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JOSEP LLIMONA BRUGUERA (Barcelona, 1864 - 1934) and JOAQUIM VICENS GIRONELLA (1911-1997). "Crucifixion". Christ in stucco (Llimona) and cross in wood (Gironella), 1932. Cross signed and dated by Gironella. Measurements: 30 x 30 x 6 cm (Christ); 62 x 42 x 8 cm (cross). A self-taught artist, Joaquim Vicens Gironella made cork sculptures, and was discovered and exhibited by Jean Dubuffet. He also wrote many poems and plays. Josep Limona is remembered as the most important Catalan sculptor of modernism. Trained at the Llotja School in Barcelona, he obtained the pension to go to Rome in 1880. During his stay in Italy he was influenced by Florentine Renaissance sculpture. With the works he sent from there he obtained prizes (gold medal at the Universal Exhibition of Barcelona in 1888), as well as a great reputation. With his brother Joan he founded the Círculo Artístico de Sant Lluc, a Catalan artistic association of religious character (the two brothers were deep believers). Towards the middle of the 90's his style already drifts towards full modernism. He received the prize of honor at the International Exhibition of Fine Arts held in 1907 in Barcelona. From 1900 he focused on his famous female nudes, and in 1914 he created, in collaboration with Gaudí, his impressive "Resurrected Christ". His artistic genius also manifested itself in large public monuments such as the equestrian statue of St. Jordi in Montjuic Park in Barcelona, as well as in works of funerary imagery, such as the pantheons he created for several cemeteries. In addition to exhibiting in Barcelona and other Catalan cities, he exhibited his work in Madrid, Brussels, Paris, Buenos Aires and Rosario (Argentina). He was president of the Board of Museums of Barcelona between 1918 and 1924, and again from 1931 until his death in 1934. Throughout his life he received numerous decorations, including those awarded by the governments of France and Italy. He also received the Gold Medal of the City of Barcelona in 1932, in recognition of his extraordinary work in the development of museum activity. Llimona's work is preserved in the Monastery of Montserrat, the National Art Museum of Catalonia and the Reina Sofia Museum, among others.

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JOSEP LLIMONA BRUGUERA (Barcelona, 1864 - 1934) and JOAQUIM VICENS GIRONELLA (1911-1997). "Crucifixion". Christ in stucco (Llimona) and cross in wood (Gironella), 1932. Cross signed and dated by Gironella. Measurements: 30 x 30 x 6 cm (Christ); 62 x 42 x 8 cm (cross). A self-taught artist, Joaquim Vicens Gironella made cork sculptures, and was discovered and exhibited by Jean Dubuffet. He also wrote many poems and plays. Josep Limona is remembered as the most important Catalan sculptor of modernism. Trained at the Llotja School in Barcelona, he obtained the pension to go to Rome in 1880. During his stay in Italy he was influenced by Florentine Renaissance sculpture. With the works he sent from there he obtained prizes (gold medal at the Universal Exhibition of Barcelona in 1888), as well as a great reputation. With his brother Joan he founded the Círculo Artístico de Sant Lluc, a Catalan artistic association of religious character (the two brothers were deep believers). Towards the middle of the 90's his style already drifts towards full modernism. He received the prize of honor at the International Exhibition of Fine Arts held in 1907 in Barcelona. From 1900 he focused on his famous female nudes, and in 1914 he created, in collaboration with Gaudí, his impressive "Resurrected Christ". His artistic genius also manifested itself in large public monuments such as the equestrian statue of St. Jordi in Montjuic Park in Barcelona, as well as in works of funerary imagery, such as the pantheons he created for several cemeteries. In addition to exhibiting in Barcelona and other Catalan cities, he exhibited his work in Madrid, Brussels, Paris, Buenos Aires and Rosario (Argentina). He was president of the Board of Museums of Barcelona between 1918 and 1924, and again from 1931 until his death in 1934. Throughout his life he received numerous decorations, including those awarded by the governments of France and Italy. He also received the Gold Medal of the City of Barcelona in 1932, in recognition of his extraordinary work in the development of museum activity. Llimona's work is preserved in the Monastery of Montserrat, the National Art Museum of Catalonia and the Reina Sofia Museum, among others.

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ANTONI SERRA (Barcelona, 1869-1932) and ENRIC CASANOVAS (Barcelona, 1882 - 1948). "Tirant l'art", c. 1904-1907. Porcelain. Poses mark on the base of the Fábrica de Porcellanes i Gres d'Art (Barcelona, 1904-1926). Measures: 21 x 20 cm (diameter). Entitled Tirant l'art this delicate porcelain vase is an example of the artistic quality achieved by Antoni Serra and Enric Casanovas, who collaborated together on several occasions. A similar example to the present one can be found in the collection of the Museu Nacional d'Art de Catlunya, due to the relevance of the work as a symbol of the Modernista period. The lineage of the Serra ceramists began with Antoni Serra Fiter (1869-1932), within the framework of Modernisme, who founded the first workshop specialising in ceramics and porcelain art in Spain. Serra Fiter was followed by his sons Antonio (1905-85), Josep (1906-89) and Enric (1908-86) Serra Abella, who began a new phase with a completely new orientation. Finally, Jordi Serra Moragas (1942), son of Josep Serra Abella, continues the family tradition. The sculptor Enric Casanovas began his training as a disciple of Josep Llimona, and then entered the La Lonja School in Barcelona. In 1900 he made his first trip to Paris, and on his return he exhibited his work at Els Quatre Gats. Between 1904 and 1913 he lived between Paris and Barcelona, in contact with Picasso, Maillol and Gargallo, among other artists. In 1920 he was given a special room at the Fine Arts Exhibition, and in 1922 he took part in the Catalan Artists' Exhibition in Amsterdam. Five years later he showed his work in Italy, and in 1929 he was awarded the gold medal at the Universal Exhibition in Barcelona. In 1932 he entered the Academy of Fine Arts of San Jorge, and in 1935 he was awarded the Campeny prize by the Generalitat de Catalunya. He is currently represented in the National Art Museum of Catalonia, the Municipal Museum of Tossa de Mar, the Jaume Morera Art Museum in Lleida, the Luis Perlotti Sculpture Museum in Buenos Aires and the MACBA in Barcelona.