Null MISCELLANEOUS AUTHORS
Parkett Vol. 63
2001
Reviewed in collaboration Tracey…

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MISCELLANEOUS AUTHORS Parkett Vol. 63 2001 Reviewed in collaboration Tracey Emin, Jeremy Blake, William Kentridge, Gregor Schneider 25.5 x 21.5 cm Pages 213 Defects

61

MISCELLANEOUS AUTHORS Parkett Vol. 63 2001 Reviewed in collaboration Tracey Emin, Jeremy Blake, William Kentridge, Gregor Schneider 25.5 x 21.5 cm Pages 213 Defects

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Stima 20 - 30 EUR

Large bundle of art magazines consisting of: 1) Die Kunst, published by F. Bruckmann AG Munich, Bruno Cassirer Berlin, 13th volume 1912, issues 6-12, 14th volume 1912/13, issues 1, 2, 3, 4, 5, 6, 8, 9, 10, 11, 12, 17th volume, 1915/16, issues 1, 2, 6, 7, 11, 12, 20th volume 1918/19, issues 2, 3, 4, 2 x 5, 7, 9, 10, 12, 22, 21st volume 1919/20, issues 3, 4, 7, 11, 12, 22. Jahrgang 1918/19, Heft 2, 3, 4, 2 x 5, 7, 8, 9, 10, 12, 21. Jahrgang 1919/20, Heft 3, 4, 7, 11, 22. Jahrgang 1920/21, Heft August, 23. Jahrgang 1921/22, Heft 3, 30. Jahrgang 1928/29, Heft 1-12 (7 missing); 2) Dekorative Kunst, two bound volumes, vol. 7 1901 and vol. 27 1919; 3) Deutsche Kunst und Dekoration, ed. Alexander Koch Darmstadt, 1st volume 1898, issues 3, 4, 5, 23rd volume 1919, issue 12, 24th volume 1920, issue 12, 26th volume 1923, issue 8; 4) Innendekoration, edited by Alexander Koch, partly with the collaboration of Henry van de Velde, 13th volume 1902, volume March, issue 12, issue 12, issue 12, issue 12, issue 12, issue 12, issue 8; 3) Innendekoration, edited by Alexander Koch, partly with the collaboration of Henry van de Velde, 13th volume 1902, volume March, issue 12 Jahrgang 1902, vol. March, April, June, August, 20. Jahrgang 1909, vol. January, February, plus some single sheets from the February 1902 issue, format max. 4°, all in original paperback, some spines damaged, marginal tears, some loose, signs of age and study.

Stima 250 - 300 EUR

Scandinavia - HAZELIUS (Arthur). Souvenirs du Musée du Nord: reproductions, with descriptive text, of objects kept at the museum, published with the collaboration of various artists and authors. Sl, [c. 1895]. In-4 oblong, green chagrin, title stamped in gold on first cover (period binding). Album alone, complete with 42 chromolithographed plates representing a collection of ethnographic and craft objects from the Nordic Museum in Stockholm. The plates are captioned and show costumes, sledges, jugs, sculptures, furniture, embroidery, a rural living room, etc. A good copy. Slight spotting, wear to binding.

Stima 3 500 - 3 700 EUR

JOSÉ LUIS ALEXANCO (Madrid, 1942-2021). "Boscuman", 1991. Acrylic on cotton canvas. Signed and dated on the back. Titled and dated on the stretcher frame. Measurements: 150 x 150 cm; 154 x 154 cm (frame). Alexanco studied drawing and engraving with Manuel Castro Gil at the Casa de la Moneda, in Madrid, and in 1960 he enters the School of Fine Arts. Between 1968 and 1974 he collaborated with other artists at the University's Calculus Center, where he worked on sculptural generation programs, in collaboration with the American company IBM. During this period he met the mathematician José Barbera, and together they developed the software MOUVNT, designed to generate automatic forms that would later materialize in anthropomorphic sculptures. In 1970, together with Luis de Pablo, he created the acoustic plastic show "Soledad Interrumpida", trained in Buenos Aires. In the following years he would continue to work with the same author on various projects, including the organization of the Pamplona Encounters of 1972. In 1978 he designed the prince edition of the Spanish Constitution for the Editora Nacional, and in 1998 he presented an important retrospective exhibition at the Centre d'Art Santa Mònica in Barcelona (later at the Círculo de Bellas Artes in Madrid). A referent of late Francoist painting and a technological innovator, his work is part of collections such as those of the Victoria & Albert Museum in London, The Chase Manhattan Bank in New York, MNCARS, Madrid; MACBA, Barcelona or the Juan March Foundation.

