Null CINDY SHERMAN
(1954)
Cindy Sherman. Photographic Work 1975-1995
1995
Illust…

Descripción

CINDY SHERMAN (1954) Cindy Sherman. Photographic Work 1975-1995 1995 Illustrated monographic catalog published on the occasion of exhibitions held at Deichtorhallen, Hamburg (May 25-July 30, 1995), Konsthall, Malmo (Aug. 26-Oct. 22, 1995) and Kunstmuseum, Lucerne (Dec. 8, 1995-Feb. 11, 1996) 30 x 24 cm Schirmer Art Books Edition Pages 170 Defects

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CINDY SHERMAN (1954) Cindy Sherman. Photographic Work 1975-1995 1995 Illustrated monographic catalog published on the occasion of exhibitions held at Deichtorhallen, Hamburg (May 25-July 30, 1995), Konsthall, Malmo (Aug. 26-Oct. 22, 1995) and Kunstmuseum, Lucerne (Dec. 8, 1995-Feb. 11, 1996) 30 x 24 cm Schirmer Art Books Edition Pages 170 Defects

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Batch of 11 exhibition catalogs and brochures, including exhibitions in the United States (Balzac and his time, French Embassy), photocopies of 2 catalogs from 1950, bulletin de la société archéologique du vendomois (2001), "Moi Paris" (Michelet centenary, 1975), Le Parisien chez lui au XIXe (1977),La comédie humaine et ses objets (Toulouse, 1970), Saché, Michel et Calmann Levy (BnF, 1986), etc. Lot of 6 volumes: Balzac à Vendôme. Tours, Gibert-Clarey, 1949 Launay & Jouanne, Balzac alençonnais. Poulet-Malassis, 1949. Chanoine de Laugardière, Satellites of Balzac. Bourges, Dusset, 1941. Letter on flyleaf. Métadier, Balzac en son pays. C.L.D., 1993. Letter from Métadier. 2 issues of Maurras' Dictionnaire politique et critique (1961) containing the article Balzac. Attached is a set of 64 plates in a folder entitled "Honoré de Balzac - Documents". [Bicentenary of Balzac's birth] Almanach de Honoré de Balzac. G.D. Editions, 1998. In-8 square. Weekly diary by Desquesne and Clifford, presenting biographical aspects, excerpts from the work, opinions of other personalities on Balzac, etc. Publisher's full binding, portrait on front cover, gilt edges. A good copy. Also included Rodin et Balzac, catalog of the 1973 Stanford University exhibition (pages detached from spine). Lot of 11 books: Balzac à Saché. Société Honoré de Balzac de Touraine, 1998. Sent by Paul Métadier. Lettere di donne a Balzac (letters from women to Balzac). ECIG, 1995. Bilingual edition. A Balzac - Fougères - 1950. Quinzaine Balzac en Vendômois - November 1980. Mon cher George - Balzac et Sand, Histoire d'une amitié. Gallimard. In blister. Bucciol, Da Versailles a Villa Galvagna. Nuova dimensione, 1999. Monselet, D'un souper offert par Balzac. Rouen, Alinéa, 2003. On sheets. Bulletin de la société historique et archéologique, 1933, n°10. Contains article: La princesse de Belgiojoso place de la Madeleine. R du Pontavice du Heussey, Balzac en Bretagne. Renne, Caillière, 1885. Encyclopédie par l'image Balzac. Bookseller Hachette. Nadine Satiat, Balzac. 1999

Valorac. 25 000 - 30 000 EUR

Pierre BETTENCOURT (1917-2006) Daphne's Dream, 1990 Mixed media Signed with initials, titled and dated 90 on back Height: 153 cm; Width: 111 cm Provenance: Daniel Cordier Collection Exhibition: Paris, Musée National d'Art Moderne, Passions privées, December 1995 - March 1996, catalog, p. 306, n°6, illustrated p. 310

Valorac. 5 000 - 6 000 EUR

JOSEP BARTOLÍ (Barcelona, 1910-New York, 1995). "Abstract", ca. 1946. Oil on panel. Signed in the lower margin. Provenance: Estate of Irena Urdang de Tours (art dealer and Holocaust survivor). Measurements: 14 x 9,5 cm; 26,5 x 22 cm (frame). Every plot of Josep Bartolí's life could have been extracted from a gripping novel. His drawings of denunciation would echo his time in concentration camps, from whose death he ended up escaping by jumping off a train. But he also experimented with abstraction, especially while in New York and Mexico. This painting ("Abstract") was probably made in New York in 1946, the year he met Frida Kalho and they fell in love, as evidenced by the love letters they wrote to each other (25 passionate letters from Fridha are preserved). The Mexican painter was in the U.S. city recovering from spinal surgery. Later, they continued their romance in Mexico. Stylistically, "Abstraction" is close to the postulates of abstract expressionism, as the artist frequented the circle of Pollock and Rothko in those years. Painter, draftsman and set designer. A disciple of Salvador Alarma and Tastàs, he collaborated with various publications (La Humanidad, La Opinión, La Esquella de la Torratxa...) as a political cartoonist. At a very young age he began to work as a cartoonist in the press and became involved in trade unionism in Barcelona at the time. Between 1933 and 1934 he presented an exhibition of drawings in Barcelona that was very successful. He was one of the organizers of the Sindicato de Dibujantes de Cataluña and of the UGT. leader in 1936. Towards the end of the Spanish Civil War he went into exile in France. Arrested by the Gestapo, he was sent to the Dachau camp, but on the way he escaped by jumping off the train and, after a long journey, he arrived in Mexico. There he resumed his pictorial activity, came into contact with the environment of Diego Rivera and Frida Kahlo, of whom he was a lover, and participated in the founding of the Prisse gallery. In the United States he was the first cartoonist of Hollyday magazine, standing out as one of the most sought-after cartoonists of the time, he made sets for historical films in Hollywood and was part of the 10th Street group, along with Willem de Kooning, Kline, Pollock and Rothko. In 1973 he received the Mark Rothko Award for Fine Arts.3 Among his illustrated books are Caliban (1971), The black man in America (1975) and Campos de concentración (Mexico, 1943; Madrid, Spain, 2006). This last title, based on texts by the Catalan journalist Molins i Fábrega, collects his extensive documentary series of pen drawings about his experience in the concentration camps.

Puja actual 30 EUR

Fine Arts - SHERMAN (Cindy) Catalog of the retrospective at the Fondation Louis Vuitton, with autograph signed letter from the artist to Gérard [Leman], New York City 2022. Enclosed is a card dedicated by the artist to Gérard [Leman], 2022.

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