Null Four-tile panel in Talavera earthenware from the "tricolor" series, 17th Ce…

Description

Four-tile panel in Talavera earthenware from the "tricolor" series, 17th Century. 13x13 cm. Wooden frame. Chipping, enamel defects, and a broken tile.

168

Four-tile panel in Talavera earthenware from the "tricolor" series, 17th Century. 13x13 cm. Wooden frame. Chipping, enamel defects, and a broken tile.

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Estim. 20 - 30 EUR

Four reference books on design consisting of: Design, The Collection of the Museum of Modern Art, by Paola Antonelli; Provocations, Design from Italy; Italian Furniture Design by Albrecht Bangert; Design in the 19th Century, Museum of Applied Arts Cologne, format max. 4°, minor signs of wear.

Estim. 80 - 120 EUR

Hans Heinen, "Aprilwetter" Trees on the lakeshore, under towering storm clouds in the evening light, atmospheric glazed, partly slightly impasto landscape painting, oil on plywood panel, signed and inscribed on the lower right "Hans Heinen - Mchn. [Munich]", numbered and titled "F066" and "Aprilwetter" in India ink and dated "21 April 1919" in pencil on the reverse, old label "Erich Möller ... München" on the reverse of the frame, craquelure and painting ground slightly cracked due to drying, old backing of the plywood panel on the reverse, in need of cleaning and some restoration, originally framed in a gilt stucco frame (def.), rebate dimensions approx. 45 x 50 cm. Trees on the lakeshore, under towering storm clouds in the evening light, atmospheric glazed, partly slightly impasto landscape painting, oil on plywood panel, signed and inscribed on the lower right "Hans Heinen - Mchn. [Munich]", numbered and titled "F066" and "Aprilwetter" in India ink and dated "21 April 1919" in pencil on the reverse, old label "Erich Möller ... München" on the reverse of the frame, craquelure and painting ground slightly cracked due to drying, old backing of the plywood panel on the reverse, in need of cleaning and some restoration, originally framed in a gilt stucco frame (def.), rebate dimensions approx. 45 x 50 cm. Artist info: actually Johann Heinen, German painter. Painter, copyist and restorer of paintings (1860 Krefeld to 1943 Munich), artistically self-taught, active in Munich from 1890, participated in the exhibitions in the Glaspalast Munich in 1908 and 1917 as well as in the "Juryfreie Kunstausstellung" in 1911 and 1916, member of the Reichsverband Bildender Künstler Deutschlands, active in Munich, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Bruckmann "Münchner Maler des 19./20th century", Bénézit, Busse and Müller-Singer.

Estim. 150 - 200 EUR

ARROWSMITH (Aaron). A new general atlas, constructed from the latest authorities. Edinburgh, London, A. Constable & Co and Longman & Company, 1817. In-4, red half-basin with corners, smooth spine, printed label on front board (period binding). Fully engraved atlas with illustrated title, table leaf and 53 maps. Minor wear to binding, foxing.

Estim. 3 000 - 4 000 EUR

HEATHER (William). The New Mediterranean Pilot, containing two hundred and twenty-four accurate plans of the principal harbours, bays, roadsteads, and islands in the Mediterranean Sea. Including those in the Gulf of Venice, Archipelago, Sea of Marmora, and the Levant, Drawn from the French & Italian Surveys of Michelot, Bremond, & Ayrouard ; and from those of Mess. John Wilson and Joseph Foss Dessiou, Masters in the Royal Navy. London, W. Heather, 1802. In-8 oblong of [2] ff. (title and table), 224 engraved maps. Brown basane, spine ribbed (modern binding). Light spotting else a very good copy of this extremely rare atlas, much sought-after for the quality of its engravings.

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