Null LUCIO FONTANA
(1899 - 1968)
The artist and the model
1990
Illustrated monog…

Beschreibung

LUCIO FONTANA (1899 - 1968) The artist and the model 1990 Illustrated monographic catalog, exh. 522/1000 32 x 23 cm Publisher Paolo Negrato Pages 45 Defects

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LUCIO FONTANA (1899 - 1968) The artist and the model 1990 Illustrated monographic catalog, exh. 522/1000 32 x 23 cm Publisher Paolo Negrato Pages 45 Defects

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Schätzw. 80 - 120 EUR

Lucio Fontana, "Concetto spaziale" elongated oval shape in green with perforated line, typical work from the artist's late work, screenprint and punching on light cardboard, around 1968, signed in biros on the lower left "L. Fontana" and inscribed "a Roma con tanti baci" on the left, inscribed "Lucio Fontana Concetto speziale Siebdruck - grün" on the reverse of the frame, somewhat wavy and slight signs of creasing, partially resting against the pane, framed behind glass, sheet dimensions approx. 71 x 34.5 cm. Artist info: ital. Artist (1899 Rosario/Argentina until 1968 Comabbio near Varese), 1905 moved to Milan with his parents, 1914-15 studied at the building trade school in Milan, 1922-28 the artist lived in Argentina, from 1928 studied at the Accademia di Brera in Milan under Adolfo Wildt, 1930 first exhibition in Milan and participation in the 17th Venice Biennale. From 1934 member of the artist group "Abstraction-Création", from 1935 first ceramic works and from 1936 worked for the Sèvres manufactory, from 1939 lived in Argentina again for several years, 1947 return to Milan, 1946 initiation of the "Manifesto bianco", 1958 creation of the first works with cuts in the canvas, multiple participation in the documenta in Kassel, source: Vollmer and Wikipedia.

Schätzw. 300 - 500 EUR

Sergio Asti (1926-2021) for Fontana Arte Daruma lamp circa 1968 In white opal glass H. 35 cm L. 33 cm

Schätzw. 600 - 800 EUR

TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back. Measurements: 60 x 60 cm. This work belongs to a series of seven paintings in which Terán reinterprets the iconic technique immortalized by Lucio Fontana. Only with the painting Terán recreates as a trompe l'oeil one of the most groundbreaking actions of contemporary art. Through different shades of white and variations he creates a pictorial series that works both as a whole and individually. In the catalog of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

Startpreis 3000 EUR

FONTANA Lucio, 1899-1968 Red Concetto Spaziale multiple edition in red thermoformed plastic, published by Achille Mauri, Milan, for Galerie René Metras, Barcelona, 1968 (very minor damage, framed, without booklet) 29.5 x 29.5 cm

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