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Descrizione

JUAN ALMELA (Valencia, 1883- Mexico City, 1970). Vase, 1929. Hand-painted ceramic. Signed and dated on the base. Measurements: 20 x 15 x 15 cm. In this vase the painter Juan Almela draws, on its front, a pavilion with the representation of Adam and Eve taking the forbidden fruit from the tree. The back is embellished with the representation of a satyr. Gold and cobalt blue tones complete the decoration.

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JUAN ALMELA (Valencia, 1883- Mexico City, 1970). Vase, 1929. Hand-painted ceramic. Signed and dated on the base. Measurements: 20 x 15 x 15 cm. In this vase the painter Juan Almela draws, on its front, a pavilion with the representation of Adam and Eve taking the forbidden fruit from the tree. The back is embellished with the representation of a satyr. Gold and cobalt blue tones complete the decoration.

Stima 250 - 300 EUR
Base d'asta 150 EUR

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Circle of JUAN SARIÑERA, (Spain, c. 1545 - 1619). "The venerable Domingo Anadón delivering the guilds of the statutes of the Pila de San Vicente Ferrer". Oil on canvas. Relined. Measurements: 110 x 135 cm, 125 x 147 cm (frame). This canvas is a copy of the painting made by Juan Sariñena and is in the Notarial College of Valencia. This work is referenced in the catalog "Juan Sariñena. Painter of the Counter-Reformation in Valencia", published by the Generalitat Valenciana in 2008. Juan Sariñena was a Spanish painter, probably of Aragonese origin, active in Valencia in the late sixteenth and early seventeenth centuries. He was key in the acceptance of the new naturalistic language, replacing the mannerist and idealizing formulas of Juan de Juanes. In 1570 he was in Rome, influenced by painters of the late counter-mannerism and by the Academy of San Lucas. From 1580 he lived in Valencia, excelling in portraiture with Venetian technique. His first documented work is a portrait of King James I in 1580, followed by a portrait of St. Louis Beltran. In 1584, Sariñena began receiving commissions from Archbishop Juan de Ribera, including portraits of saints and a series of naturalistic portraits. In 1591, he directed the decoration of the Sala Nova of the Palacio de la Generalidad Valenciana, for which he was named Pintor de la Ciudad in 1595. He continued to work for Ribera and other important clients, including the remodeling of the cell of San Vicente Ferrer and several religious paintings. In his later years, he collaborated with Francisco Ribalta and adopted a more vivid color palette. In 1607, he was a member of the board of directors of the Colegio de Pintores and, although his output declined, he still undertook important commissions until his death in 1619 in Valencia. He was succeeded by his disciple Agustín Ridaura as painter of the city.