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B. JULIEN (*1802) after MAURIN (*1793), King Louis Philippe and family, around 1830, Lithography Bernard Romain Julien (1802 Bayonne - 1871 ibid.) after Antoine Maurin (1793 Perpignan - 1860 Paris): The Royal Family of France, Louis Philippe, c. 1830, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "Lith. par Julien d'après N. Maurin / Lith. de Lemercier, rue du Four S. G. No. 55.". Inscribed in the printing plate: "A Paris, chez Bulla, rue S'. Jacques No. 38. / Famille Royale.". Date: c. 1830 Description: The French lithographer Nicolas-Eustache Maurin created a large number of portraits of famous contemporaries in addition to book illustrations and some erotic depictions. Surrounded by his closest family, the "Citizen King" Louis-Philippe I from the House of Bourbon is portrayed here. He is grouped with his wife Maria Amalia of Naples-Sicily and the nine sons and daughters of the royal couple above two crossed flags and in front of insignia at the sides. After the profound political and social upheavals of the French Revolution and the July Revolution in 1830, it was of great importance for the monarch to be portrayed as being close to the bourgeoisie. The emphasis on the family in this lithograph, as well as the reference to Louis-Philippe's military achievements for France, place him closer to the people, despite the grouping resembling a divine Olympus. However, the ambiguity of this depiction is also reminiscent of Louis-Philippe's initially liberal government, which later showed increasing ambitions to strengthen the ancien régime again. Keywords: Louis-Philippe I, Citizen King, Bourbon, Naples-Sicily, France, Nobility, Princes, King, Family, Ancien Régime, 19th century, Biedermeier, Portraits, France, Size: Paper: 34,2 cm x 45,2 cm (13,5 x 17,8 in), Depiction: 28,0 cm x 41,5 cm (11 x 16,3 in)

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B. JULIEN (*1802) after MAURIN (*1793), King Louis Philippe and family, around 1830, Lithography Bernard Romain Julien (1802 Bayonne - 1871 ibid.) after Antoine Maurin (1793 Perpignan - 1860 Paris): The Royal Family of France, Louis Philippe, c. 1830, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "Lith. par Julien d'après N. Maurin / Lith. de Lemercier, rue du Four S. G. No. 55.". Inscribed in the printing plate: "A Paris, chez Bulla, rue S'. Jacques No. 38. / Famille Royale.". Date: c. 1830 Description: The French lithographer Nicolas-Eustache Maurin created a large number of portraits of famous contemporaries in addition to book illustrations and some erotic depictions. Surrounded by his closest family, the "Citizen King" Louis-Philippe I from the House of Bourbon is portrayed here. He is grouped with his wife Maria Amalia of Naples-Sicily and the nine sons and daughters of the royal couple above two crossed flags and in front of insignia at the sides. After the profound political and social upheavals of the French Revolution and the July Revolution in 1830, it was of great importance for the monarch to be portrayed as being close to the bourgeoisie. The emphasis on the family in this lithograph, as well as the reference to Louis-Philippe's military achievements for France, place him closer to the people, despite the grouping resembling a divine Olympus. However, the ambiguity of this depiction is also reminiscent of Louis-Philippe's initially liberal government, which later showed increasing ambitions to strengthen the ancien régime again. Keywords: Louis-Philippe I, Citizen King, Bourbon, Naples-Sicily, France, Nobility, Princes, King, Family, Ancien Régime, 19th century, Biedermeier, Portraits, France, Size: Paper: 34,2 cm x 45,2 cm (13,5 x 17,8 in), Depiction: 28,0 cm x 41,5 cm (11 x 16,3 in)

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A. MAURIN (1793-1860), Anton Raphael Mengs, Lithography Antoine Maurin (1793 Perpignan - 1860 Paris): Portrait of the painter Anton Raphael Mengs (1728-1779), 19th century, Lithography Technique: Lithography on China paperPaper Inscription: Lower right signed in the printing plate: "Maurin". At the lower part inscribed in the printing plate: "Imp. lith. de Chabert, rue Cassette, No. 20. / Raphael Mengs.". Date: 19th century Description: The portrait of Anton Raphael Mengs drawn on stone by Antoine Maurin shows the painter with a penetrating gaze and delicately indicated wrinkles around his eyes and nose. It is easy to recognise the model for the lithograph in the artist's Berlin self-portrait, which was painted in the last years of his life, probably in 1778. The exhaustion of the court artist, who travelled widely between Dresden, Rome and Madrid and was extremely productive throughout his life, is effectively indicated in the portrait of himself. The portrait is considered to be one of the "most impressive and personal documents of self-representation ever", as it shows the unadorned traces of age as well as the mastery of technique achieved only through age and years of practice. The model for this lithograph is dated to the last years of Anton Raphael Mengs' life. It shows the artist at the age of around 50, after he had moved to Rome in 1777. Serious illnesses increasingly burdened him, but hardly kept him from working. Finally, the death of his wife in April 1778 took its toll on the artist's ailing mind and health. Sensitively captured by Maurin, the lithograph also reveals the artist's strength of character, the proud demeanour of the sought-after court artist and, last but not least, his clear, observant gaze. Keywords: Lithograph, Portrait, France, 19th century, Classicism, Portraits, Germany, Size: China paper: 48,5 cm x 32,0 cm (19,1 x 12,6 in), Depiction: 24,7 cm x 22,5 cm (9,7 x 8,9 in)