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Horus as a child. Ancient Egypt, Nubia, dynasty 25-26, 770-657 BC. Bronze. The lower legs are missing. Restorations on the wrists. Provenance: Hotel des Ventes de Monte-Carlo, 2019. Measurements: 20 cm. This is a bronze sculpture representing the child god Horus erect in an attitude of walking, bringing his right hand to his mouth as a symbol of childhood, as it is the gesture repeated by children, while the left arm remains attached to the body. This sculpture presents the typical Egyptian conventions, such as the idealization and representation of a leg forward as a symbol of royalty and power. He wears the double crown or sejemty, which results from the union of the crown of Upper Egypt and Lower Egypt, attributing to its bearer the power over both territories. Although it is not appreciated, possibly the crown would be decorated with the ureus or royal cobra as a symbol of power. In addition, as a symbol of childhood, it is touched with the finely braided wick of childhood. It presents golden eyes with black pupils. This iconography of Horus as a child responds to the identification given by the Greeks to whom they called Horus child, Hor-pa-jard or Harpocrates, to differentiate him from the other bifurcation of Horus.

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Horus as a child. Ancient Egypt, Nubia, dynasty 25-26, 770-657 BC. Bronze. The lower legs are missing. Restorations on the wrists. Provenance: Hotel des Ventes de Monte-Carlo, 2019. Measurements: 20 cm. This is a bronze sculpture representing the child god Horus erect in an attitude of walking, bringing his right hand to his mouth as a symbol of childhood, as it is the gesture repeated by children, while the left arm remains attached to the body. This sculpture presents the typical Egyptian conventions, such as the idealization and representation of a leg forward as a symbol of royalty and power. He wears the double crown or sejemty, which results from the union of the crown of Upper Egypt and Lower Egypt, attributing to its bearer the power over both territories. Although it is not appreciated, possibly the crown would be decorated with the ureus or royal cobra as a symbol of power. In addition, as a symbol of childhood, it is touched with the finely braided wick of childhood. It presents golden eyes with black pupils. This iconography of Horus as a child responds to the identification given by the Greeks to whom they called Horus child, Hor-pa-jard or Harpocrates, to differentiate him from the other bifurcation of Horus.

Stima 4 500 - 5 000 EUR
Base d'asta 3 000 EUR

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Ancient Egypt. Ptolemaic period, 300 - 30 B.C. Sycamore wood, painted and stuccoed. Conservation: Good condition. It has lost the polychrome in wood and stucco, as can be seen in the images. With certificate of authenticity of the judicial expert Fernando Bernaldez. Measurements: 15 x 20 cm. Sculpture made of sycamore wood from ancient Egypt. The Ptolemaic dynasty is the one founded by Ptolemy I Sóter, general of Alexander the Great. This dynasty ruled Egypt during the Hellenistic period from the death of Alexander until 30 BC, when it became a Roman province. It is also known by the name of the Lagarid dynasty, as Lagos was the father (or presumed father) of Ptolemy I. Ptolemy I established the capital of this kingdom in Alexandria, a small town at that time that became the main commercial and intellectual center of antiquity. This dynasty adopted Egyptian customs from the beginning and was a constant enemy of the Macedonian Seleucid dynasty. It was during the reign of one of its monarchs (Ptolemy V) that a decree was published (in 197 B.C.) in three types of writing on a black stone known today as the Rosetta Stone. At some points in its history, the dynasty dominated Cyrenaica (northeast of present-day Libya), as well as southern Canaan and Cyprus. Its last ruler was the famous Cleopatra. After her death and that of her son, Caesarion (Ptolemy XV), the dynasty ended and Egypt was annexed by Augustus to the Roman Empire. This period was characterized by a cultural synthesis between Greek, Egyptian and other Eastern Mediterranean artistic traditions. With certificate of authenticity of the judicial expert Fernando Bernaldez.