FRATELLI ALINARI (19th), Piazza Bocca della Verità, Rom, around 1880, albumen paper print Fratelli Alinari (19th century): Piazza Bocca della Verità with Temple of Hercules Victor with visitor looking at the Fontana del Tritone, Rome, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Stamp: Lower right Blank stamp, Fratelli Alinari. Florence. 19th century Inscription: At the lower part inscribed in the printing plate: "No 6712 Roma_Piazza Bocca della Verità. Tempio di Vesta". Date: c. 1880 Description: The picture shows part of the Forum Boarium in Rome. Original photograph with high sharpness of detail. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. "Fratelli Alinari" in Florence are the oldest surviving photographic company in the world: founded in 1852, a good two decades after the French inventor Joseph Nicéphore Niépce succeeded in capturing an image on a tin plate. The Alinari brothers were Romualdo (1830-1891), Leopoldo (1832-1865) and Guiseppe (1836-1892). Leopoldo began taking photographs during the daguerreotype period and worked for the lithographer Guiseppe Bardi, with whom he founded a joint photographic studio in 1850. In 1854, Leopoldo bought Bardi's shares and, together with his brothers, founded the Fratelli Alinari studio. It became one of the most important Italian studios of the 19th century and later one of the largest photographic archives in the world, which still exists today. Keywords: Italy view, documentary photography, architectural photography, travel photography, temple, Forum Boarium, fountain, 19th century, Historicism, Architecture, Italy, Rome (Latium), Size: Cardboard: 18,8 cm x 24,3 cm (7,4 x 9,6 in)

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Illegibly signed - 19th century, "Piazza Bocca della Veritá", oil/canvas, square in front of the church of Santa Maria in Cosmedin with fountain, round temple of Hercules Invictus, so-called vesta temple and staffage of people and animals, illegibly signed lower left, stained, craquelure, traces of age, wavy canvas, approx. 34.5x50cm, frame, approx. 47.5x63cm

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Print depicting Ferrara Piazza della Pace 12x20 cm, within frame Flaws. Not examined outside of frame

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FRATELLI ALINARI (19th), City view of Florence, around 1880, albumen paper print Fratelli Alinari (19th century): City view of Florence Panoramic view over the city, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Stamp: Lower right Blank stamp, Fratelli Alinari. Florence. 19th century Inscription: At the lower part inscribed in the printing plate: "No 1862 Firenze_Panorama della Città visto da S. Miniato al Monte". Date: c. 1880 Description: The photograph shows the view of Florence's medieval historic centre with the Duomo, Palazzo delle Signoria, Basilica of Santa Croce and the banks of the River Arno. Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. "Fratelli Alinari" in Florence are the oldest surviving photographic company in the world: founded in 1852, a good two decades after the French inventor Joseph Nicéphore Niépce succeeded in capturing an image on a tin plate. The Alinari brothers were Romualdo (1830-1891), Leopoldo (1832-1865) and Guiseppe (1836-1892). Leopoldo began taking photographs during the daguerreotype period and worked for the lithographer Guiseppe Bardi, with whom he founded a joint photographic studio in 1850. In 1854, Leopoldo bought Bardi's shares and, together with his brothers, founded the Fratelli Alinari studio. It became one of the most important Italian studios of the 19th century and later one of the largest photographic archives in the world, which still exists today. Keywords: Italy view, documentary photography, architectural photography, travel photography, city view, 19th century, Historicism, Architecture, Italy, Size: Cardboard: 18,4 cm x 24,4 cm (7,2 x 9,6 in)

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FRATELLI ALINARI (19th) Circle, Santa Maria della Salute, around 1880, albumen paper print Fratelli Alinari (19th century) Circle: View of Santa Maria della Salute, Venetian Baroque Buildings, Venice, Italy, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Inscribed at the bottom centre of the box. Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home towns and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. "Fratelli Alinari" in Florence are the oldest photographic company still in existence in the world: founded in 1852, a good two decades after the French inventor Joseph Nicéphore Niépce succeeded in capturing an image on a tin plate. The Alinari brothers were Romualdo (1830-1891), Leopoldo (1832-1865) and Guiseppe (1836-1892). Leopoldo began taking photographs in the daguerreotype era and worked for the lithographer Guiseppe Bardi, with whom he set up a joint photographic studio in 1850. In 1854, Leopoldo bought Bardi's shares and, together with his brothers, founded the Fratelli Alinari studio. It became one of the most important Italian studios of the 19th century and later one of the largest photo archives in the world, which still exists today. Keywords: 19th century, Historicism, Architecture, Italy, Size: Cardboard: 37,0 cm x 31,0 cm (14,6 x 12,2 in), Depiction: 24,8 cm x 18,8 cm (9,8 x 7,4 in)

Print depicting Ferrara Piazza della Pace 12x20 cm, within frame Flaws. Not examined outside of frame

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