Null MARIE ANTOINETTE BOULLARD-DEVÉ. Women's academy. Charcoal drawing on paper
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MARIE ANTOINETTE BOULLARD-DEVÉ. Women's academy. Charcoal drawing on paper On the back, a portrait of a young man wearing a Cordovan hat. Made circa 1930. 65.5x50 cm. Rust.

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MARIE ANTOINETTE BOULLARD-DEVÉ. Women's academy. Charcoal drawing on paper On the back, a portrait of a young man wearing a Cordovan hat. Made circa 1930. 65.5x50 cm. Rust.

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In the style of JOSEF HOFFMANN (Brtnice, Czech Republic, 1870 - Vienna, 1956). Pair of armchairs. Walnut wood. Fabric upholstery with floral decoration. With signs of wear and tear. With xylophages. The wood needs to be reworked. Measurements: 73 x 55 x 47 cm. Pair of armchairs of Central European style, framed within the Viennese Secession, with structure in walnut wood with structure of parallel bands, functional and of refined volumes. An architect and industrial designer, Josef Hoffmann studied at the Academy of Applied Arts in Vienna, where he was a disciple of Carl Freiherr von Hasenauer and Otto Wagner, whose theories of functional, modern architecture would profoundly influence his work. He won the Prix de Rome in 1895, and the following year he joined Wagner's office, collaborating with Olbrich on some projects for the Metropolitan. He established his own office in 1898, and taught at the School of Decorative Arts in Vienna between 1899 and 1936. He was also a founding member of the Viennese Secession. In 1900 he travelled to London, where he came into contact with the English school and discovered Mackintosh. On his return, he set up a workshop for the production of objects based on designs by Secession artists, and the Wiener Werkstätte was born, a workshop which had a great influence on 20th-century industrial design. By 1903, production began on an international scale. In the course of his life, Hoffmann produced a variety of projects for buildings and furnishings, and exhibited his creations all over the world. He is currently represented in the MAK and the Leopold Museum in Vienna, the Metropolitan and MoMA in New York, the Brohan in Berlin, the Courtauld Institute in London and the Victoria & Albert in London, among many others.

[MARIE-THERESE, infanta of Spain and dauphine of France ]. Coffre de voyage aux armes. Sl, sd (c. 1745). Superb historical object bearing the coat of arms of the dauphine Marie-Thérèse-Antoinette of Spain, first wife of Louis de France, eldest son of Louis XV. Red morocco traveling case with coat of arms. H 23 x L 57.5 x W 29.7 cm. An exceptional piece for its rarity, quality and princely origin, this chest was made in France by the leatherworker L . Lecoq, whose telltale mark is stamped on the back (rooster emblem surrounded by his number L L) with a gilded iron on the morocco. The Lecoqs were a family and a true dynasty of leatherworkers with handed-down expertise, who were loyal suppliers to the Versailles court throughout the 18th century. Marie-Thérèse Antoinette Raphaëlle de Bourbon, Infanta of Spain and Dauphine of France, born in Madrid in 1726 and died in Versailles in 1746, was a Spanish princess, daughter of Philip V and Elisabeth Farnese, who was married to the Dauphin Louis de France, eldest child of Louis XV and future father of Louis XVI (he never reigned) in 1745, in order to reconcile France and Spain (in parallel with the marriage of Madame Première to the Infante Philippe). This type of travel furniture is a rare reminder of the train that every French princess followed on her travels. These small trunks could have been used to store accessories, crockery, miscellaneous books and so on. (OHR, 2525). The trunk is in very good condition. Minor wear marks on the morocco, discreet soiling (blackened dust on the trimmings or underside) and minor restorations (underside and opening cords fitted later, probably in place of brackets often of the same metal as the exterior trimmings on this type of object). Slightly obscured or oxidized gilding on all pushed irons.