Null AUGUSTIN CARDENAS.
Agustin Cárdenas. Sculptures 1947-1997
2002
Illustrated …

Description

AUGUSTIN CARDENAS. Agustin Cárdenas. Sculptures 1947-1997 2002 Illustrated catalog 28 x 21 cm Skira edition Pages 168 New with cellophane

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AUGUSTIN CARDENAS. Agustin Cárdenas. Sculptures 1947-1997 2002 Illustrated catalog 28 x 21 cm Skira edition Pages 168 New with cellophane

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Estim. 130 - 300 EUR

Set of 4 books on nobility: 1. JOURDA DE VAUX (Gaston de): La noblesse de la Haute-Loire aux armées (1914-1919). Text and plates of coats of arms. Le Puy, Badiou-Amant et Mallon-Veysseyre, s.d. [1920]. One volume. 21 by 27.5 cm. 1 frontispiece included in pagination-120 pages + 6 plates h.t. Modern bradel boards. Good condition. First edition. Printed in an edition of 140 copies (N°57). Very rare. Saffroy 26548. 2. HANE-STEENHUYSE (Ernest, Comte d'): Etudes historiques sur les coutumes féodales. Gand, Imprimerie et Lithographie de L. Hebbelynck, 1863. One volume. 12.5 by 19.5 cm. 109 pages. Contemporary black half-basane, spine ribbed and decorated. Very good condition. First edition. Saffroy I-6841: "Etude sur la noblesse chevaleresque et communale." 3. [JOUGLA DE MORENAS (Henri)]: Le second ordre. Paris, Société du Grand Armorial de France, 1947. One volume. 16 by 21.5 cm. 1 frontispiece included in pagination-495-(1) pages. Paperback, in printed cover. Good condition. First edition. Numbered 625 copies (N°465). Saffroy 6761. "This work had considerable success because it mentions a large number of families in order of seniority. It has become rare and sought-after." (Saffroy). 4. ROGER (Paul-André): La noblesse de France aux croisades. Paris, Derache, Dumoulin ; Bruxelles, Vandale, 1845. One volume. 18.5 by 28 cm. 1 frontispiece-399 pages, + 12 plates h.t. Contemporary brown half-chagrin, spine ribbed and decorated with fleur-de-lys. Slight rubbing to spine, scattered foxing, old ownership stamps on title and frontispiece. First edition. Saffroy I-3601.

Estim. 5 000 - 6 000 EUR

JOSÉ DE CÁRDENAS (Seville, late 17th century -1730). "Shepherds". Polychrome clay. They present faults and losses. One of them has a signature. Measurements: 18 x 22 x 13 cm; 15 x 24 x 11 cm. Set of sculptures made of terracotta representing two men lying down. In both cases the faces reflect an enormous naturalism of baroque heritage, and their expressions relate some characters with others, suggesting that originally they were part of a larger set, probably a manger. One of the most consolidated Christmas traditions, which has remained unchanged for centuries. The seventeenth century was the period in which these sculptures were made, becoming the Golden Age of the nativity scene. The figures multiplied, increasing the narrative of the representation and adding all kinds of profane elements, with representations of noble characters in addition to shepherds, innkeepers, shopkeepers, etc. An example of them are these two sculptures in which we can see how one of them holds an instrument, while the other adopts a posture of great expressiveness and originality. The quality of the figures added to the artist's seal found on one of the sculptures indicates that they are works made by José de Cárdenas, who had experience in the creation of nativity scenes or nativity scenes. An example of this is the set attributed to La Roldana in the Sculpture Museum of Valladolid, where it is known that Cárdenas participated in modeling the horse in 1727. José Cárdenas was a disciple of Pedro Roldán in Seville, whom he tried to imitate in small format and using clay as the main material. He was recognized as already mentioned for his figures for nativity scenes, of which some are preserved in Seville. Following the words of the historian Cean Bérmudez. "He died very poor there in the years of 1730, with the mania of being a knight, which he made everyone aware of with the executions that he always brought with him". Pedro Roldán, who had trained with Alonso de Mena, settled in Seville around 1640, achieving great success and fame there. The cultural richness of Seville led to a greater demand for commissions. This led to the creation of a workshop where a large number of artists, including Cardenas, worked and trained. Roldán's sculpture shows an interest in realistic carving and his influential style was characterized by the search for a new artistic language, moving away from the aesthetics of the masters of the first half of the century such as Montañés, Cano, Mesa and Ribas. They show fouls and losses.

Estim. 1 000 - 2 000 EUR

Barry Stein (American, 20th/21st c). Cast bronze sculpture titled "Morning Catch" in the form of a bald eagle swooping to catch a fish from silver-toned waves, 2001. Signed, dated, and numbered 4/25 along the base. With a certificate of authenticity. Height: 28 1/2 in x width 15 in x depth: 15 in. Weight: 64 lbs 7 oz.

Estim. 5 000 - 7 000 EUR

Mario Sironi Mario Sironi (Sassari 1885-Milano 1961) - Figura , 1947 ca. tempera on paper laid on canvas cm 53,2 x 29,6 Signed lower right: Sironi EXHIBITIONS Lugano, Fondazione Caccia Rusca,Mario Sironi, 26 september-30 november 1984. LITERATURE Mario Sironi, exhibition catalogue (Lugano, Fondazione Caccia Rusca), 1984, s.p., n. 8 (illustrated). Work registered withAssociazione per il Patrocinio e la Promozione della Figura e dell'Opera di Mario Sironi, Milan. This lot is subject to Artists Resale Rights

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