Null CAESAR, Gaius Julius (100-44 BC). Commentaria Caesaris. Florence: Giunta, 1…
Description

CAESAR, Gaius Julius (100-44 BC). Commentaria Caesaris. Florence: Giunta, 1508. Caesar's famous commentaries, here in a contemporary binding and annotated by a contemporary reader. 8vo, (160 x 100mm). Several contemporary marginal annotations, 6 leaves bound at the beginning containing depictions of four siege machines and a list of Latin places mentioned in Caesar's work with their sixteenth-century Italian/Latin counterparts (a few sporadic stains, small wormtrack at lower right corner of last two leaves). Contemporary Venetian binding with blindstamped boards decorated with geometric motifs in the 'Lotto' style, contemporary brass clasps (lacking ties), spine tooled in blind, contemporary pastedowns reusing a fifteenth-century manuscript on vellum. (light wear, small, discreet restoration to joints). (1)

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CAESAR, Gaius Julius (100-44 BC). Commentaria Caesaris. Florence: Giunta, 1508. Caesar's famous commentaries, here in a contemporary binding and annotated by a contemporary reader. 8vo, (160 x 100mm). Several contemporary marginal annotations, 6 leaves bound at the beginning containing depictions of four siege machines and a list of Latin places mentioned in Caesar's work with their sixteenth-century Italian/Latin counterparts (a few sporadic stains, small wormtrack at lower right corner of last two leaves). Contemporary Venetian binding with blindstamped boards decorated with geometric motifs in the 'Lotto' style, contemporary brass clasps (lacking ties), spine tooled in blind, contemporary pastedowns reusing a fifteenth-century manuscript on vellum. (light wear, small, discreet restoration to joints). (1)

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Richard Hartmann, Dickschied im Taunus im Frühling View over green, blooming meadows with blossoming trees to the village of Dickschied (today part of Heidenrod), under an effectively cloudy sky, captured in a study-like manner, impasto landscape painting with broad brushstrokes and partial visibility of the painting ground, oil on card, signed and dated "Richard Hartmann 1921" lower left, titled and signed on the reverse "Dickschied im Taunus im Frühling (Wispertal) - Richard Hartmann Wiesbaden" and framing label "Wiesbaden ....", framed, rebate dimensions approx. 44 x 54 cm. Artist information: German landscape painter. Landscape painter, genre painter and portrait painter (1868 Heilbronn am Neckar - 1931 Wiesbaden), son of the painter Heinrich Hartmann, initially studied at the Stuttgart academy, from 1889 in Munich, studied 1890-92 at the Munich academy under Otto Seitz, here master student of Nikolaus Gysis, Paul Höcker and Andreas Müller, worked in Munich until 1900, 1900-09 in Worpswede and Osterholz-Scharmbeck, here temporarily director of a private painting school, then in Wertheim am Main, from 1914 in Wiesbaden, member of the Deutscher Künstlerbund Weimar and the Münchner Künstlergenossenschaft, worked at the Munich Glaspalast from 1898-1914, source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Müller-Singer, Jansa, Matrikel der Münchner Akademie, Bruckmann "Münchner Maler des 19./20. Jh.", Nagel "Schwäbisches Künstlerlexikon", Julius Baum "Die schwäbische Kunst im 19. und 20. Jahrhundert" and Dressler.