 16:00 (CEST)

barcelona, España

Templum Fine art Auction
+34935643445

Ver el catálogo Consultar las CGV Información sobre la subasta

Entrega en
Cambiar dirección

Calcular los gastos de envío

Esta solución de entrega es opcional..
Puede recurrir al transportista de su elección.
El precio indicado no incluye el precio del lote ni los gastos de la subasta.

Podría interesarle

Lote 172

Valorac. 150 - 300 EUR

[Martingale] [esotericism] Le Vrai Cagliostro ou le régulateur des actionnaires de la Loterie Royale. Paris, Menut de Saint-Mesmin, s.d. (1820). One volume. 13 by 21 cm. Frontispiece-(2)-240 pages. Paperback, in later dust jackets. Untrimmed copy, page edges occasionally faded, scattered foxing. A work designed to help people win various lotteries, according to a method attributed to Cagliostro, based on mathematical martingales, astrology and dream interpretation. The work ends with 90 woodcut figures. 1st edition of this book published annually thereafter by Jacques Julien Menut de Saint-Mesmin, who called himself a bookseller, editor of Tableau romain, journal of the royal lottery of France; author of Tables d'argent, jeu d'un numéro sans martingale; Directeur de la société des mathématiciens des Loteries; had his Lotonomique office on rue Saint Honoré... In subsequent editions, he called himself Cagliostro's successor... For more than 20 years, he published treatises on how to get rich with lotteries...

Lote 80

Valorac. 1 600 - 2 000 EUR

Spanish or Italian school; XVIII century. "San Antonio". Oil on canvas. Relined from the 19th century. It has a XIX century frame with faults. Measurements: 150 x 107 cm; 158 x 114 cm (frame). The present canvas represents St. Anthony of Padua as a young beardless man with wide monastic tonsure, dressed in a long Franciscan habit, kneeling in front of Jesus. The presence of the infant, which alludes to the vision he had in his cell, became the most popular attribute of this Franciscan saint from the sixteenth century, being especially popular in the Baroque art of the Counter-Reformation. St. Anthony of Padua is, after St. Francis of Assisi, the most popular of the Franciscan saints. He was born in Lisbon in 1195 and only spent the last two years of his life in Padua. After studying at the convent of Santa Cruz in Coimbra, in 1220 he entered the Order of Friars Minor, where he changed his first name, Fernando, to Antonio. After teaching theology in Bologna, he traveled through southern and central France, preaching in Arles, Montpellier, Puy, Limoges and Bourges. In 1227 he participated in the general chapter of Assisi. In 1230 he was in charge of the transfer of the remains of St. Francis. He preached in Padua and died there at the age of 36 in 1231. He was canonized only a year after his death, in 1232. Until the end of the 15th century, the cult of St. Anthony remained located in Padua. From the following century he became, at first, the national saint of the Portuguese, who placed under his patronage the churches they built abroad, and then a universal saint. He was invoked for the rescue of shipwrecked sailors and the liberation of prisoners. The Portuguese sailors invoked him to have good wind in the sails, fixing his image on the mast of the ship. Nowadays, he is invoked mainly to recover lost objects. However, there is no trace of this last patronage before the 17th century. It seems to be due to a play on words with his name: he was called Antonio de Pade or de Pave, an abbreviation of Padua (Padova). From there, it was attributed to him the gift of recovering the epaves, that is to say, the lost goods. He is represented as a beardless young man with a large monastic tonsure, dressed in a habit, and usually appears with the Child Jesus, holding him in his arms, in allusion to an apparition he had in his cell. It became the most popular attribute of this saint from the 16th century onwards, being especially popular in the Baroque art of the Counter-Reformation.

Lote 60

Valorac. 8 000 - 12 000 EUR

The Two Loves - Attributed to Alexander Roslin (Malmö, Sweden, 1718 - Paris, 1793) Swedish or French Neoclassical School of the late 18th century early 19th century Decorative and elegant oil painting on canvas measurements: 62 x 50 cm, measurements with frame from the same period: 85 x 70 cm. Provenance: important private collection from Seville. Old noble collection, Seville, Spain. Alexander Roslin (Malmö, July 15, 1718 - Paris, July 5, 1793) was a Swedish painter, specialized in portraits, of the Rococo period. He trained in his native country, Sweden. For two years he was working at the court of the Margrave of Bayreuth (1745-47). Afterwards he passed through Italy, where he was able to study the mannerist painters (Tiziano, Veronese) and the classicists (Carracci, Guido Reni). In 1752 he went to Paris, thanks to the recommendation of Louise Isabella of France, Duchess of Parma. There he became famous as a portrait painter. He portrayed the European aristocracy of the mid-18th century. He married in 1759 Marie-Suzanne Giroust. He enjoyed Boucher's friendship. From 1750 onwards he worked mainly in Paris, but there were periods when he worked in other places, called by the courts: Stockholm (1774), St. Petersburg (1775, where he painted a series of portraits of statesmen of Imperial Russia, including those of Iván Betskoi and Iván Shuválov), Warsaw and Vienna (1778). Bibliography: Walter, Ingo F. (editor), The Masters of Western Painting, Taschen, 2005, ISBN 3-8228-4744-5

Lote 184

Valorac. 9 000 - 9 500 EUR

Attributed to Carlo Caliari, called Carletto Veronese (1586-1629) Italian school of the 17th century Oil on copper, measurements: 24 x 19 cm. Measurements with frame: 52 x 46 cm

Attributed to Carlo Caliari, called Carletto Veronese (1586-1629) Italian school of the 17th century Oil on copper, measurements: 24 x 19 cm. Measurements with frame: 52 x 46 cm

Respetamos su privacidad:

Gestión de cookies: