Null [ROME] VERGELLI, Giuseppe Tiburzio (c. 1610-1690). Le fontane publiche dell…

Description

[ROME] VERGELLI, Giuseppe Tiburzio (c. 1610-1690). Le fontane publiche delle piazze di Roma modern. Rome: Matteo Gregorio Rossi, 1690. First edition of this scarce collection of plates devoted to the fountains of Rome in their original binding. The plates have been elegantly engraved by Pietro Paolo Girelli from drawings by Giuseppe Tiburzio Vergelli and are part of the ''Grand Tour'' illustrations well represented by Falda's better known series of fountains. Oblong folio, (263 x 375 mm). 24 engraved plates including title page (of 29?) numbered 1-24. Original carta rustica binding sewn on cords (some wear and tear to title page, f. 25 with a small marginal tear without loss of text. (1)

193

[ROME] VERGELLI, Giuseppe Tiburzio (c. 1610-1690). Le fontane publiche delle piazze di Roma modern. Rome: Matteo Gregorio Rossi, 1690. First edition of this scarce collection of plates devoted to the fountains of Rome in their original binding. The plates have been elegantly engraved by Pietro Paolo Girelli from drawings by Giuseppe Tiburzio Vergelli and are part of the ''Grand Tour'' illustrations well represented by Falda's better known series of fountains. Oblong folio, (263 x 375 mm). 24 engraved plates including title page (of 29?) numbered 1-24. Original carta rustica binding sewn on cords (some wear and tear to title page, f. 25 with a small marginal tear without loss of text. (1)

Les enchères sont terminées pour ce lot. Voir les résultats

Vous aimerez peut-être

Estim. 100 - 200 EUR

SAINT-AMANT (Marc-Antoine Gérard, dit De): La Rome ridicule du sieur de Saint Amant - Roma contrafatta del Signore di Saint Amant. S.n, s.l., s.d. One volume. 7 by 12 cm. 103 pages. Contemporary full calf, 5-rib spine, ornate bindings. Minor wear to corners, otherwise very good condition. "Marc-Antoine Gérard, sieur de Saint-Amant (Rouen 1594 - Paris 1660 or 61) is less famous for his poetry than for his debauchery, gluttony and drunkenness. He stayed in Rome in 1633, following in the footsteps of Marshal de Créquy, who had gone to negotiate the secret marriage of Gaston d'Orléans (brother of Louis XIII) and Marguerite de Lorraine with Pope Urban VIII. Saint-Amant had little taste for the Eternal City: a keen observer, he took pleasure in criticizing the city's monuments and fountains in his poem, deploring the cruelty and exuberance of Italian mores, as well as the general greed for gain. In turn, overly prudish matrons and jealous husbands are mocked, while the life of the common people in Rome's bustling streets is colorfully described, as the poet grumbles about the poor quality of food, drink and lodgings. Burlesque, vitriolic and at times crude". The work is considered one of the masterpieces of Baroque literature. Its 1st edition was published in French in 1643. A rare late 17th-century bilingual French and Italian edition of these irreverent CI poems, of which no trace has been found. The Italian translation in rhyming verse seems a form of provocation, given what is said about Rome. One line is retouched (poem VII)...

Mise à prix 500 EUR

TENIERS David II dit le jeune (School of) 1610 - 1690 Couple at table. Oil on canvas (lining). On the edge of the table, a monogram L.P (?). H. 34.5 - L. 25 cm.

Estim. 2 400 - 3 600 EUR

Table clock Réligieuse, Gilles Martinot Paris circa 1690, signed Gilles Martinot à Paris on the movement, rectangular wooden case with bevelled corners, flanked by two fluted full columns with Corinthian capitals, made of fire-gilt bronze, richly decorated with boulle marquetry, ornamental inlays in tortoiseshell, brass and pewter, partially engraved, the dial also made of fire-gilt bronze with inset enamel cartouches and a revolving minute scale, polished reliefs in the centre with three mascarons over a matte chased ground, including a coat of arms cartouche with engraved ligature monogram, original blued fleur-de-lis hands, full plate movement with thread suspension of the pendulum, three barrels and quarter hour strike over lock disc on three bells (petite sonnerie), movement is fully functional, inlays on the case with minor defects, with key, h 67 cm. A similar clock can be found in the German Clock Museum in Furtwangen. circa 1690, signed Gilles Martinot à Paris on the movement, rectangular wooden case with bevelled corners, flanked by two fluted full columns with Corinthian capitals, made of fire-gilt bronze, richly decorated with boulle marquetry, ornamental inlays in tortoiseshell, brass and pewter, partially engraved, the dial also made of fire-gilt bronze with inset enamel cartouches and a revolving minute scale, polished reliefs in the centre with three mascarons over a matte chased ground, including a coat of arms cartouche with engraved ligature monogram, original blued fleur-de-lis hands, full plate movement with thread suspension of the pendulum, three barrels and quarter hour strike over lock disc on three bells (petite sonnerie), movement is fully functional, inlays on the case with minor defects, with key, h 67 cm. A similar clock can be found in the German Clock Museum in Furtwangen. Info Gilles Martinot: born in 1658 as the son of Balthazar Martinot (1610-1697) and Catherine Hubert, court clockmaker to Louis XIV, active in Paris, based in the Rue de Harley, 'Au Chandelier d'or' from 1687 to 1689 and at 'Au Cadran' on the Quai d'Orfèvres from 1696 to 1718, died in 1726 in the Rue de Harley in Paris, source: Internet.

Paiement sécurisé

Les paiements en ligne sont sécurisés par Ingenico et les transactions cryptées.

Authentification

Chaque lot a été authentifié et expertisé par une Maison de Ventes.

Consultez notre aide ou contactez-nous

Composé de plusieurs filiales, le Groupe Drouot est un acteur incontournable du marché de l’art.
L’Hôtel Drouot, situé au cœur de Paris, est la plus grande place de ventes aux enchères publiques au monde, depuis 1852. 15 salles de ventes sont proposées à plus de 60 maisons de vente. L’émulation générée par une offre annuelle de 230 000 œuvres d’art issues de 21 grandes spécialités – de l’Antiquité au street art –, attire quelques 3 000 enchérisseurs chaque jour.
La plateforme digitale du Groupe, Drouot.com, propose des ventes digitales – Live (retransmission et participation aux enchères en direct), Online-only (ventes aux enchères dématérialisées) et Buy Now (ventes de lots à prix fixes). Près de 2 millions d’objets sont proposés par 600 maisons de vente.
L’actualité des enchères est relayée chaque semaine par La Gazette Drouot, l’hebdomadaire de référence du marché de l’art et du patrimoine édité par Auctionspress.

Le Groupe Drouot

Les opérateurs de vente agréés Drouot

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]

Visites & Privatisations