1 / 6

Description

Battery Operated Flying Jet Plane Boing 727 Lufthansa, T.N. Japan, original cardboard box, this one with lesions, function not tested, airplane approx. 28 x 23cm

Automatically translated by DeepL. The original version is the only legally valid version.
To see the original version, click here.

12010 
Go to lot
<
>

Battery Operated Flying Jet Plane Boing 727 Lufthansa, T.N. Japan, original cardboard box, this one with lesions, function not tested, airplane approx. 28 x 23cm

Estimate 5 - 7 EUR
Starting price 5 EUR

* Not including buyer’s premium.
Please read the conditions of sale for more information.

Sale fees: 26 %
Leave bid
Register

For sale on Saturday 03 Aug : 11:00 (CEST)
cuxhaven, Germany
Auktionshalle Cuxhaven
+494721399884
Browse the catalogue Sales terms Sale info

Lieferung an
Die Adresse ändern
Die Lieferung ist optional..
Sie können sich für das Lieferunternehmen Ihrer Wahl entscheiden.
Der angezeigte Preis beinhaltet weder Zuschlag noch Aufgeld.

Dies könnte Ihnen auch gefallen

Beijing 2022 Winter Olympics Torch and Display Base Official 2022 Beijing Winter Olympics torch, constructed of a resin-coated carbon fiber composite, measuring 33" in length and 4" at its widest point. Manufactured by Sinopec Shanghai Petrochemical Company and designed by Li Jianye and his team, the torch was inspired by the natural flowing beauty of plants and flowers, a theme that meshed with Beijing’s green approach to the torch’s materials and combustion fuel—carbon fiber composite, a new material made of petroleum products, and hydrogen gas, a special fuel that proved both smoke-free and environmental-friendly. The flora-like spiral construction resulted in a floating ribbon look, and its beautiful replication of movement led to its being given the name ‘Flying’ [Fei Yang]. The torch utilizes an open design with a stunning red and silver color scheme, a metaphor for ice and fire, meant to symbolize how the torch will bring 'light and warmth to this world of ice and snow’—this color combination, and even the torch’s design, relates to its 2008 predecessor and ceremonial cauldron. ‘Flying’ is exceptionally light yet durable, having been created with high-tech 3D knitting technology to form a body seven to nine times harder than steel. The upper portion of the body bears the Beijing 2022 emblem, the lower portion features 1,268 laser-engraved convex clouds and low-relief snowflake patterns, and the torch’s centralized swirling red line represents the winding Great Wall, the Olympic ski slopes, and ‘humanity's relentless quest for light, peace, and excellence.’ The upper right of the torch bears a small area of scuffing. Includes the original presentation case, which bears noticeable wear to corners and top end, its commemorative certificate, and its beautifully made display base that includes its shipping box and certificate of authenticity, which are both numbered “1790.” The flame for the Beijing 2022 Winter Olympics was lit at the site of the Ancient Olympia in Greece on October 18, 2021, and was passed to the Beijing 2022 Organizing Committee the following day before it departed for the Chinese mainland. Due to the COVID pandemic and the measures put in place to meet the prevention and control requirements, it was decided to reduce the length and duration of the traditional relay route, as well as the number of relay runners, which topped off at around 1,200. Shortened to only three days, the Olympic torch relay resumed on February 2nd, when it began its journey through the three Olympic zones, the city of Zhangjiakou and the main sights of Beijing, which became the first city to host both the Summer and Winter Olympic Games. The relay concluded on the 4th in Beijing National Stadium at the end of the opening ceremony. A fusion of artistry and high technology, this stunningly beautiful Olympic torch evokes Beijing’s ambitious plan for a safe and sustainable Winter Olympiad.

Gardens-Versailles, Armorial Binding. SILVESTRE – LEPAUTRE – FÉLIBIEN. 104 Large copper Engraved Plates. Folio. 500x345 mm. Magnificent binding contemporary with the coat of arms of the Marquis of Mereville, full marbled brown leather, giltcoat of arms in the center of the plates, six ribs on spine with gilt title on red morocco insert, rich gilt decoration on the compartments, gilt edges. The volume contains:- 1 plan of Versailles, published by G. Demortain.- 12 plates drawn and engraved by Israel Silvestre, with plans, perspectives, views of the gardens and buildings, dated between 1664 and 1684.- 3 plates engraved by J. Lepautre.- 9 plates published by Jean Le Blond regarding the orangery and the stables, including a plan of the orangery garden with moving parts.- 1 small view of the large stable published by Langlois, glued on a support sheet.- 21 plates of sculptures, engraved by Gerard Audran or Gerard Edelinck, dated between 1679 and 1681.- 18 plates of fountains, engraved by J. Lepautre dated between 1673 and 1679.- 2 large plates of fountains, one by Charles-Louis Simonneau from a painting by Jean Cotelle, 1689, the other drawn and engraved by Louis de Chastillon, 1683.- 9 plates of busts on columns, by J. Lepautre, 1674.- 6 plates of flower vases and 2 of sphinxes, by Lepautre, 1672-1673.- FÉLIBIEN, André. Déscription de la Grotte de Versailles, Paris, Imprimerie Royale, 1679, Title page with large engraved typographic brand and royal coat of arms, 11 pages, 20 plates engraved by Lepautre, Picart, Chauveau.- 2 unsigned plates, depicting the interior and cross-section of the Royal Chapel. Very rare and important source of art on the Palace of Versailles. Volume in splendid contemporary binding with coat of arms of the Marquis of Merenville. Among the works in this collection we highlight:- The 'Description' of Felibien, particularly valuable as a pictorial testimony since the Grotto was demolished in 1684 to make way for the new southern wing of Versailles. The Grotte de Thétys, designed by Charles Perrault, was an integral part of the iconography of the palace and gardens of Versailles. The twenty plates are: a plan, an external view and some plates detailing the statuary and shell and coral decoration of the interior. Millard: "It was designed to represent the climax of the astrological myth of the entire garden, the completion of Apollo's solar course and his return to rest in this underwater cave. The grotto was a marvel of technical innovation. Félibien considered it to be a completely successful imitation of nature by art. The creation lasted only twenty years. It was destroyed in 1684 to be replaced by Mansart's north wing of the palace. However, its unique beauty is preserved with this recording by Félibien."- The statues depicted by J. Le Pautre, 1618 - 1682, older brother of the architect Antoine Le Pautre and father of Jacques Le Pautre: among these we mention 'Persée; Andromède' located in the gardens of Versailles.- The large plate 'Marais Artificiel, entouré de Joncs d'airain, et de Jets d'eau', designed and engraved by Isr. Silvestre in 1680. I. Silvestre, 1621 - 1691, prolific French engraver, teacher, publisher and designer, left many drawings and over a thousand engravings. Among these precious testimonies of Versailes' architecture and sculptures as well as the famous parties that were held in the palace.Volume of prestigious provenance, which belonged to the Marquis of Mereville, councilor in the Paris Parliament, whose emblem, with the pelican and 2 suns moving from the corners, is printed in gilt in the center of the plates.

Castor, A.Recueil de machines a draguer et appareils élévatoires. Widmungsexemplar mit 8 doppels. Kupfertafeln. Paris, J. Claye, 1856. 2 Bll., 19 S. Gr.-Fol. Brauner HMaroquin mit goldgepr. Fileten, Ldr. Ecken, goldgepr. DTitel, reich ornamental goldepr. Rücken, dreiseitigem Goldschnitt u. Moiré Vorsätzen (beschabt, berieben u. bestoßen, der VDeckel etw. stärker befleckt). Eisenbahn Castor, A. Recueil de machines a draguer et appareils élévatoires. Widmungsexemplar mit 8 doppels. Kupfertafeln. Paris, J. Claye, 1856. 2 Bll., 19 S. Gr.-Fol. Brauner HMaroquin mit goldgepr. Fileten, Ldr. Ecken, goldgepr. DTitel, reich ornamental goldepr. Rücken, dreiseitigem Goldschnitt u. Moiré Vorsätzen (beschabt, berieben u. bestoßen, der VDeckel etw. stärker befleckt). Selten, nur drei Exemplare in Bibliotheken weltweit (Bibliothèque nationale de France, Ecole des Ponts ParisTech, Southern Methodist University.) - BnF FRBNF30205566 - Trömel 3900. - Vom Autor A. Castor auf dem Titelbl. hs. unterzeichnetes Exemplar an den Ingenieur "Monsieur Emmery" (Henri Emmery). - Die Tafeln mit detaillierten Plänen und Ansichten versch. dampfbetriebener Baggermaschinen und Hebegeräten, u.a. zu: Eisenbahn von Paris nach Lyon . Bahndamm des Bahnhofs von Vaise. - Eisenbahn von Avignon. Mit einem Dampfkran betriebene Hebemaschine. - Ausbesserungsarbeiten an der Seine-Schifffahrt. Dampfbagger mit zwei geneigten Achsen - u.a. - Im Blattrand teils mit blassbraunen Flecken, wenig fingerfleckig, die Tafeln stellenweise mit leichtem Abklatsch. Insgesamt äußerst wohlerhaltenes und seltenes Exemplar mit den detailliert, großformatigen Kupfertafeln. Railway - Dedication copy with 8 double-page copper engraved plates. Brown half calf with gilt fillets, calf corners, gilt title, richly ornamented gilt spine, gilt edges on three sides and moiré endpapers (scuffed, rubbed and bumped, the front cover somewhat more stained). - Rare, only three copies in libraries worldwide (Bibliothèque nationale de France, Ecole des Ponts ParisTech, Southern Methodist University.) - Copy inscribed by the author A. Castor on the title page to the engineer "Monsieur Emmery" (Henri Emmery). - The plates with detailed plans and views of various steam-powered dredging machines and lifting equipment: railway from Paris to Lyon. Railway embankment of the station of Vaise. - railway of Avignon . Lifting machine operated by a steam crane. - Improvement works on the navigation of the Seine. Steam excavator with two inclined axles - a.o. - In the margins partly with pale brown spots, a little bit fingerstained, the plates partly with some offset. Altogether a very well-preserved and rare copy with the detailed, large-format copper plates. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.