Stima 4 000 - 5 000 EUR

LUIS SEOANE LÓPEZ (Buenos Aires, 1910 - A Coruña, 1979). "Still life". 1969. Oil on canvas. Signed and dated in the lower margin. Provenance: José María Moreno Galván collection. Measurements: 30 x 40 cm; 33 x 43 cm (frame). Scene of interior in which the artist arranges a recurrent subject in the history of art as it is the still life. However, he exposes this genre from a modern point of view where the artist plays with the juxtaposition of elemental forms and a range of saturated colors applied in planes that are diluted and independent of objects and realism. A draftsman, painter, engraver and writer, Luis Seoane was educated in A Coruña, where he worked as a lawyer and was a member of the Partigo Galeguista, and in 1936 he settled in Buenos Aires. In his youth he participated in the political and cultural activity of the students of A Coruña and, according to the historian and journalist Carlos Fernández Santander, Seoane could be the author who, under the pseudonym of Hernán Quijano, wrote "Galicia Mártir. Episodes of the white terror in the Galician provinces", a book published in Paris and Argentina in 1938. In 1932 he graduated in Law and Social Sciences in Santiago de Compostela, and during these years he began his career in various fields. Thus, between 1927 and 1933 he militated in republican and autonomist left-wing parties, illustrated books and magazines and held his first exhibitions. In 1934 he returned to A Coruña from Santiago and began to work as a lawyer, while sharing gatherings with Huici, Cebreiro, Fernández Mazas, Del Valle, Julio J. Casal, Francisco Miguel and others. That same year he joined the Partido Galeguista. Two years later he took part in the campaign for the Statute of Autonomy, but when the war broke out he was forced to flee to the Argentine capital. Once settled in Buenos Aires, he kept in touch with other compatriots exiled from Franco's regime, among them the painter Leopoldo Nóvoa and the activist María Miramontes. In 1937 he published his first book there, "Trece estampas de la traición". Three years later he founded the collections "Hórreo" and "Dorna" in EMECÉ Editores, and in 1943 he created the magazine "Correo Literario" and Editorial Nova. Two years later, his "Homenaje a la Torre de Hércules" (Homage to the Tower of Hercules) was awarded in New York. In 1948 he founded the publishing house Botella al Mar, and the following year he made a trip to Europe and exhibited in London. Between 1952 and 1962 he exhibited in New York, founded the magazine "Galicia Emigrante" and the publishing house Citania, and was awarded prizes such as the medal of the Universal Exhibition of Brussels, the medal of the Senate of the Argentine Nation (1958) or the Palanza Prize (1962). At the same time, he worked for the Buenos Aires gallery Gordons, directed by Roberto Mackintosh, an expert and connoisseur of his work. In the last decades of his life he alternated his residence in America with trips to Galicia, and in 1977 the first complete edition of his poetic work was published. Between 1963 and 1979 he held exhibitions in Spain, Germany, Italy, Switzerland, Brazil and other countries. In 1994 the Day of the Galician Letters was dedicated to him, and in 2003 the Galician Center of Contemporary Art, in Santiago de Compostela, dedicated an important retrospective exhibition to him, which was later taken to the Museum of Modern Art in Buenos Aires. He is currently represented in the Caixanova Collection, among many others.

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