Null Mirror with 18th-Century style frame in carved and gilt wood, circa 1930. 1…

Description

Mirror with 18th-Century style frame in carved and gilt wood, circa 1930. 157 cm high. Wear and some flaws on the gilding. Some breaks.

292

Mirror with 18th-Century style frame in carved and gilt wood, circa 1930. 157 cm high. Wear and some flaws on the gilding. Some breaks.

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Estim. 3 500 - 3 400 EUR

ALDO TURA (Italy, 1909 - 1963). Cabinet bar, 1960s. Rosewood, red lacquered goatskin and mirror lined interior. Measurements: 155 x 80 x 44 cm. This cabinet bar, designed by Aldo Tura around 1960, consists of a structure in macassar wood, with bronze hardware and upholstery in goatskin parchment. Raised on a pedestal of classical inspiration, formed by a prismatic base and a baluster, it consists of a prismatic body with two front doors of beautiful grain, with long hinges imitating those of the Gothic period and two arched handles also historicist. Inside it has a space entirely covered with mirror, divided by two glass shelves. Aldo Tura began his career in experimental furniture design in the 1930s. After the marked and angular forms of Art Deco, in these years wood began to be used in free forms, full of curves, and Tura saw in this new taste a new direction for furniture design. His work is a significant combination of free and uninhibited forms, sometimes exceptionally ironic. His designs are also examples of the highest craftsmanship, often being produced in limited edition series, and even just a prototype. In the 1950s, Tura discovered the evocative charm of furniture painted with Venetian architectural views, and also began to experiment with various materials, such as eggshell, parchment, goatskin or wood veneers.

Estim. 800 - 900 EUR

Side table in 20th century brutalist style. Wooden base and glass top. Slight damage to the wooden base. Measurements: 46 x 76 x 76 cm. The strong geometric shapes of this table harmonise with the simplicity of the style and fit in with the brutalist trend, based on the adaptation of the original raw concept and idea, adapting them to all spaces in a subtle and elegant way.

Estim. 1 500 - 1 600 EUR

PAUL TUTTLE (Missouri, USA, 1934 - California, USA, 2002) for Strässle International. Nonna" rocking chair, 1970s. Tubular chrome, ebonized bentwood, beige canvas and Swiss cowhide. The seat and backrest consist of a thick canvas that is attached to the frame with a large buckle and a strap to which cowhide is sewn. The chrome is bright, pitted-free and the black ebonized bentwood frame is splinter-free. The thick leather upholstery is soft, worn and free of rips or tears. Overall it is in very good condition, with appreciable wear in the images, which does not interfere with the overall view of the set. Measurements: 100 x 90 x 55 cm; 40 cm (seat height). This iconic piece of furniture is the epitome of mid-century modern design, with clean lines, smooth curves and a classic black lacquered wood frame that is as durable as it is elegant. Paul Tuttle was an American interior and furniture designer known for his sleek, modern pieces. He combined materials such as leather, metal, chrome and glass. He started in the 1950s with his mentor Alvin Lustig, from whom he drew inspiration. In his work he always sought the purest form of function.

Estim. 1 500 - 2 500 EUR

AN ANTIQUE SARDONYX CAMEO BROOCH / PENDANT AND EARRINGS SUITE in 18ct yellow gold, the brooch set with an oval sardonyx cameo carved to depict the bust of a classical woman, suspending three articulated foliate style drops, the earrings of similar design, French import marks, brooch/pendant 7.0cm, earrings 6.8cm, total weight 21.3g.

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