Unknown (19th), Napoleon, Watercolor Unknown (19th century): Napoleon, 19th century, Watercolor Technique: Watercolor on Paper, mounted on Paper Date: 19th century Description: The artwork shows Napoleon in conversation with an elderly man walking, accompanied by a servant. The figure of the general standing under a tree exudes authority, while the old man's gestures point to a possible historical encounter. Keywords: Napoleonic era; Military figure; Conversation; Old man; Woman; Tree; Authority; Historical; Soldier; Encounter; Symbolism; Uniform; Nature; Walking stick; Coat; Hill; Forest; Conversation scene; Context; Narrative structure, 19th century, Romanticism, Military, Germany, Size: Paper: 18,1 cm x 15,7 cm (7,1 x 6,2 in), Depiction: 12,6 cm x 10,3 cm (5 x 4,1 in)

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Valoración 150 - 200 EUR

Precio de salida 100 EUR

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Unknown Austrian Artist late 19th Century, Vienna Prater Hauptallee, oil on canvas, signed bottom right (Stoitzner?), in a 19th century frame, 74 x 100 cm

Lote 159

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Napoleon at Saint Helena. Panel painting in straw marquetry. 19th century.

Lote 322

Precio de salida 200 EUR

Unknown (19th), Napoleon's grave by moonlight, Copper engraving Unknown (19th century): Napoleon's grave on St Helena by moonlight, 19th century, Copper engraving Technique: Copper engraving and Etching on Paper Inscription: At the lower part inscribed in the printing plate: "St. Helena". Date: 19th century Description: A modest burial mound rises on a patch of land surrounded by water in the light of the full moon. The grave of Napoleon Bonaparte, who died in exile on the Atlantic island of St Helena, can only be recognised by the unmistakable bicornet. The general's weapon is laid on the mound as if on the grave of a soldier who died in battle. In the foreground is a broken stele that bears witness to Napoleon's victorious battles. Waterloo, the last fateful battle before the downfall of the self-crowned emperor, stands at the foot of the inscription plaque and is only represented by the three initial letters. The abandoned location of the resting place and the broken chain lying on the ground contrast with the stylisation as a hero's grave. The shackle lies loose on the ground as a sign of the freedom regained in death by the fallen emperor. The depiction, which is intended to honour the glorious commander Napoleon in modesty, also offers a political symbol in the form of the shovel forgotten next to the grave. In the motif, it functions as the tool of the gravedigger who paid his last respects to Napoleon, but in a figurative sense it also stands for the Bonapartists who were loyal to him, who stood up for his descendants' claim to the throne and contributed to Napoleon's posthumous fame. This print was modelled on an oil painting by Horace Vernet from the year of Napoleon's death, whose motif includes a similar tomb in a comparable location, but whose theatrical solitude is offset by the presence of a multitude of mourning admirers. Keywords: France, Napoleon Bonaparte, memento mori, heroisation, St. Helena, exile, night play, allegory, 19th century, Biedermeier, Religious, Greece, Size: Paper: 9,2 cm x 13,8 cm (3,6 x 5,4 in), additional specification: Paper: 10.6 x 15.1 cm

Lote 497

Precio de salida 150 EUR

Unknown (19th), French village, Pencil Unknown (19th century): View of a French village with plant vines growing across the road, 19th century, Pencil Technique: Pencil on Paper Date: 19th century Keywords: Vine, vine tendrils, village street, half-timbered house, settlement, country life, 19th century, Romanticism, Cities, France, Size: Paper: 27,0 cm x 35,0 cm (10,6 x 13,8 in)

Unknown Austrian Artist late 19th Century, Vienna Prater Hauptallee, oil on canvas, signed bottom right (Stoitzner?), in a 19th century frame, 74 x 100 cm

Napoleon at Saint Helena. Panel painting in straw marquetry. 19th century.

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